Paberikuju

Õpilaste kunstiteoste juhend

Chrysler Corporation

Nimi Klass Kuupäev

Margaret Bourke-White, Chrysler Corporation (1932). Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt.

Faktid

Kunstnik
Margaret Bourke-White wahooart.com/et/artists/margaret-bourke-white/
Kunstniku eluaastad
1904 – 1971
Maalatud
1932
Originaalmõõtud
33 x 23 cm

Kontekstis

Chrysler Corporation — Margaret Bourke-White

Mis on selle suurus?

Originaalmeasured on 33 × 23 cm (kõrgus × laius), joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Varjatud: Margaret Bourke-White eluajal (1904–1971) ▲ see teos, 1932

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: wahooart.com/et/art/similar/margaret-bourke-white-chrysler-corporation-AS7V7R-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Phthalo Green #28231d

    Salvestatud palett

    • #28231D
    • #AAA092
    • #4E473E
    • #756C62
    Palett
    Earthy Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Phthalo Green
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Gentle Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Unified Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Deep_shadow Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kunstnik ja muuseum

    Kunstnik

    Margaret Bourke-White

    Sündinud The Bronx, United States of America

    Early Life and Education

    Born: June 14, 1904, in the Bronx, New York City, U.S.

    Died: August 27, 1971 (aged 67)

    Parents: Joseph White and Minnie Bourke. Her father was an engineer and inventor; her mother a resourceful homemaker.

    Education: Attended Columbia University briefly, then transferred to the University of Michigan and Cornell University, graduating with a B.A. in biology in 1927.

    Early interest in photography fostered by her father's enthusiasm for cameras and machines.

    Career Beginnings: Architectural and Industrial Photography

    1920s: Started as a freelance photographer in Cleveland, Ohio.

    Developed a distinctive style focusing on architectural and industrial subjects.

    Her photographs of steel mills gained recognition, leading to a commission from Fortune magazine.

    1929-1935: Worked for Fortune, documenting American industry during the Great Depression.

    First Western photographer permitted to photograph Soviet industry in 1930.

    Created a monumental photo mural about radio for NBC's rotunda at Rockefeller Plaza in 1933.

    Rise to Prominence with *Life* Magazine and Documentary Work

    1936: Became the first female staff photographer for Life magazine.

    Her photograph of the construction of Fort Peck Dam appeared on the cover of Life's first issue, establishing her national recognition.

    Documented the Great Depression and Dust Bowl, highlighting social injustices.

    Collaborated with novelist Erskine Caldwell on You Have Seen Her Face (1937), a powerful photographic study of Southern sharecroppers.

    Covered World War II as a war photojournalist, documenting key events including the liberation of Buchenwald concentration camp.

    Later Career and Global Perspectives

    1940s-1950s: Continued working for Life magazine, covering international events.

    Photographed apartheid in South Africa, bringing attention to racial segregation.

    Covered the Korean War.

    Developed Parkinson's disease later in life, which impacted her career.

    Legacy and Historical Significance

    Pioneering Photojournalist: Broke barriers for women in photojournalism, demonstrating skill and courage in a male-dominated field.

    Documentary Vision: Her work documented significant historical events and social issues, providing valuable insights into the 20th century.

    Influence on Photography: Helped popularize industrial photography and established Life magazine as a leading platform for photojournalism.

    Firsts: First female war correspondent, first foreign photographer in the Soviet Union, and many other groundbreaking achievements.

    Her photographs are held in major museum collections including MoMA and the Library of Congress.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Chrysler Corporation allalaadimislehele

    wahooart.com/et/art/download/margaret-bourke-white-chrysler-corporation-AS7V7R-en/

    Viige seda teost allintena

    MLA
    Bourke-White, Margaret. Chrysler Corporation. 1932, https://wahooart.com/et/art/margaret-bourke-white-chrysler-corporation-AS7V7R-en/
    APA
    Bourke-White, Margaret (1932). Chrysler Corporation [Painting]. https://wahooart.com/et/art/margaret-bourke-white-chrysler-corporation-AS7V7R-en/
    Chicago
    Margaret Bourke-White. Chrysler Corporation. 1932. https://wahooart.com/et/art/margaret-bourke-white-chrysler-corporation-AS7V7R-en/
    Harvard
    Bourke-White, Margaret (1932) Chrysler Corporation. Available at: https://wahooart.com/et/art/margaret-bourke-white-chrysler-corporation-AS7V7R-en/

    Vaata lähedalt

    Chrysler Corporation — Margaret Bourke-White

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi juhendi alguses esitatud teosele Wind Tunnel Construction, Fort Peck Dam, Montana (1936). Tooge kaks asja, mis sellel teosel koos sellega ühendavad, ning üks erinevus.
    4. Margaret Bourke-White oli selle teose valmimisel umbes 28 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik. Kasutage selle juhendi varasemate osade faktisid ja oma eelmitud vastuseid.