Paberikuju

Õpilaste kunstiteoste juhend

Dialectic No.2

Nimi Klass Kuupäev

leslie hurry, Dialectic No.2 (1940). Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt.

Faktid

Kunstnik
leslie hurry wahooart.com/et/artists/leslie-hurry/
Maalatud
1940
Originaalmõõtud
98 x 124 cm

Kontekstis

Dialectic No.2 — leslie hurry

Mis on selle suurus?

Originaalmeasured on 98 × 124 cm (kõrgus × laius), joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1940

▲ see teos, 1940

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: wahooart.com/et/art/similar/leslie-hurry-dialectic-no-2-ARAL2Y-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Espresso #343731

    Salvestatud palett

    • #343731
    • #5F695F
    • #8B6342
    • #959A83
    Peavärvi nimi
    Espresso
    Intensiivsus
    Balanced Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Gentle Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Discordant Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Balanced Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Subtle Color Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kunstnik ja muuseum

    Kunstnik

    leslie hurry

    Leslie Hurry: Weaver of Dreams – A Surrealist Journey Through Stage and Canvas

    Born in the heart of London in 1909, Leslie George Hurry’s life was a tapestry woven from unexpected threads—a family legacy in funeral directing, a rejection of convention at Haberdashers' Aske's Boys' School, and ultimately, an immersion into the vibrant world of art. His early years were marked by a quiet resistance to his father’s profession, a decision that steered him towards the artistic pursuits he felt compelled to embrace. This initial divergence set the stage for a career defined by its fluidity, experimentation, and a profound engagement with the subconscious – qualities that would later solidify his place as a key figure in British surrealism.

    Hurry’s formal training at the Royal Academy Schools proved brief, ending prematurely before he could complete his five-year scholarship. This early departure wasn't a failure but rather a catalyst; it liberated him from rigid academic constraints and allowed him to forge his own path, one characterized by restless exploration and a deep connection with the landscapes of Britain and Europe. The 1930s witnessed a period of itinerant painting, a time of searching for a personal style amidst the melancholic beauty of rural England and the artistic ferment of Paris. This journey was not without its challenges; plagued by health issues and disillusioned with his work, Hurry sought refuge in a secluded cottage at Thaxted, Essex, where he found solace and inspiration through a profound friendship with Grace Sholto Douglas, an influential patron who profoundly shaped his artistic trajectory.

    The Dawn of Ultra-Surrealism

    It was during this period of isolation that Hurry’s unique artistic vision truly began to coalesce. 1940–41 marked a pivotal year, culminating in the creation of two remarkable books – “The Journey” and “Book of the Seven Eagles” – filled with intricate automatic drawings. These works, exhibited at the Redfern Gallery, catapulted him into the spotlight as an "ultra-surrealist." Unlike the more overtly fantastical depictions often associated with the movement, Hurry’s work possessed a haunting intimacy, revealing layers of hidden symbolism and psychological depth through meticulously rendered lines and evocative imagery. The drawings weren't merely random scribbles; they were carefully constructed narratives, reflecting his inner landscape and offering glimpses into a world governed by dream logic.

    This recognition fueled his entry into the theatrical realm, beginning with a commission for Robert Helpmann to design sets for Hamlet at Sadler’s Wells Ballet in 1942. This marked the start of a prolific collaboration with Helpmann and other prominent figures in the ballet world – including Michael Benthall – that would define much of his subsequent career. His stage designs weren't simply decorative; they were integral to the storytelling, creating immersive environments that heightened the emotional impact of the performances.

    A Symphony of Stage and Canvas

    Hurry’s influence extended far beyond ballet. He worked extensively for Sadler’s Wells, the Old Vic, Aldwych Theatre, Glyndebourne, the Royal Opera House, the Royal Shakespeare Company, and even ventured to Stratford-upon-Avon in Canada. His versatility is evident in his diverse body of work – from abstract paintings exploring the subconscious to meticulously rendered portraits capturing the essence of his subjects, and finally, landscape works imbued with a sense of melancholy beauty. His style evolved over time, reflecting his experiences and influences, yet consistently retained a distinctive quality characterized by its precision, emotional resonance, and subtle surrealist undertones.

    His paintings often featured recurring motifs – birds, landscapes bathed in twilight, and figures caught in moments of introspection—suggesting themes of isolation, longing, and the search for meaning. He wasn’t simply depicting what he saw; he was translating his inner world onto canvas, creating works that invited viewers to engage with their own subconscious thoughts and feelings.

    Legacy and Influence

    Leslie Hurry's career spanned several decades, leaving behind a substantial body of work encompassing paintings, stage designs, and drawings. His contributions to British surrealism are undeniable, and his influence can be seen in the works of subsequent artists who embraced automatism and explored the boundaries between reality and imagination. The Billy Rose Theatre Division at the New York Public Library holds a collection of his costume designs, offering further insight into his creative process. His work continues to resonate with audiences today, reminding us of the power of art to illuminate the hidden depths of the human psyche.

    Hurry’s life and career stand as a testament to the courage to defy expectations, the importance of seeking inspiration in unexpected places, and the enduring allure of surrealism—a movement that continues to challenge our perceptions of reality and invite us to embrace the beauty of the unconscious mind.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Dialectic No.2 allalaadimislehele

    wahooart.com/et/art/download/leslie-hurry-dialectic-no-2-ARAL2Y-en/

    Viige seda teost allintena

    MLA
    hurry, leslie. Dialectic No.2. 1940, https://wahooart.com/et/art/leslie-hurry-dialectic-no-2-ARAL2Y-en/
    APA
    hurry, leslie (1940). Dialectic No.2 [Painting]. https://wahooart.com/et/art/leslie-hurry-dialectic-no-2-ARAL2Y-en/
    Chicago
    leslie hurry. Dialectic No.2. 1940. https://wahooart.com/et/art/leslie-hurry-dialectic-no-2-ARAL2Y-en/
    Harvard
    hurry, leslie (1940) Dialectic No.2. Available at: https://wahooart.com/et/art/leslie-hurry-dialectic-no-2-ARAL2Y-en/

    Vaata lähedalt

    Dialectic No.2 — leslie hurry

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi juhendi alguses esitatud teosele Palace Dream (1942). Tooge kaks asja, mis sellel teosel koos sellega ühendavad, ning üks erinevus.
    4. Mida kunstnik võib olla soovinud teile tekitada?
    5. Kui sa saaksid kunstnikult selle teose kohta ühe küsimuse esitada, siis mis see oleks?

    Teie vastus

    Kirjutage sellest teosest lühike lõik. Kasutage selle juhendi varasemate osade faktisid ja oma eelmitud vastuseid.