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Grasmere

Nimi Klass Kuupäev

Francis Frith, Grasmere (1860). Avalik omand Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Francis Frith wahooart.com/et/artists/francis-frith/
Kunstniku eluaastad
1822 – 1898
Maalatud
1860
Originaalmõõtmed
16 x 21 cm

Kontekstis

Grasmere — Francis Frith

Mis on selle mõõt?

Originaali mõõdud on 16 × 21 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880
  8. 1890

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 76 surumisel.

Maalatud siis, kui kunstnik oli 38 aastane. Kunstnik elas 76 aastani. 12 meie kataloogis olevatest selle kunstniku 51 dateeritud teosest on loodud varem.

Varjatud: Francis Frith eluajal (1822–1898) ▲ see teos, 1860 iga dateeritud maal, aastakümne kaupa

Võrdle teoseid

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: wahooart.com/et/art/similar/francis-frith-grasmere-AQUR4V-en/

Värvid

Pildist mõõdetud

    Peavärv

    Rosy Brown #aca399

    Katalogistatud palett

    • #ACA399
    • #413732
    • #E3DCC8
    • #736963

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Palett
    Neutrals Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Rosy Brown
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Statement Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Strong Color Unity Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Bright Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Francis Frith teosed viimase zwölf kuuga — kokku 3 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Hiina 90,0%
    2. 2 Saksamaa 5,0%
    3. 3 Ameerika Ühendriigid 5,0%

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Francis Frith kõige vaatamistundlikumad teosed (kokku 17)

    1. 1 Jerusalem from The Mount of Olives (Plate 16), 1858 18,2%
    2. 2 Furness Abbey Hotel, 1860 9,1%
    3. 3 Shechem (Nablous), Between Ebel and Gerizim ( 590), 1860 9,1%
    4. 4 Melrose Abbey, 1860 9,1%
    5. 5 Hiiglaslikud Gizah vallutamata, 1858 4,5%
    6. 6 The Great Pyramid and the Sphinx, 1858 4,5%
    7. 7 Photo by Francis Frith of the Temple of Khonsu at Karnak, 1859 4,5%
    8. 8 The Sphinx and Great Pyramid, Gezah, 1858 4,5%
    9. 9 Melrose Abbey, Interior, 1860 4,5%
    10. 10 Entrance of the Church of the Holy Sepulchre, Jerusalem (Plate 17), 1858 4,5%
    11. 11 Warwick Castle, 1860 4,5%
    12. 12 El Khusne, The Rock Temple, Petra ( 547), 1860 4,5%
    13. 13 Canterbury Cathedral, 1860 4,5%
    14. 14 Site of Petra, The Rock City of Edom ( 549), 1860 4,5%
    15. 15 Dryburgh Abbey, 1860 4,5%
    16. 16 Untitled, 1892 4,5%
    17. — Grasmere, 1860 see maalaus 0,0%

    Koos kattavad need teosed 99,5% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 51 seda kunstnikku kuuluvat teost, millest 16 on vähemalt üks kord vaadatud. Seda teost ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Francis Frith

    The Visionary of the Nile: The Life and Legacy of Francis Frith

    In the mid-nineteenth century, as the Victorian era began to expand its horizons through exploration and industrial prowess, a new kind of artist emerged—one who used the lens rather than the brush to capture the sublime. Francis Frith, born in Chesterfield, Derbyshire, in 1822, was far more than a mere businessman or a pioneer of photography; he was a visual storyteller whose expeditions brought the ancient wonders of the Orient into the parlors of Europe. Though his early life was rooted in the practicalities of the Quaker tradition and even involved apprenticeships in the cutlery trade and success as a wholesale grocer, Frith possessed an innate curiosity that would eventually lead him to the sun-drenched landscapes of Egypt, Palestine, and Syria.

    The transition from commerce to the arts was not merely a change in profession but a profound evolution of perspective. After establishing himself in the photographic studio scene in Liverpool during the early 1850s, Frith felt the pull of the distant unknown. His journeys between 1856 and 1860 were Herculean feats of both physical endurance and technical mastery. Carrying heavy glass plate cameras through blistering heat and swirling desert sands, he utilized the challenging collodion process to document monuments that had remained largely unseen by Western eyes. These were not simple snapshots; they were meticulously composed architectural studies that demanded immense patience, as each exposure required a portable wicker darkroom to prepare the wet plates in situ.

    A Master of Light and Scale

    What distinguishes Frith’s work from the mere documentation of his contemporaries is his profound sense of composition and scale. He did not simply photograph ruins; he orchestrated scenes that evoked the grandeur of classical painting. Influenced by the sweeping landscapes of masters like Turner and Constable, Frith understood how to use light and shadow to imbue stone and sand with a sense of eternal mystery. His large-format negatives, some measuring as much as 16 by 20 inches, allowed for an incredible level of detail that could transport a viewer from the grey streets of London directly to the towering pylons of Karnak or the silent majesty of Abu Simbel.

    His technical achievements were matched by his entrepreneurial brilliance. Recognizing the immense public appetite for these exotic vistas, he established Francis Frith & Co. in 1860. This venture was revolutionary, aiming to document the very fabric of the British landscape alongside his Middle Eastern discoveries. The company grew into one of the largest photographic publishers in the world, amassing a staggering collection of negatives that covered thousands of population centers across Great Britain and Ireland. Through his publications, such as Egypt and Palestine Photographed and Described, Frith democratized the experience of travel, allowing the burgeoning middle class to participate in the era's fascination with Orientalism.

    Historical Significance and Enduring Impact

    The historical weight of Francis Frith’s contribution cannot be overstated. He was a foundational figure in the development of landscape photography as an art form, bridging the gap between scientific documentation and aesthetic expression. His work provided a vital visual record of archaeological sites that have since been altered by time, conflict, and environmental change, making his archive an invaluable resource for modern historians and archaeologists alike.

    As we reflect on his life, several key elements of his legacy remain prominent:

    Pioneering Exploration: His ability to navigate extreme climatic conditions to capture the first high-quality photographic records of ancient Near Eastern civilizations.

    Technological Innovation: The masterful application of the wet-plate collodion process in environments previously thought impossible for such delicate work.

    The Birth of Photographic Publishing: Creating a commercial model that turned photography from a niche hobby into a global industry of visual information and art.

    Cultural Influence: Shaping the Victorian imagination and the Western perception of the Middle East through a lens of grandeur and romanticism.

    Francis Frith passed away in 1898, leaving behind a world that had been forever changed by his vision. He remains a titan of the photographic medium, an artist who mastered the light of distant lands to illuminate the history of humanity.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Grasmere allalaadimislehele

    wahooart.com/et/art/download/francis-frith-grasmere-AQUR4V-en/

    Viige seda teost allintena

    MLA
    Frith, Francis. Grasmere. 1860, https://wahooart.com/et/art/francis-frith-grasmere-AQUR4V-en/
    APA
    Frith, Francis (1860). Grasmere [Painting]. https://wahooart.com/et/art/francis-frith-grasmere-AQUR4V-en/
    Chicago
    Francis Frith. Grasmere. 1860. https://wahooart.com/et/art/francis-frith-grasmere-AQUR4V-en/
    Harvard
    Frith, Francis (1860) Grasmere. Available at: https://wahooart.com/et/art/francis-frith-grasmere-AQUR4V-en/

    Vaata lähedalt

    Grasmere — Francis Frith

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi selle juhendi alguses esitatud teosele Hiiglaslikud Gizah vallutamata (1858). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    4. Francis Frith oli seda teost luues umbes 38 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Kas saan teose "Grasmere" näha täiskuunil slideshowina?

    Saadaval on diavorama: „Grasmere“, autor Francis Frith teose Pildikava leht.

    Mis on teose „Grasmere“, autor Francis Frith tegelik suurus?

    Teose „Grasmere“, autor Francis Frith mõõdud on 16 x 21 cm. Reproduktsioone saab tellida muutes mõõtust, säilitades samal ajal samad proportsioonid.

    Kui palju valgust tundub teose "Grasmere" värvid peegeldavat?

    Teose „Grasmere“, autor Francis Frith luminants on Gentle Luminance. Luminants kirjeldab, kui palju valgust värvid peegeldavad.