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Nimrod

Nimi Klass Kuupäev

David Scott, Nimrod (1832). Avalik omand Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
David Scott wahooart.com/et/artists/david-scott/
Kunstniku eluaastad
1806 – 1849
Maalatud
1832
Originaalmõõtmed
178 x 140 cm

Kontekstis

Nimrod — David Scott

Mis on selle mõõt?

Originaali mõõdud on 178 × 140 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga. See teos on sellel lehel måhuribus joonistamiseks liiga suur.

Millal see maalis on tehtud?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 43 surumisel.

Maalatud siis, kui kunstnik oli 26 aastane. Kunstnik elas 43 aastani. 2 meie kataloogis olevatest selle kunstniku 24 dateeritud teosest on loodud varem.

Varjatud: David Scott eluajal (1806–1849) ▲ see teos, 1832 iga dateeritud maal, aastakümne kaupa

Võrdle teoseid

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: wahooart.com/et/art/similar/david-scott-nimrod-AQTV58-en/

Värvid

Pildist mõõdetud

    Peavärv

    Driftwood #8d735a

    Katalogistatud palett

    • #8D735A
    • #5E4633
    • #C4AC8B
    • #34271B

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Palett
    Earthy Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Driftwood
    Intensiivsus
    Balanced Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Balanced Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Strong Color Unity Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Shadow Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Subtle Color Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik David Scott teosed viimase zwölf kuuga — kokku 4 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Hiina 62,5%500 visits
    2. 2 Valgevene 12,5%100 visits
    3. 3 Prantsusmaa 12,5%100 visits
    4. 4 Ameerika Ühendriigid 12,5%100 visits

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    David Scott kõige vaatamistundlikumad teosed (kokku 8)

    1. 1 The Triumph of Love, 1846 22,2%200 visits
    2. 2 The Light Grew Dark and the Wind Blew Loud 22,2%200 visits
    3. 3 Queen Elizabeth (1533–1603), Viewing the Performance of 'The Merry Wives of Windsor' at the Globe Theatre, 1840 11,1%100 visits
    4. 4 Mary, Queen of Scots, Receiving the Warrant for Her Execution, 1840 11,1%100 visits
    5. 5 The Pursuit of Fortune, 1847 11,1%100 visits
    6. 6 Vasco da Gama Encountering the Spirit of the Storm, 1842 11,1%100 visits
    7. 7 Russians Burying Their Dead, 1832 11,1%100 visits
    8. — Nimrod, 1832 see maalaus 0,0%0 visits

    Koos kattavad need teosed 99,9% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 30 seda kunstnikku kuuluvat teost, millest 7 on vähemalt üks kord vaadatud. Seda teost ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    David Scott

    David Scott (1806–1849): A Visionary of Scottish Romanticism

    David Scott, a name perhaps less familiar than some of his contemporaries, stands as a pivotal figure in 19th-century British art. Born in Edinburgh in 1806, he wasn’t merely a painter; he was a translator of myth and emotion, a weaver of intricate narratives through the evocative power of color and form. His life, intertwined with intellectual currents and artistic experimentation, culminated in a body of work that continues to resonate with its dramatic intensity and profound symbolic depth. Scott's legacy resides not just in his individual paintings but also in his role as a key contributor to the burgeoning Romantic movement within Scotland.

    Early Life and Artistic Foundations

    Scott’s early life was shaped by a unique blend of artistic influence and familial circumstance. Born into a family with roots in engraving – his father, Robert Scott, was a respected professional – he received an education steeped in visual culture from a young age. He attended the prestigious Royal High School in Edinburgh, where he honed his skills in drawing and design. Crucially, his upbringing fostered a deep appreciation for storytelling and allegory, elements that would become central to his artistic vision. His brother, William Bell Scott, also a prominent artist, further enriched this environment, creating a shared creative space and mutual influence.

    Early Influences: Scott’s artistic development was profoundly shaped by the Romantic ideals prevalent in Europe at the time – particularly those championed by artists like William Blake.

    Technical Training: He studied under his father, mastering techniques of engraving and drawing, which informed his later painting style.

    Edinburgh's Artistic Hub: Living in Edinburgh provided access to a vibrant artistic community and exposure to diverse influences.

    A Journey Through Italy and the Development of Style

    In 1832, Scott embarked on a transformative journey to Italy – a period that fundamentally altered his artistic trajectory. This sojourn wasn’t simply a vacation; it was an immersive experience designed to ignite his creative spirit. He spent over a year studying the works of Michelangelo and other masters, absorbing their techniques and embracing the dramatic narratives of classical mythology. The Italian light, color palettes, and historical settings profoundly impacted his style, moving him away from the more restrained academic traditions of the time.

    Immersive Study: Scott’s time in Italy was dedicated to intensive study of Renaissance art and architecture.

    Shift in Palette: He adopted a richer, more vibrant color palette influenced by Italian masters.

    Mythological Themes: His subject matter increasingly leaned towards dramatic mythological scenes, reflecting the influence of classical antiquity.

    Major Works and Symbolic Language

    Scott’s artistic output is characterized by a remarkable range of subjects – from biblical narratives to historical events and allegorical representations. His most celebrated works often feature complex symbolism, inviting viewers to engage in layers of interpretation. “Vasco de Gama at the Cape of Good Hope” (1842), for example, isn’t merely a depiction of an explorer's encounter; it’s a meditation on courage, faith, and the perils of exploration. Similarly, his illustrations for Coleridge’s The Rime of the Ancient Mariner are not simply visual representations of the poem’s story but powerful embodiments of its themes of guilt, redemption, and the interconnectedness of nature.

    “Vasco de Gama at the Cape of Good Hope” (1842): A monumental painting exploring themes of exploration, faith, and human endurance.

    Illustrations for Coleridge’s The Rime of the Ancient Mariner (1837): Dramatic depictions that capture the poem's haunting atmosphere and moral complexities.

    Recurring Motifs: Scott frequently employed recurring motifs – such as light and darkness, water and fire – to convey symbolic meanings within his paintings.

    Legacy and Historical Significance

    David Scott’s artistic career was tragically cut short by illness in 1849 at the age of forty-two. Despite his relatively brief life, he left an indelible mark on Scottish art. He played a crucial role in establishing the Edinburgh School of Art, and his work helped to shape the direction of Romantic painting in Scotland. His emphasis on dramatic storytelling, symbolic language, and vibrant color palettes influenced generations of artists who followed. Today, Scott’s paintings are held in major collections across the UK, testament to their enduring beauty and artistic significance. He remains a vital figure in understanding the evolution of British art during a period of profound social and cultural change.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Nimrod allalaadimislehele

    wahooart.com/et/art/download/david-scott-nimrod-AQTV58-en/

    Viige seda teost allintena

    MLA
    Scott, David. Nimrod. 1832, https://wahooart.com/et/art/david-scott-nimrod-AQTV58-en/
    APA
    Scott, David (1832). Nimrod [Painting]. https://wahooart.com/et/art/david-scott-nimrod-AQTV58-en/
    Chicago
    David Scott. Nimrod. 1832. https://wahooart.com/et/art/david-scott-nimrod-AQTV58-en/
    Harvard
    Scott, David (1832) Nimrod. Available at: https://wahooart.com/et/art/david-scott-nimrod-AQTV58-en/

    Vaata lähedalt

    Nimrod — David Scott

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi selle juhendi alguses esitatud teosele Cain Degraded (Remorse) (1831). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    4. David Scott oli seda teost luues umbes 26 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Kui karge on teose "Nimrod" väripalett?

    Teose „Nimrod“, autor David Scott värvitoit on Subtle Color kütkusega.

    Mis on teose „Nimrod“, autor David Scott orientatsioon?

    „Nimrod“, autor David Scott on Portrait kompositsioon. Trüki suuruse valimisel on mõistlik kontrollida selle proportsioone.

    Milline on teose „Nimrod“, autor David Scott värvitooni intensiivsus?

    Teoses „Nimrod“, autor David Scott on Balanced värvitoon.