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The Bane

Nimi Klass Kuupäev

Bernard Fleetwood-Walker, The Bane (1931). Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt.

Faktid

Kunstnik
Bernard Fleetwood-Walker wahooart.com/et/artists/bernard-fleetwood-walker/
Kunstniku eluaastad
1893 – 1965
Maalatud
1931
Originaalmõõtud
92 x 74 cm

Kontekstis

The Bane — Bernard Fleetwood-Walker

Mis on selle suurus?

Originaalmeasured on 92 × 74 cm (kõrgus × laius), joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Varjatud: Bernard Fleetwood-Walker eluajal (1893–1965) ▲ see teos, 1931

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: wahooart.com/et/art/similar/bernard-fleetwood-walker-the-bane-AQS6P2-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Espresso #38352e

    Salvestatud palett

    • #38352E
    • #CFC2B3
    • #9B9081
    • #685E53
    Palett
    Earthy Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Espresso
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Statement Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Softly Mixed Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Bright Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kunstnik ja muuseum

    Kunstnik

    Bernard Fleetwood-Walker

    Sündinud Birmingham, United Kingdom

    Early Life and Education

    Born: March 22, 1893, in Birmingham, United Kingdom

    Twin son of William Walker (electrical engineer) and Electra Amelia Varley (granddaughter of Cornelius Varley, a watercolourist).

    Educated at Barford Street School and King Edward’s Grammar School, Five Ways.

    Initially trained as a silver and goldsmith.

    Studied painting at Birmingham School of Art and Crafts, London, and under Fleury in Paris.

    World War I and Early Artistic Development

    Served in France as a sniper in the Artists Rifles during World War I; wounded and gassed.

    Remarkably painted mural decorations on warehouse walls in Auberchicourt, near Douai, using found materials (dry colours mixed with oatmeal porridge).

    Considered the war years a setback to his artistic development.

    Teaching Career and Artistic Style

    Married Marjorie White ('Mickey') in 1920; had two sons, Colin and Guy.

    Taught at King Edward’s Grammar School, Aston, designing scenery for school plays.

    Lecturer at Birmingham College of Art (1929), known as a gifted and influential teacher.

    Encouraged drawing skills and technical proficiency in his students.

    Developed a style characterized by conceptual clarity based on strong draughtsmanship, progressing to visual intensity synthesizing light, space, and tactile qualities.

    Major Achievements and Recognition

    Exhibited at the Royal Academy from 1925.

    Held a one-man exhibition at the Ruskin Gallery, Birmingham in 1927.

    Member of various art societies: Royal Society of Portrait Painters, Royal Institute of Oil Painters, New English Art Club, and Royal Birmingham Society of Artists (RBSA).

    Elected an Associate of the Royal Academy in 1946 and a Royal Academician in 1956.

    Served as President of the Royal Birmingham Society of Artists (RBSA) in 1950.

    Won bronze and silver medals at the Paris Salon.

    Later Life and Legacy

    Married Dr Peggy Frazer in 1939.

    Moved to Chelsea in 1956 to focus on teaching at the Royal Academy Schools.

    Died on January 30, 1965, in London.

    His work is characterized by a synthesis of light, space and tactile qualities.

    Influenced British art through his emphasis on drawing and technical skill.

    Related to founding members of the Royal Watercolour Society, inheriting Varley’s studio collection.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib The Bane allalaadimislehele

    wahooart.com/et/art/download/bernard-fleetwood-walker-the-bane-AQS6P2-en/

    Viige seda teost allintena

    MLA
    Fleetwood-Walker, Bernard. The Bane. 1931, https://wahooart.com/et/art/bernard-fleetwood-walker-the-bane-AQS6P2-en/
    APA
    Fleetwood-Walker, Bernard (1931). The Bane [Painting]. https://wahooart.com/et/art/bernard-fleetwood-walker-the-bane-AQS6P2-en/
    Chicago
    Bernard Fleetwood-Walker. The Bane. 1931. https://wahooart.com/et/art/bernard-fleetwood-walker-the-bane-AQS6P2-en/
    Harvard
    Fleetwood-Walker, Bernard (1931) The Bane. Available at: https://wahooart.com/et/art/bernard-fleetwood-walker-the-bane-AQS6P2-en/

    Vaata lähedalt

    The Bane — Bernard Fleetwood-Walker

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Vaadake tagasi juhendi alguses esitatud teosele Still Life with Pyrethrums Study for 'Amity' (1935). Tooge kaks asja, mis sellel teosel koos sellega ühendavad, ning üks erinevus.
    5. Bernard Fleetwood-Walker oli selle teose valmimisel umbes 38 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?

    Teie vastus

    Kirjutage sellest teosest lühike lõik. Kasutage selle juhendi varasemate osade faktisid ja oma eelmitud vastuseid.