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Pike On A Tray

Nimi Klass Kuupäev

Aurél Bernáth, Pike On A Tray. Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt.

Faktid

Kunstnik
Aurél Bernáth wahooart.com/et/artists/aurel-bernath/
Kunstniku eluaastad
1895 – 1982
Liikumine
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.

Kontekstis

Pike On A Tray — Aurél Bernáth

Millal see maaldis on tehtud?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Varjatud: Aurél Bernáth eluajal (1895–1982)

Selle plaadi kohta ei ole täpset aastat säilitatud — kunstniku eluaja ja teose stiili põhjal, millist aastakümnest te arvestaksite?

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: wahooart.com/et/art/similar/aurel-bernath-pike-on-a-tray-9DGBY8-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Espresso #5f464c

    Salvestatud palett

    • #5F464C
    • #322324
    • #CAAEAF
    • #95777E
    Peavärvi nimi
    Espresso
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Bold Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Softly Mixed Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Deep_shadow Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kunstnik ja muuseum

    Kunstnik

    Aurél Bernáth

    Sündinud Makó, Hungary

    Aurél Bernáth: Life and Legacy

    Early Life and Education

    Aurél Bernáth (born Makó, Hungary in 1895 – died 1982) was a prominent Hungarian painter and art theorist. He received his foundational artistic training at Nagybánya, studying under the guidance of István Réti and János Thorma. This early exposure to the Nagybánya school of plein-air painting would significantly shape his approach to landscape and color.

    Wartime Experiences and Early Influences

    Bernáth’s life was marked by the upheaval of the First World War, in which he served as a soldier. Following the war, in 1921, he relocated to Vienna, Austria. It was during this period that his artistic style began to be heavily influenced by the burgeoning German Expressionist movement.

    Berlin and the Sturm Gallery

    A pivotal moment in Bernáth’s career came with an invitation from Herwarth Walden to exhibit his work at the renowned Sturm Gallery in Berlin between 1922 and 1924. This exposure placed him amongst some of the most avant-garde artists of the time, solidifying his commitment to Expressionist principles.

    Return to Hungary and the Gresham Circle

    In 1926, Bernáth returned to Hungary and became a leading figure in the Képzőművészek új társasága (New Society of Artists), commonly known as KUT. He was particularly associated with the Gresham Circle during the 1930s, a group of artists who challenged traditional artistic norms and explored new forms of expression.

    Teaching Career and Art Theory

    Bernáth dedicated much of his life to education, teaching at the Hungarian Academy of Fine Arts from 1945 to 1974. He also contributed significantly to art discourse as an editor for the journal Hungarian Art from 1948 to 1949. After 1947, his writings on art theory gained considerable popularity and influence within Hungarian artistic circles.

    Artistic Style and Themes

    Expressionist Landscapes: Bernáth is celebrated for his evocative landscapes, often characterized by bold colors, textured brushstrokes, and a sense of emotional intensity.

    Portraits: He also created compelling portraits that captured the psychological depth of his subjects.

    Social Commentary: Many of his works subtly addressed social themes and the realities of life in Hungary during the 20th century.

    Legacy and Historical Significance

    Aurél Bernáth’s work represents a crucial link between Hungarian art and the broader European Expressionist movement. His contributions as both an artist and a theorist helped to shape the development of modern art in Hungary. He is referenced in several key art encyclopedias, including the Benezit Dictionary of Artists and the Vollmer Encyclopedia.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Pike On A Tray allalaadimislehele

    wahooart.com/et/art/download/aurel-bernath-pike-on-a-tray-9DGBY8-en/

    Viige seda teost allintena

    MLA
    Bernáth, Aurél. Pike On A Tray. n.d., https://wahooart.com/et/art/aurel-bernath-pike-on-a-tray-9DGBY8-en/
    APA
    Bernáth, Aurél (n.d.). Pike On A Tray [Painting]. https://wahooart.com/et/art/aurel-bernath-pike-on-a-tray-9DGBY8-en/
    Chicago
    Aurél Bernáth. Pike On A Tray. n.d. https://wahooart.com/et/art/aurel-bernath-pike-on-a-tray-9DGBY8-en/
    Harvard
    Bernáth, Aurél (n.d.) Pike On A Tray. Available at: https://wahooart.com/et/art/aurel-bernath-pike-on-a-tray-9DGBY8-en/

    Vaata lähedalt

    Pike On A Tray — Aurél Bernáth

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Meie kataloog liigitab seda teost kategooria fish, underwater, texture alla. Kas olete nõus? Mida te lisaksin või eemaldasite?
    4. Vaadake tagasi juhendi alguses esitatud teosele Violinist. Tooge kaks asja, mis sellel ja käesoleva teose vahel ühtevad, ning üks erinevus.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Kus seda teoses näha saab?

    Teie vastus

    Kirjutage sellest teosest lühike lõik. Kasutage selle juhendi varasemate osade faktisid ja oma eelmitud vastuseid.