Paber

Õpilaste kunstiteoste juhend

Opioids

Nimi Klass Kuupäev

Anthony Sims Jr., Opioids (2019). Kasutatud ainult näidises; kõik õigused on kaitstud õiguste valdaja poolt. Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Anthony Sims Jr. wahooart.com/et/artists/anthony-sims-jr/
Kunstniku eluaastad
1998 –
Maalatud
2019
Liikumine
Neo Expressionism A rough, urgent return to figure painting in the 1980s, after years of cool abstraction.

Kontekstis

Opioids — Anthony Sims Jr.

Millal see maalis on tehtud?

  1. 1990
  2. 2000
  3. 2010
  4. 2020

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus, kus sünniaastat arvestatakse nullina.

Maalatud siis, kui kunstnik oli 21 aastane. 1 meie kataloogis olevatest selle kunstniku 9 dateeritud teosest on loodud varem.

▲ see teos, 2019 iga dateeritud maal, aastakümne kaupa

Võrdle teoseid

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: wahooart.com/et/art/similar/anthony-sims-jr-opioids-D74ADX-en/

Värvid

Pildist mõõdetud

    Peavärv

    Driftwood #b98955

    Katalogistatud palett

    • #B98955
    • #813F30
    • #D9DBD7
    • #242221

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Palett
    Earthy Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Driftwood
    Intensiivsus
    Balanced Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Statement Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Balanced Harmony Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Balanced Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Balanced Soft Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Anthony Sims Jr. teosed viimase zwölf kuuga — kokku 1 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Hiina 100,0%200 visits

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Anthony Sims Jr. kõige vaatamistundlikumad teosed (kokku 1)

    1. 1 Opioids, 2019 see maalaus 100,0%200 visits

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 9 seda kunstnikku kuuluvat teost, millest 1 on vähemalt üks kord vaadatud. This painting ranks 1 of them, with 100,0% of that attention (200 visits). Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Anthony Sims Jr.

    Sündinud koht: Southaven, United States of America

    Anthony Sims Jr.: A Memphis Visionary Painting the Urban Soul

    Rising from the vibrant, often challenging landscape of Southaven, Tennessee, Anthony Sims Jr. is a contemporary artist whose work has quickly garnered attention for its arresting blend of surrealism, urban realism, and profound social commentary. Born in 1998, Sims’s art isn't merely a depiction of Memphis; it’s an immersive exploration of Black culture, the complexities of modern life, and the enduring spirit within his community. His unique style, characterized by bold colors, dynamic compositions, and often unsettling imagery, positions him as a significant voice in the current generation of American artists.

    Sims' artistic journey began with a fascination for engineering and design, initially honed through formal training. However, it was a chance encounter with an artist who utilized unconventional techniques – layering paper onto canvas to create textured surfaces – that truly ignited his creative fire. This early influence, combined with a deep-rooted connection to the blues music of the Mississippi Delta, became foundational elements in his artistic vocabulary. He describes his process as intuitive, often starting with color and allowing forms and narratives to emerge organically from the initial palette. His work frequently draws inspiration from street art, hip-hop culture, and the raw energy of Memphis itself – a city steeped in musical history and grappling with its own set of social challenges.

    Exploring Themes of Urban Life and Social Commentary

    At the heart of Sims’s oeuvre lies a potent exploration of urban life. His paintings aren't romanticized depictions; instead, they confront viewers with the realities of marginalized communities, systemic inequalities, and the psychological impact of urban decay. Works like “No New Friends” and “Elephant Ears” powerfully capture the isolation and vulnerability experienced within densely populated cities, while simultaneously celebrating resilience and a defiant spirit. The recurring presence of figures – often rendered in striking detail against chaotic backgrounds – suggests both individual struggles and collective experiences.

    Sims’s engagement with Black culture is equally significant. He doesn't shy away from addressing issues of identity, representation, and the legacy of historical injustices. His art serves as a visual dialogue, prompting reflection on the complexities of race relations and the ongoing pursuit of social justice. The title “Minorite Church” exemplifies this, referencing both the architectural landmark in Hungary and the broader concept of faith and community within Black communities – a source of strength and solace amidst adversity.

    Technique and Style: A Neo-Expressionist Approach

    While rooted in traditional painting techniques, Sims’s style is undeniably contemporary. He masterfully employs digital tools to achieve his signature look—vibrant color palettes, dynamic brushstrokes, and a deliberate layering of textures. His work leans heavily into the aesthetics of neo-expressionism, characterized by raw emotion, gestural marks, and a rejection of academic precision. This approach allows him to convey a sense of urgency and immediacy, mirroring the frenetic energy of urban environments.

    The use of color is particularly noteworthy. Sims frequently employs bold reds, yellows, and whites – colors often associated with passion, danger, and transformation. These hues are juxtaposed against darker tones, creating visual tension and drawing attention to key elements within his compositions. His figures, whether human or abstract, are rendered with meticulous detail, adding a layer of realism that contrasts sharply with the surreal and dreamlike qualities of the surrounding environments.

    Notable Works and Recognition

    Sims’s artistic journey has been marked by several significant exhibitions and accolades. His work was featured in the 2019 Memphis Current Magazine exhibition, solidifying his position within the local art scene. In 2020, “Thunder Struck” gained recognition through its inclusion in the Meridian Museum of Art's permanent collection – a testament to the enduring quality and cultural relevance of his work. His digital painting "No New Friends" has been featured on WahooArt.com, showcasing his growing popularity.

    Beyond individual pieces, Sims’s artistic vision extends to the realm of NFTs (Non-Fungible Tokens), where he explores the intersection of art and technology. His “glitch art” – characterized by distorted imagery and fragmented forms – represents a bold experiment with digital mediums and a reflection on the rapidly evolving nature of contemporary culture. Anthony Sims Jr.’s work continues to evolve, promising an exciting future for this rising Memphis artist.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Opioids allalaadimislehele

    wahooart.com/et/art/download/anthony-sims-jr-opioids-D74ADX-en/

    Viige seda teost allintena

    MLA
    Jr., Anthony Sims. Opioids. 2019, https://wahooart.com/et/art/anthony-sims-jr-opioids-D74ADX-en/
    APA
    Jr., Anthony Sims (2019). Opioids [Painting]. https://wahooart.com/et/art/anthony-sims-jr-opioids-D74ADX-en/
    Chicago
    Anthony Sims Jr.. Opioids. 2019. https://wahooart.com/et/art/anthony-sims-jr-opioids-D74ADX-en/
    Harvard
    Jr., Anthony Sims (2019) Opioids. Available at: https://wahooart.com/et/art/anthony-sims-jr-opioids-D74ADX-en/

    Vaata lähedalt

    Opioids — Anthony Sims Jr.

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Kui palju näiteid sa leiad? ____ (meie kataloog loeb 1 — kas oled sama arvamust?)
    4. Vaadake tagasi selle juhendi alguses esitatud teosele Thunder Struck (2019). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    5. Neo Expressionism: A rough, urgent return to figure painting in the 1980s, after years of cool abstraction. Kust seda teoses näha saab?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Millised värvid domineerivad teoses „Opioids“, autor Anthony Sims Jr.?

    Teose "Opioids" värvigamma on määratud Earthy paletiga, mille domineeriv värv on Driftwood (#b98955).

    Kas teose „Opioids“, autor Anthony Sims Jr. värvid on kütkestatud või pehmed?

    Teose „Opioids“, autor Anthony Sims Jr. värvitoit on Balanced Soft kütkusega.

    Kas teos „Opioids“, autor Anthony Sims Jr. on värvitoonilt kerge või tumenev?

    Teose „Opioids“, autor Anthony Sims Jr. eregus on balanced ja luminants on Gentle Luminance.