Teos, mis tegi Hans Rottenhammer kuulsaks, on The Flagellation (1599); see ripub Städel Museum-is, Frankfurt. Venus and Mars (1604) ja Suffer Little Children to Come Unto Me (1607) järgnevad nende järel samas kogumiste ja muuseumi külastajate lemmikes Sellest 76 teosest, mis Hans Rottenhammer teosena meie kataloogis on, on need 75 kõige imetlevamat, millist igaüks on esitatud koos kuupäeva, museumi ja oma eripärase tähelepanekuga.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud oktoober 2026. Iga selle lehekülje meistriteos on tellitav muuseumikvaliteedse käsitsi maalatuna õlireproduktsiona või fine art trükkina vastavalt valitud suurusele.
A single pillar of dark stone anchors the composition, its cold surface contrasting with the pale, luminous skin of Christ. He stands bound, a figure of quiet endurance amidst a sudden surge of violence. To his left, an executioner lunges, his tunic a saturated crimson that cuts through the heavy, earthy shadows of the room. The movement is sharp and diagonal, a whip of motion that directs the eye toward…
The air in the chamber feels heavy with the scent of silk and the warmth of skin. Venus reclines against the muscular frame of Mars, her body a pale, luminous curve against the deep shadows of the bed. There is a palpable tension in the way they occupy this space, a quiet collision of desire and repose. Mars, stripped of his martial ferocity, yields to the soft pull of affection.…
The composition centers on a crowded, multi-layered assembly of figures, organized to draw the eye toward the central interaction between Christ and a group of children. Set against a backdrop of classical architecture and muted columns, the scene captures a moment of profound tenderness. The arrangement of limbs and gestures creates a rhythmic motion, guiding the viewer through a dense network of adults and caregivers. Deep shadows in the periphery…
A tender intimacy settles over the scene, held within the soft curves of a naturalistic landscape. The Virgin Mary sits at the center, her mantle a deep, heavy blue that anchors the composition. She holds the Christ Child, whose pale skin catches the light like polished marble against the darker tones of the surrounding earth. Beside them, Saint Joseph and an elderly woman, likely Saint Anne, frame the central figures…
The composition centers on a high-stakes meeting between two opposing forces. On the left, a group of soldiers and men creates a dense, muscular presence, led by a figure in blue armor. This group confronts a kneeling woman in white, whose posture suggests humility and supplication. The interaction occurs within an expansive landscape where the distant mountains and a castle fade into a hazy blue, providing a sense of immense…
In this oil painting on copper, a pale figure of Jesus Christ is positioned at the center, bound to a dark, vertical pillar. The skin of the central figure is rendered in luminous, fleshy tones that contrast against the deep shadows of the architectural setting. To the left, an executioner wearing a pinkish-red tunic lunges forward, his arm raised with a whip. On the right, a group of tormentors surrounds…
The painting presents a vertical arrangement that divides the scene into two distinct realms. In the lower register, a group of Roman soldiers occupies a terrestrial space characterized by physical violence and movement. These figures are rendered in deep reds, golds, and blues, their forms casting shadows that anchor the chaotic struggle. At the center of this earthly tumult, Saint George is positioned, illuminated by a strong light source that…
In this work, titled Hercules, Dejanira and the Centaur Eurytion, Hans I Rottenhammer (Johann Rottenhammer) presents a moment of profound tension drawn from classical antiquity. Painted about 1600, the scene captures a specific episode of Greek mythology involving the hero Hercules and the princess Dejanira. The narrative focus rests upon the violent encounter with the centaur Eurytion, whose presence disrupts the lives of the central figures.
God's conversation with Noah is an oil painting by the artist Hans Rottenhammer. The work is dated to 1576. This piece depicts a biblical scene through a tondo composition, which is a circular format. The central figures are positioned within a dark, cavernous landscape that suggests a cave or a sheltered rocky environment.
The arched top of the wooden panel frames a vision of two distinct realms. In the upper register, the Virgin Mary sits upon a cushion of clouds, cradling the Christ Child. Around them, winged cherubs move with a restless, divine energy, their small forms caught in a dance of light. Below this heavenly scene, the earthly realm takes shape through the figures of two saints. On the left, Saint Sebastian…
The Beheading of Saint Catherine is a painting by Hans Rottenhammer. Created in 1594, the work captures a singular, heavy moment of transition. It focuses on the martyrdom…
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The painting titled Preaching of John the Baptist is a work by the artist Hans Rottenhammer. This piece dates to about 1594. The artist, Hans Rottenhammer, was born…
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The scene is centered on the pale, muscular body of Jesus Christ, who lies slumped across the laps of mourners. His skin appears light against the dark, shadowy…
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A vertical storm of light and shadow defines this 1594 oil painting. The Archangel Michael descends, a youthful figure draped in flowing, classical cloth that ripples like water.…
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In The Theological Virtues, Hans Rottenhammer presents a celestial vision that unfolds with profound spiritual weight. Created about 1594, the work brings the core tenets of Christian theology…
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The Wedding at Cana by Hans Rottenhammer captures a singular moment of transformation. Created about 1606, the painting focuses on the biblical scene where Jesus turns water into…
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The oil painting titled Diana and Actaeon by the artist Hans Rottenhammer depicts a specific episode from Ovid's Metamorphoses. The work is dated 1602. It portrays the moment…
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The oil painting titled Venus, Mars and Vulcan was executed by the German artist Hans Rottenhammer. Created about 1605, the work captures a specific mythological encounter. It focuses…
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In Hans Rottenhammer's Mary with Child and Saint John the Evangelist and Francis, a sacred group of figures gathers in a tight, pyramidal arrangement. The Virgin Mary occupies…
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In this 1594 work, the viewer encounters the heavy, quiet stillness of Sleeping Lucretia. The artist, Hans Rottenhammer, captures the historical figure in a profound moment of vulnerability.…
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Hans Rottenhammer’s Holy Family, executed in 1594, presents a devotional scene centered on themes of maternal love, divinity, and familial protection. The work emerged during a period of…
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The work before us is titled Beheading of Saint Catherine, a significant piece by the German painter Hans Rottenhammer. Created around 1594, this painting captures a moment of…
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The oil painting titled Rest on the Flight into Egypt by Hans Rottenhammer depicts a specific biblical narrative. Created about 1597, the work focuses on a religious subject…
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In The contest of Apollo and Pan, Hans Rottenhammer organizes a crowded, theatrical scene that unfolds within a lush, dark woodland. The composition is structured around two primary…
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In the painting Ring of Children by Hans Rottenhammer, a group of cherubic figures known as putti occupies a lush, wooded landscape. These figures engage in various playful…
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The tension of a divine decision hangs in the air within The Judgment of Paris. This work by Hans Rottenhammer captures a pivotal moment of mythological consequence, frozen…
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The artwork titled Rest on the Flight into Egypt was painted by Hans Rottenhammer in 1596. This religious scene depicts the Holy Family during their journey, featuring the…
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The Fall of Phaeton is a work by Hans Rottenhammer, executed in 1604. This oil painting captures a moment of celestial upheaval, centering on the mythological figures caught…
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In "Diana and Actaeon" by Hans Rottenhammer, the stillness of the forest is broken. Created about 1601, the work captures a sudden, sharp moment of discovery. The hunter…
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The scene unfolds within a shallow, stage-like setting where a dramatic confrontation meets an intimate embrace. On the left, a muscular, aged male figure, Vulcan, lunges forward in…
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The artwork, titled The Destruction of the Children of Niobe, is a dramatic Baroque oil painting from 1602. Contained within an oval format, the composition captures a scene…
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is a mythological painting by the German painter Hans Rottenhammer. Born in Munich, Rottenhammer specialized in highly finished, small-scale cabinet paintings. This work focuses on the narrative of…
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In The Last Judgement by Hans Rottenhammer, a swirling, vertical movement pulls the eye through a cosmic hierarchy. The composition unfolds in three distinct tiers, creating a sense…
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In the Resurrection of Christ by Hans Rottenhammer, the vertical orientation directs the gaze from the heavy shadows of the earth toward a celestial ascent. Christ occupies the…
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In this oil painting reproduction, the mythological drama of Diana and Callisto unfolds within a lush, wooded landscape. Hans Rottenhammer captures a moment of profound interaction among a…
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The air in the banquet hall feels heavy with the scent of roasted meats and the musk of spilled wine. Sunlight streams through arched windows, cutting through the…
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In this work, titled The Fall of Man, Hans Rottenhammer explores the profound weight of the biblical narrative. Painted about 1606, the scene captures the pivotal moment of…
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The chaos of the heavens descends in The Fall of Phaeton, a painting that captures a moment of absolute celestial upheaval. Created by the artist Hans Rottenhammer, this…
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A crowded, multi-layered composition defines this scene of divine arbitration. In the foreground, Paris sits draped in golden-yellow fabric, a dog resting at his feet. He holds a…
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In this religious art piece, the heavens open to reveal Mary with Child, Venerated by Saints. The scene unfolds as a celestial assembly, where the Virgin Mary and…
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The oil painting titled Resting Venus with Cupid was executed by the artist Hans Rottenhammer. This work, which depicts a mythological scene, dates to about 1620. The composition…
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The celestial vision unfolds in The Virgin appearing to Saints John the Baptist and Francis of Assisi, a work that captures a profound moment of divine encounter. Hans…
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In this 1620 oil painting, two nude figures occupy a central position within a dense, natural landscape. On the left, Venus is seated, her torso turned slightly toward…
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The painting depicts a moment of celestial encounter divided into three distinct vertical planes. On the left, the Virgin Mary occupies the earthly realm, her figure defined by…
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The Kiss of Judas is an oil on copper by Hans Rottenhammer. Created during the first third of the 17th century, this work captures a profound moment of…
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The scene unfolds within a setting of weathered stone and crumbling Corinthian columns, where classical ruins provide a structural framework for the central figures. A pyramidal arrangement of…
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The Resurrection of Lazarus, also known as Auferweckung des Lazarus, captures a profound moment of divine intervention. In this scene, the boundary between life and death dissolves as…
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Mary with child, to the left little John the Baptist and Saint Catherine who offer a plate of fruit. On the left is Joseph, on the right is…
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The Coronation of the Virgin is a religious art painting by Hans Rottenhammer. This work depicts a scene set in heaven, where the Virgin Mary is crowned Queen…
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In this intimate oil on copper, Hans Rottenhammer presents "Feast of the Gods - The Marriage of Peleus and Thetis." This small-scale cabinet painting, created in Germany, captures…
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Hans Rottenhammer bridges the stylistic gap between Northern European precision and the grandeur of the Italian Renaissance. This oil on copper work, dating from the late 16th century,…
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Hans Rottenhammer rendered Adoration of the Shepherds as an oil on copper, a medium favored for its ability to hold fine detail and luminous color. The work, dating…
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Neli kõige sagedamini esinenud teemat nende meistriteoste seas, koos iga teema parima näitega.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Hans Rottenhammer teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bavaria riiklikud maalidema kogumikud |
München | 23 | Holy Family, Mary with Child and the Saints Sebastian and Catherine, Beheading of Saint Catherine |
 Kunsthistorisches Museum |
Viin | 5 | Flagellation of Christ, Martyrdom of Saint George, Hercules, Dejanira and the Centaur Eurytion |
 Mauritshuis |
Haag | 4 | The Encounter of David and Abigail, The Fall of Phaeton, Christ In Limbo |
 Statens Museum For Kunst |
Kooberemaa | 3 | The Holy Family with Saints, Diana and Callisto, The Marriage at Cana |
 Rijksmuseum |
Amsterdam | 2 | Venus and Mars, Virgin and Child with young John the Baptist and Saint Catherine, Hans Rottenhammer (I), 1604 |
 Varssavi Rahvusmuuseum |
Varssavi | 2 | God's conversation with Noah, Resurrection of Christ |
 Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe |
Kassel | 2 | Rest on the Flight into Egypt, Ruhe Auf Der Flucht |
 Royal Collection |
London | 2 | The Destruction of the Children of Niobe, Diana and Callisto |
God's conversation with Noah is an oil painting by the artist Hans Rottenhammer. The work is dated to 1576. This piece depicts a biblical scene through a tondo…
A single pillar of dark stone anchors the composition, its cold surface contrasting with the pale, luminous skin of Christ. He stands bound, a figure of quiet endurance…
The air in the chamber feels heavy with the scent of silk and the warmth of skin. Venus reclines against the muscular frame of Mars, her body a…
The painting depicts a moment of celestial encounter divided into three distinct vertical planes. On the left, the Virgin Mary occupies the earthly realm, her figure defined by…
In this religious art piece, the heavens open to reveal Mary with Child, Venerated by Saints. The scene unfolds as a celestial assembly, where the Virgin Mary and…
The Flagellation (1599), Städel Museum, Frankfurt. Järgnevad Venus and Mars (1604) ja Suffer Little Children to Come Unto Me (1607).
35 aastat vanus: teos The Flagellation on aastatest 1599 ja kunstnik Hans Rottenhammer on sündinud aastal 1564.
The Flagellation, Venus and Mars, Suffer Little Children to Come Unto Me, Holy Family, The Encounter of David and Abigail, Flagellation of Christ, Martyrdom of Saint George, Hercules, Dejanira and the Centaur Eurytion, God's conversation with Noah ja Mary with Child and the Saints Sebastian and Catherine. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogis on 76 teost kunstnikult Hans Rottenhammer, aastatest 1576 kuni 1625.
Enamik neist asub Bavaria riiklikud maalidema kogumikud (München), Kunsthistorisches Museum (Viin) ja Mauritshuis (Haag). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.
Ajalisel perioodil 1600s: 25 75 sellel lehel olevat teost on sellest ajast, მათhulgas Venus and Mars.
Sellel lehel on kõige vanem teos God's conversation with Noah (1576) ja kõige uuem The Kiss of Judas (1625).
Woman (28), Man (24) ja Child (17), 75 teose seas sellel lehel.
Oil On Copper: 25 75 teosest sellel lehel.
nagu sellel lehel olevad maalid näitavad Baroque.
Holy Family, Mary with Child and the Saints Sebastian and Catherine ja Beheading of Saint Catherine on üks 23 teosest sellel lehel, mida hoiab Bavaria riiklikud maalidema kogumikud, München.
Jah. Iga maali sellel lehel on võimalik tellida muuseumikvaliteedilisena käsitööna valminud õlimaalina või fine art trükkina vastavalt valitud måõduna otse maali oma lehekülalt.
