Tamaño de papel

Guía de obras estudiantiles

Lucifer

Nombre Clase Fecha

Jackson Pollock, Lucifer (1947). Dominio público. Observe este lienzo bajo una luz en movimiento: el dibujo, el color real bajo el barniz, el pigmento puro

Datos clave

Artista
Jackson Pollock wahooart.com/es/artists/jackson-pollock_es/
Fechas del artista
1912 – 1956
Pintura al óleo
1947
Técnica y materiales
Acrylic On Canvas
Tamaño original
268 x 104 cm
Movimiento
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Época
Modern
Artistic style
Abstract, Symbolic
Influences
Native American art, Benton
Notable elements
Intricate patterns, texture & depth
Subject or theme
Inner world, Unity

En contexto

Lucifer — Jackson Pollock

Dimensiones

Las medidas originales son 268 × 104 cm (alto × ancho), representadas aquí junto a un adulto de estatura media. Es demasiado grande para representarse a escala en esta página.

¿Cuándo se pintó esta obra?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Fila superior: los años. Fila inferior: la edad del artista al inicio y al final de cada periodo — 0 al nacer, 44 al morir.

Pintado cuando el artista tenía 35. El artista vivió hasta los 44. 31 de las 50 obras fechadas de este artista en nuestro catálogo son anteriores.

Sombreado: la trayectoria de Jackson Pollock (1912–1956) ▲ esta obra, 1947 cada pintura fechada, década tras década

Primeras obras: hasta 1941 Años principales de actividad: 1941–1948 Obras tardías: desde 1948

Estas tres franjas dividen las obras de este catálogo que cuentan con una fecha en un primer cuarto, una mitad central y un último cuarto. No representan la producción completa del artista: un periodo breve puede ser un vacío en el registro más que una etapa de inactividad. Los mismos años con la vida del artista trazada en ellos

Comparar con

Elige una de las obras anteriores: menciona dos cosas que comparta con esta y una diferencia.

Más obras para acompañar a esta: wahooart.com/es/art/similar/paul-jackson-pollock-lucifer-9ZRDPD-en/

Colores

Medido a partir de la imagen

    Color principal

    Espresso #504f45

    Paleta catalogada

    • #504F45
    • #1D1D1C
    • #B1AF91
    • #807D6B

    Estos colores integrados en toda la paleta del artista Encuentra otras pinturas por color

    Nombre del color principal
    Espresso
    Intensidad
    Monochromatic Qué saturados y variados son los colores, desde un único tono tenue hasta una gran variedad de tonos brillantes.
    Contraste
    Bold El grado de diferencia entre los colores en cuanto a luminosidad y saturación a lo largo de la obra.
    Armonía
    Strong Color Unity El grado de armonía entre los colores, desde el contraste hasta la total unidad.
    Brillo
    Balanced El grado de luminosidad o oscuridad general de la imagen, desde las sombras profundas hasta las luces intensas.
    Saturación
    Muted Qué puros y fuertes son los colores, desde un gris casi tenue hasta una viveza total.

    ¿En qué parte del mundo se contempla esta pintura?

    • menos del 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% o más
    Esta pintura por sí sola cuenta con muy pocos visitantes registrados para realizar un mapeo, por lo que la lámina muestra cada obra de Jackson Pollock durante los últimos doce meses: 69 países en total. Origen de estas cifras

    Los diez principales países

    1. 1 China 19,1%
    2. 2 Francia 8,2%
    3. 3 Estados Unidos 7,4%
    4. 4 Alemania 7,1%
    5. 5 Japón 5,8%
    6. 6 España 5,6%
    7. 7 Italia 5,3%
    8. 8 Brasil 3,2%
    9. 9 Singapur 2,7%
    10. 10 México 2,6%
    11. · 59 otros países 33,0%

    Localiza los tres países más oscuros en el mapa. ¿Se encuentra alguno de ellos en el país donde se custodia esta pintura? Escribe una razón por la cual personas de lugares lejanos podrían viajar para verla.

    Las 20 obras más vistas de Jackson Pollock

    1. 1 Número uno, 1949, 1950 36,2%
    2. 2 Ritmo de Otoño. Número 30, 1950 7,1%
    3. 3 One. Number 31, 1950 5,9%
    4. 4 Convergencia 5,2%
    5. 5 Número 5, 1948 3,1%
    6. 6 Luz Blanca, 1954 2,3%
    7. 7 Número 5, 1948 2,0%
    8. 8 Número 1A 1,8%
    9. 9 Número 10, 1949 1,8%
    10. 10 Número 3, 1948 1,6%
    11. 11 Número 1, 1948 1,3%
    12. 12 Número 6, 1949 1,3%
    13. 13 Número 3, 1949 1,2%
    14. 14 Número 8 1,0%
    15. 15 Número 2, 1951 0,9%
    16. 16 Saint François de Paul avec un frère Saint Paul et saint François 0,9%
    17. 17 Fuera de la telaraña. Número 7 0,8%
    18. 18 Cathedral 0,8%
    19. 19 Lavender Mist_Number 1 0,7%
    20. — Lucifer, 1947 esta obra 0,0%

    En conjunto, estas obras representan el 75,9% de toda la atención que recibieron las pinturas de este artista durante los últimos doce meses. El catálogo contiene 176 obras de este artista, de las cuales 124 fueron consultadas al menos una vez. Esta pintura aún no ha recibido visitas en ese periodo; cierra la lista sin una clasificación. Los mismos datos, mes a mes

    Las barras miden la atención, no la calidad. Elige la obra de arriba y esta otra: menciona un factor que podría hacer que una pintura sea famosa más allá de su técnica.

    Sobre esta obra

    Lucifer — Jackson Pollock

    A Descent into Chaos: Exploring Jackson Pollock's "Lucifer"

    Jackson Pollock’s “Lucifer,” painted in 1947, isn’t merely a painting; it’s an immersion. Measuring a substantial 268 x 104 cm, this work embodies the raw energy and profound emotionality of Abstract Expressionism at its zenith. The canvas explodes with a carefully orchestrated dance of black and white, a visual storm rendered through Pollock's revolutionary drip technique – a method he perfected to capture not just form, but the very essence of movement and feeling. Close inspection reveals an intricate network of layered textures, each drop and splatter contributing to a composition that feels both chaotic and meticulously controlled.

    Technique: Pollock’s “all-over” technique is central to "Lucifer's" impact. He abandoned traditional brushes, opting instead for sticks, knives, and even syringes to fling paint directly onto the canvas, creating a dense tapestry of overlapping marks.

    Color Palette: The stark contrast between black and white amplifies the painting’s dynamism, forcing the viewer to confront the interplay of light and shadow within its complex structure.

    Scale: The large format of "Lucifer" envelops the observer, drawing them into the heart of Pollock's creative process.

    The Genesis of a Vision: Early Influences and Artistic Context

    Pollock’s artistic journey began with a restless spirit shaped by his upbringing in Cody, Wyoming – a landscape that instilled within him a deep appreciation for natural forces and the rhythms of the West. His early exposure to Native American art, particularly through his father's surveying work, subtly informed his later explorations of composition and spiritual resonance. This influence is not overt imitation but rather a foundational layer contributing to the painting’s underlying power. Pollock’s formal training at the Art Students League under Thomas Hart Benton, a key figure in the Regionalist movement, further solidified his understanding of dynamic composition – a skill he then radically transformed through his own innovative approach. “Lucifer” stands as a testament to this evolution, building upon established principles while forging entirely new pathways for artistic expression.

    Decoding the Symbolism: Layers of Interpretation

    "Lucifer" resists easy interpretation, deliberately eschewing representational imagery in favor of abstract forms and textures. The interwoven patterns can be seen as symbolic representations of inner turmoil, spiritual struggle, or perhaps simply a visual manifestation of the artist’s subconscious. Some scholars suggest that the dominant black and white hues symbolize duality – light versus darkness, order versus chaos – reflecting the core themes explored by Abstract Expressionism. The seemingly random arrangement of shapes and forms actually possesses a carefully constructed dynamism, inviting viewers to engage in their own personal interpretations.

    A Legacy of Innovation: "Lucifer" within the Art Historical Landscape

    “Lucifer” is inextricably linked to the broader context of Abstract Expressionism, a movement that sought to liberate art from traditional constraints and explore the depths of human emotion. Works by Clyfford Still, with their similarly monumental scale and abstract forms, share conceptual affinities. Furthermore, the influence of Wassily Kandinsky’s exploration of geometric shapes and vibrant colors can be detected in Pollock's approach. Currently held within the Peggy Guggenheim Collection in Venice, "Lucifer" remains a pivotal work in Pollock’s oeuvre and a cornerstone of modern art history – a testament to his revolutionary vision and enduring impact.

    Artista y museo

    Artista

    Jackson Pollock

    Nacido en Cody, Estados Unidos

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip painting.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    This innovative approach positioned Pollock as a central figure in the burgeoning Abstract Expressionist movement, which emerged in post-World War II New York City. Abstract Expressionism prioritized spontaneous gesture, large scale, and non-representational imagery, reflecting a broader cultural shift away from traditional artistic conventions. His marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    His style transcends mere aesthetics; it's an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism.

    Though initially met with mixed reviews—some critics dismissed his work as chaotic or lacking skill—Pollock’s reputation grew steadily after his untimely death in 1956 at the age of 44. Today, he is universally recognized as one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression.

    Dónde leer más

    Consíguelo en línea

    Código QR que enlaza con la página de descarga de Lucifer

    wahooart.com/es/art/download/paul-jackson-pollock-lucifer-9ZRDPD-en/

    Cómo citar esta obra

    MLA
    Pollock, Jackson. Lucifer. 1947, https://wahooart.com/es/art/paul-jackson-pollock-lucifer-9ZRDPD-en/
    APA
    Pollock, Jackson (1947). Lucifer [Painting]. https://wahooart.com/es/art/paul-jackson-pollock-lucifer-9ZRDPD-en/
    Chicago
    Jackson Pollock. Lucifer. 1947. https://wahooart.com/es/art/paul-jackson-pollock-lucifer-9ZRDPD-en/
    Harvard
    Pollock, Jackson (1947) Lucifer. Available at: https://wahooart.com/es/art/paul-jackson-pollock-lucifer-9ZRDPD-en/

    Observa de cerca

    Lucifer — Jackson Pollock

    Observa con atención

    Responda con sus propias palabras. Aquí no hay respuestas incorrectas, solo respuestas que pueda explicar.

    1. ¿Qué es lo primero que le llama la atención y por qué?
    2. ¿Qué colores o formas crean la atmósfera, y cuál es esa atmósfera?
    3. Nuestro catálogo clasifica esta obra bajo: pollock, abstract, drip painting. ¿Está de acuerdo? ¿Qué añadiría o qué eliminaría?
    4. Vuelva a consultar Número uno, 1949 (1950), al principio de esta guía. Mencione dos elementos que comparta con esta obra y uno que sea diferente.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. ¿Dónde se puede apreciar esto en esta obra?

    Tu respuesta

    Escriba un breve párrafo sobre esta obra de arte. Utilice los datos de las secciones anteriores de esta guía y sus respuestas anteriores.

    Preguntas y respuestas

    ¿Cuál es el tono predominante de "Lucifer" de Jackson Pollock?

    Un tono Green to Violet Spectrum recorre "Lucifer" de Jackson Pollock.

    ¿A qué corriente artística pertenece "Lucifer" de Jackson Pollock?

    El movimiento asociado con "Lucifer" de Jackson Pollock es Abstract Expressionism. Esta clasificación sitúa la obra entre artistas y obras relacionadas.

    ¿Es "Lucifer" de Jackson Pollock una obra de tonos claros u oscuros?

    "Lucifer" de Jackson Pollock presenta un nivel de brillo de balanced, con una luminancia de Soft Shadow.