Papel

Guía de obras estudiantiles

Mourning

Nombre Curso Fecha

María Lassnig, Mourning (2003), ALBERTINA KLOSTERNEUBURG. Reproducido con fines de referencia; todos los derechos reservados por el titular.

Datos generales

Artista
María Lassnig wahooart.com/es/artists/maria-lassnig_es/
Fechas del artista
1919 – 2014
Pintura
2003
Técnica y materiales
Painting
Tamaño original
150 x 205 cm
Movimiento
Contemporary Art
Periodo
Contemporary
Lugar de celebración
ALBERTINA KLOSTERNEUBURG wahooart.com/es/museums/albertina-klosterneuburg-klosterneuburg_es/
Artistic style
Body awareness, Informalism
Notable elements or techniques
Vibrant color scheme, reds and oranges
Subject or theme
Woman in mourning with surrounding figures

En contexto

Mourning — María Lassnig

¿Qué dimensiones tiene?

Las medidas originales son 150 × 205 cm (alto × ancho), representadas aquí junto a un adulto de estatura media.

Año de creación

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000
  11. 2010

Sombreado: la trayectoria de María Lassnig (1919–2014) ▲ esta obra, 2003

Obras similares

Elige una de las obras anteriores: menciona dos cosas que comparta con esta y una diferencia.

Más obras para acompañar a esta: wahooart.com/es/art/similar/maria-lassnig-mourning-D67HTG-en/

Paleta de colores

Medido a partir de la imagen

    Color principal

    Putty #d2d8d7

    Paleta guardada

    • #D2D8D7
    • #A3AFA1
    • #6A3C4C
    • #B26F69
    Paleta de colores
    Neutrals La gama cromática dominante en la imagen.
    Color principal
    Putty
    Intensidad
    Balanced Qué saturados y variados son los colores, desde un único tono tenue hasta una gran variedad de tonos brillantes.
    Contraste
    Gentle El grado de diferencia entre los colores en cuanto a luminosidad y saturación a lo largo de la obra.
    Armonía
    Discordant Palette El grado de armonía entre los colores, desde el contraste hasta la total unidad.
    Brillo
    Brilliant El grado de luminosidad o oscuridad general de la imagen, desde las sombras profundas hasta las luces intensas.
    Saturación
    Muted Qué puros y fuertes son los colores, desde un gris casi tenue hasta una viveza total.

    Sobre esta obra

    Mourning — María Lassnig

    The Visceral Language of Emotion

    In the profound and haunting masterpiece Mourning, the late Austrian visionary Maria Lassnig invites us into a raw, unfiltered exploration of human vulnerability. Created in 2003, this expansive work serves as a powerful testament to the artist's lifelong dedication to her theory of "body awareness." At the heart of the composition, a central female figure emerges with an open-moutched cry, a visceral expression of grief that transcends mere depiction to become a shared human experience. Surrounded by figures that exist in varying states of nakedness and color, the painting dissolves the boundaries between the physical self and the psychological landscape, creating a scene that is as much about internal sensation as it is about external form.

    The technique employed here is nothing short of transformative. Lassnig utilizes a vibrant, almost feverish color palette to communicate the intensity of the subject matter. The central figure, bathed in searing reds and warm oranges, acts as a focal point of heat and passion, contrasting sharply with the more varied, multi-colored tones of the surrounding figures. This use of color does not merely decorate the canvas; it functions as a rhythmic pulse, guiding the viewer's eye through a chaotic yet deeply structured emotional journey. The brushwork, characteristic of her later mastery, feels spontaneous and urgent, capturing the fleeting, often painful sensations of being alive.

    A Legacy of Subjectivity and Form

    To understand Mourning, one must look to the historical context of Lassnig’s evolution within the Austrian art scene. As a pioneer of Informalism and Tachisme, Lassnig moved away from traditional representation toward a style that prioritized the "inner body." This piece stands as a culmination of decades spent navigating the complexities of identity, influenced by her early life in Kappel am Krappfeld and her formative years at the Academy of Fine Arts in Vienna. The figures surrounding the central protagonist—some draped, some bare, some looming in the background—suggest a communal weight to grief, implying that sorrow is never an isolated event but one that ripples through our social and physical connections.

    For the discerning collector or interior designer, this artwork offers more than just visual splendor; it provides a profound emotional anchor for any space. The sheer scale of the piece, measuring 150 x 205 cm, allows its commanding presence to dominate a room, turning a wall into a window into the human soul. A high-quality reproduction of this work preserves the delicate nuances of Lassnig's color transitions and the raw energy of her strokes, making it an ideal centerpiece for those seeking to infuse their environment with intellectual depth and avant-garde sophistication. It is a piece that demands conversation, inviting viewers to contemplate the beautiful, tragic, and inescapable nature of our shared existence.

    Artista y museo

    Artista

    María Lassnig

    Nacido en Kappel am Kraffeld, Austria

    Early Life and Education

    María Lassnig, born September 8, 1919, in Kappel am Kraffeld, Austria, experienced a formative childhood shaped by her mother’s turbulent relationship with an older man—a dynamic that instilled in Lassnig a profound understanding of familial complexities. Raised primarily by her grandmother, this early environment would become a recurring motif in her artistic explorations. Lassnig pursued her education at the Academy of Fine Arts in Vienna during World War II, where she honed her skills and established her distinctive artistic style.

    Artistic Career and Contributions

    Lassnig’s artistic trajectory is characterized by groundbreaking innovations that propelled her into the forefront of Austrian art history. Notably, she spearheaded the introduction of Informalism and Tachisme—styles that rejected traditional representational conventions—into the postwar landscape. Her involvement with the Hundsgruppe (“Dog Pack”), alongside fellow artists Arnulf Rainer, Ernst Fuchs, and Wolfgang Hollegha, solidified her position as a pivotal figure in shaping Viennese artistic discourse during the 1950s. Perhaps Lassnig’s most enduring contribution lies in her concept of “Body Awareness,” articulated in 1948—a theory that revolutionized portraiture by advocating for depicting only body parts felt during the creative process, resulting in strikingly original self-portraits featuring missing limbs or unconventional colors.

    Awards and Legacy

    Lassnig received widespread recognition for her artistic achievements, culminating in the Grand Austrian State Prize in 1988—the first female artist to honorably claim this prestigious accolade. In 2005, she was bestowed with the Austrian Decoration for Science and Art, acknowledging her profound impact on both artistic expression and intellectual inquiry. Her crowning accomplishment arrived at the 55th Venice Biennale in 2013, where she garnered the Golden Lion Award for Lifetime Achievement—a testament to her enduring legacy as one of Austria’s most influential painters.

    Notable Works and Exhibitions

    Lassnig's oeuvre encompasses a diverse range of captivating artworks that continue to inspire admiration and scholarly discussion. Among her seminal creations is “Selfportrait with Telephone,” housed at the Lentzos Kunstmuseum Linz, which exemplifies her pioneering approach to self-representation—a piece that captures the essence of introspection and vulnerability through masterful use of light and shadow. Her works have graced numerous exhibitions across Austria and internationally, including those at the Kunsthistorisches Museum and Museum of Applied Arts in Vienna, cementing her place as a cornerstone of modern Austrian art history.

    Teaching and Later Life

    Lassnig dedicated herself to artistic mentorship and scholarly pursuits until her passing in 2014, serving as Professor at the Vienna University of Applied Arts since 1980—a role that nurtured generations of aspiring artists. Her later explorations continued to grapple with themes of “Body Awareness” and self-portraiture, reflecting a lifelong commitment to artistic innovation and personal introspection. Lassnig’s influence extends beyond her own creations; she inspired filmmakers like Bernhard Eichinger, who captured her spirit in the biographical film Sleeping with a Tiger, and playwright Franziska Baumgartner, whose theatrical adaptation Alte Meisterin. Lassnig/Beresin/Bitzan brought her artistic vision to the stage.

    Museo

    ALBERTINA KLOSTERNEUBURG

    En exposición en Klosterneuburg, Austria

    A New Resonance on the Danube: The Albertina Klosterneuburg

    Nestled in the charming town of Klosterneuburg, just a short journey from Vienna, lies a cultural beacon that has swiftly established itself as a vital force in Austria’s contemporary art landscape. The ALBERTINA KLOSTERNEUBURG, opened in April 2024, isn't merely an extension of the renowned Albertina Museum; it is a bold reimagining of space and collection, offering a focused exploration of post-1945 artistic expression. Housed within the repurposed structure of the former Essl Museum, the gallery breathes new life into a building already steeped in art historical significance, creating a dialogue between its architectural past and the dynamic works it now contains.

    The Essence of Renewal:

    The ALBERTINA KLOSTERNEUBURG’s genesis is rooted in a poignant act of cultural stewardship. Faced with financial challenges, the Essl Museum—a significant private collection amassed by Karlheinz and Agnes Essl—was generously donated to the Albertina, ensuring its continued accessibility to the public. This decision underscored the importance of preserving artistic heritage and establishing a dedicated space for showcasing previously underserved pieces within the Albertina’s broader holdings. The revitalized facility represents a triumph of vision and collaboration – a testament to how institutions can adapt to evolving circumstances while upholding their commitment to disseminating art knowledge.

    Architectural Harmony:

    Designed by architect Heinz Tesar, the Klosterneuburg building embodies a masterful blend of historic context and contemporary design. Its spacious halls and innovative layout provide an ideal backdrop for presenting the museum’s impressive collection—a testament to how thoughtfully conceived spaces can amplify artistic impact. The building's façade incorporates elements reminiscent of Viennese Baroque grandeur alongside sleek lines reflecting modern sensibilities, creating a visual juxtaposition that mirrors the museum’s thematic exploration.

    Sculptural Dialogue:

    Unlike its Viennese counterpart, which prioritizes painting and drawing, ALBERTINA KLOSTERNEUBURG distinguishes itself through a profound emphasis on sculpture. Visitors are invited into an immersive experience with works by celebrated Austrian artists like Franz West and Erwin Wurm—artists who challenge conventional artistic boundaries through modular constructions and audience participation. These pieces invite contemplation about materiality, form, and the role of the viewer in shaping artistic interpretation.

    Featured Artists:

    Among the highlights is ‘Princess Sofia Albertina Of Sweden’ by Gustaf Lundberg – a stunning 18th-century portrait in golden frame. Hand-painted reproduction available now! This exquisite artwork exemplifies the museum's dedication to showcasing masterpieces from across eras, demonstrating how art history continues to inspire and captivate audiences today.

    The Museum's Vision:

    ALBERTINA KLOSTERNEUBURG represents more than just an art museum; it is a catalyst for cultural revitalization in Lower Austria. Its strategic location, easily accessible from Vienna, positions it as both a destination in its own right and a compelling day trip for those seeking artistic enrichment beyond the city limits. The gallery’s mission extends beyond mere exhibition—it strives to foster dialogue between artists and scholars, promoting critical engagement with contemporary art and nurturing an appreciation for creative expression.

    The ALBERTINA KLOSTERNEUBURG stands as a beacon of innovation—a space where established names coexist with emerging talents, fostering an environment of creative exchange and inspiring future generations of art enthusiasts. Don’t miss the opportunity to immerse yourself in this extraordinary collection and experience the transformative power of encountering art firsthand.

    Más información

    Disponible en línea

    Código QR que enlaza con la página de descarga de Mourning

    wahooart.com/es/art/download/maria-lassnig-mourning-D67HTG-en/

    Cómo citar esta obra

    MLA
    Lassnig, María. Mourning. 2003, ALBERTINA KLOSTERNEUBURG. https://wahooart.com/es/art/maria-lassnig-mourning-D67HTG-en/
    APA
    Lassnig, María (2003). Mourning [Painting]. ALBERTINA KLOSTERNEUBURG. https://wahooart.com/es/art/maria-lassnig-mourning-D67HTG-en/
    Chicago
    María Lassnig. Mourning. 2003. ALBERTINA KLOSTERNEUBURG. https://wahooart.com/es/art/maria-lassnig-mourning-D67HTG-en/
    Harvard
    Lassnig, María (2003) Mourning. ALBERTINA KLOSTERNEUBURG. Available at: https://wahooart.com/es/art/maria-lassnig-mourning-D67HTG-en/

    Mira de cerca

    Mourning — María Lassnig

    Observa de cerca

    Responda con sus propias palabras. Aquí no hay respuestas incorrectas, solo respuestas que pueda explicar.

    1. ¿Qué es lo primero que le llama la atención y por qué?
    2. ¿Qué colores o formas crean la atmósfera, y cuál es esa atmósfera?
    3. Nuestro catálogo clasifica esta obra bajo: woman, figures, white dress. ¿Está de acuerdo? ¿Qué añadiría o qué eliminaría?
    4. Vuelva a consultar Atlas (1985) más adelante en esta guía. Mencione dos elementos que comparta con esta obra y uno que sea diferente.
    5. María Lassnig tenía unos 84 años cuando se realizó esta obra. ¿Qué elementos parecen reflejar la etapa creativa de un artista a esa edad?

    Tu respuesta

    Escriba un párrafo breve sobre esta obra de arte. Utilice los datos de las secciones anteriores de esta guía y sus respuestas anteriores.