Guía de obras estudiantiles
Derechos de autor Esta obra se considera aún bajo derechos de autor. Dan Lam nació en 1988 y no tiene fecha de fallecimiento registrada; los derechos de autor perduran 70 años después de la muerte del artista. La imagen se muestra aquí con fines de referencia académica; los derechos pertenecen al titular de los mismos.
En contexto
Benefits — Dan Lam
Las medidas originales son 23 × 18 cm (alto × ancho), representadas aquí junto a un adulto de estatura media.
Fila superior: los años. Fila inferior: la edad del artista al inicio y al final de cada periodo, contando el año de nacimiento como 0.
cada pintura fechada, década tras década
No hay un año exacto registrado para este disco; basándose en la trayectoria del artista y el estilo de la obra, ¿a qué década lo atribuiría?
Elige una de las obras anteriores: menciona dos cosas que comparta con esta y una diferencia.
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Medido a partir de la imagen
Color principal
Steel Blue #66a7a5
Paleta catalogada
Estos colores integrados en toda la paleta del artista Encuentra otras pinturas por color
Sobre esta obra
Benefits — Dan Lam
Benefits is a work by the artist Dan Lam (Morong, Philippines, 1988). The daughter of Vietnamese migrants, born in the Philippines and raised in Texas, she generates sculptures that melt before the gaze of the spectators. Influenced by Lynda Benglis, the artist decided to start working with resin, glues, and plastic polymers. Her works, full of curves and bulges that spill over what supports them, are presented as organic elements before the viewer. “I want the sculptures to offer that illusion of being alive, but without needing to take drugs to see it,” says Dan Lam, who uses psychedelia and neon colours to turn the inert into a completely different reality.
Artista y museo
Nacido en Morsang, Filipinas
Dan Lam is an American sculptor of Vietnamese ancestry known for her vibrant ‘drippy’ sculptures using polyurethane foam & epoxy resin. Her work explores desire, disgust, and the boundary between beauty & grotesque, gaining recognition through social media and captivating audiences with its unsettling yet mesmerizing aesthetic. Born in Morsang, Philippines (1988), Lam's artistic journey began amidst the challenges of refugee life, fostering a profound connection to resilience and experimentation—qualities that would define her distinctive style.
Lam’s parents fled Vietnam in 1986, embarking on a nomadic path across Southeast Asia before establishing their home in Houston, Texas. Lam herself was born in a refugee camp in Morong, Bataan, Philippines, where she spent her formative months awaiting sponsorship from family in Houston. An only child, Lam cultivated an innate curiosity and fascination with materials—a passion that blossomed during her early art classes in grade school. She pursued her Bachelor’s and Master’s degrees in Drawing and Painting at the University of North Texas and Arizona State University respectively, honing her skills and exploring diverse artistic approaches. Influenced by artists like Lynda Benglis, Lam began experimenting with unconventional materials—hot glue, resin, and plaster—pushing boundaries and challenging conventional sculptural techniques. This initial exploration established a foundation for her later stylistic innovations.
Lam’s signature style centers around “drippy” sculptures crafted from polyurethane foam and epoxy resin. These pieces deliberately juxtapose organic forms with synthetic materials, creating a tension that mirrors the artist's preoccupation with desire and disgust—themes she investigates through her art. Lam describes her process as "I want the sculptures to have that illusion of being alive, but you don’t need drugs to see it.” Her work isn’t merely about visual appeal; it prompts viewers to confront uncomfortable emotions and consider the psychological impact of confronting beauty alongside repulsion. The artist's exploration of this duality reflects a broader interest in challenging perceptions and questioning societal norms. She seeks to provoke contemplation and inspire dialogue, mirroring the spirit of Surrealist art movements.
Lam gained significant recognition through her Instagram account, which amassed over 76,000 followers—including celebrities like Miley Cyrus—during her MFA program at Arizona State University. This burgeoning online presence coincided with growing acclaim for the importance of social media in fostering artistic dialogue and expanding an artist’s reach. Her sculptures have been featured prominently in publications such as Architectural Digest, Forbes, and Travel + Leisure, solidifying her position within contemporary art discourse. Collaborations with companies like Facebook, Virgin, and Meow Wolf further demonstrate Lam's ability to engage audiences across diverse platforms—a testament to her innovative approach and enduring artistic vision. Her work has been showcased in exhibitions ranging from New York to San Francisco, Paris, and Munich, cementing her reputation as a compelling voice within the global art landscape.
Dan Lam currently resides and works in Dallas, Texas, continuing to refine her sculptural practice and explore new avenues for artistic expression. Her ongoing collaborations with galleries like Square One Gallery and Holly Johnson Gallery underscore her commitment to fostering connections between artists and collectors—a dedication that reflects her belief in the transformative power of art and its ability to provoke contemplation and inspire dialogue. Lam’s future endeavors promise to further solidify her legacy as a sculptor who dares to confront uncomfortable truths while simultaneously celebrating the beauty inherent in unexpected combinations—a singular artistic perspective destined to resonate with audiences for years to come.
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Observa de cerca
Benefits — Dan Lam
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La paleta de "Benefits" presenta una saturación Subtle Color.
El Steel Blue (#66a7a5) es el color predominante de "Benefits" de Dan Lam.
"Benefits" está disponible como una reproducción al óleo pintada a mano sobre lienzo de lino. Puede realizar su pedido en la página de Reproducción al óleo pintada a mano, con una variedad de tamaños disponibles.