Papel

Guía de obras estudiantiles

Rey América

Nombre Curso Fecha

Celis Pérez, Rey América (1961). Reproducido con fines de referencia; todos los derechos reservados por el titular.

Datos generales

Artista
Celis Pérez wahooart.com/es/artists/celis-perez_es/
Fechas del artista
1939 – 2008
Pintura
1961

En contexto

Rey América — Celis Pérez

Año de creación

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000

Sombreado: la trayectoria de Celis Pérez (1939–2008) ▲ esta obra, 1961

Obras similares

Elige una de las obras anteriores: menciona dos cosas que comparta con esta y una diferencia.

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Paleta de colores

Medido a partir de la imagen

    Color principal

    Phthalo Green #141614

    Paleta guardada

    • #141614
    • #988C90
    • #DDDBE1
    • #583C38
    Color principal
    Phthalo Green
    Intensidad
    Monochromatic Qué saturados y variados son los colores, desde un único tono tenue hasta una gran variedad de tonos brillantes.
    Contraste
    Statement El grado de diferencia entre los colores en cuanto a luminosidad y saturación a lo largo de la obra.
    Armonía
    Discordant Palette El grado de armonía entre los colores, desde el contraste hasta la total unidad.
    Brillo
    Balanced El grado de luminosidad o oscuridad general de la imagen, desde las sombras profundas hasta las luces intensas.
    Saturación
    Muted Qué puros y fuertes son los colores, desde un gris casi tenue hasta una viveza total.

    Artista y museo

    Artista

    Celis Pérez

    Nacido en San Telmo, Argentina

    A Life Immersed in Geometry and Light: The World of Celis Pérez

    Celis Pérez, born in the vibrant heart of San Telmo, Argentina, in 1939, emerged as a significant voice in Latin American abstract art. His journey wasn’t one of immediate acclaim but rather a gradual unfolding, beginning with correspondence courses that ignited an early passion and blossoming through formal studies at the Belgrano School of Fine Arts in 1954. Even as a young boy, working as a newsboy, he was absorbing the visual world around him, unknowingly laying the foundation for his future explorations of form and color. Pérez wasn’t simply creating art; he was constructing a visual language rooted in both personal experience and a deep engagement with the artistic currents of his time. His early exposure to drawing and painting through these formative lessons would prove pivotal, setting him on a path toward becoming one of Argentina's most celebrated abstract artists.

    The Vasarely Spark and the Rise of Geometric Abstraction

    A watershed moment in Pérez’s artistic development arrived with a 1957 retrospective dedicated to Victor Vasarely at the National Fine Arts Museum. This encounter proved transformative, igniting within him a fascination with geometric abstraction that would define much of his subsequent work. Vasarely's precise and systematic approach resonated deeply, prompting Pérez to embark on his own exploration of this visual vocabulary. It wasn’t mere imitation; rather, he absorbed the principles of geometric construction and began to infuse them with his unique sensibility. This influence culminated in 1962 with Fuerza América, his first mural—a bold statement that signaled his arrival as a force within the Argentine art scene. This early work wasn’t just an aesthetic exercise; it was a declaration of intent, showcasing his commitment to pushing boundaries and forging a new visual language. The impact of this initial foray into large-scale geometric compositions would reverberate throughout his career.

    A Global Dialogue: Exhibitions and Recognition

    Pérez’s artistic vision transcended national borders, finding resonance in galleries and museums across the globe. He participated in over 120 solo exhibitions, a testament to the enduring appeal of his work. These weren't confined to Latin America; he showcased his art at prestigious institutions like the Museo Nacional de Bellas Artes in Argentina and even the Musée d’Orsay in Paris—a remarkable achievement for an artist deeply rooted in Argentine identity. His ability to connect with diverse audiences speaks to the universality of his artistic concerns: the interplay of form, color, and light; the exploration of spatial relationships; and the evocation of emotional responses through abstract means. This international recognition wasn’t simply about exposure; it was a validation of his unique contribution to the broader conversation within modern art. He became a cultural ambassador, representing Argentina on the world stage through the power of his visual creations.

    Beyond Canvas and Walls: Murals, Awards, and Lasting Legacy

    Pérez’s artistic reach extended beyond traditional canvases and gallery walls. He received significant commissions, including the prestigious Alba Award at the 61st Salón Nacional de Artes Plásticas Argentino, and was honored as a distinguished citizen of Buenos Aires in 2001. Perhaps most notably, he created murals for Club Atlético Boca Juniors’ iconic La Bombonera stadium—a project that brought his art to a massive public audience and cemented his place within Argentine popular culture. These weren't merely decorative additions; they were integral components of the stadium’s atmosphere, adding another layer of visual energy to the passionate world of Argentine football. His work became interwoven with the fabric of everyday life, demonstrating the power of art to transcend elitist boundaries and connect with people from all walks of life. Sadly, Pérez passed away in 2008 at the age of 69 after battling leukemia, but his legacy continues through his numerous works, a testament to his enduring vision and artistic innovation. His paintings, sculptures, and murals remain as vibrant reminders of an artist who dared to explore the boundaries of abstraction and create a visual world that is both intellectually stimulating and emotionally resonant. Works like “Guerra Santa” and “Bird in the Space Gold” exemplify his mastery of color and form, continuing to captivate audiences today.

    Más información

    Disponible en línea

    Código QR que enlaza con la página de descarga de Rey América

    wahooart.com/es/art/download/celis-perez-rey-america-D5GA8D-en/

    Cómo citar esta obra

    MLA
    Pérez, Celis. Rey América. 1961, https://wahooart.com/es/art/celis-perez-rey-america-D5GA8D-en/
    APA
    Pérez, Celis (1961). Rey América [Painting]. https://wahooart.com/es/art/celis-perez-rey-america-D5GA8D-en/
    Chicago
    Celis Pérez. Rey América. 1961. https://wahooart.com/es/art/celis-perez-rey-america-D5GA8D-en/
    Harvard
    Pérez, Celis (1961) Rey América. Available at: https://wahooart.com/es/art/celis-perez-rey-america-D5GA8D-en/

    Mira de cerca

    Rey América — Celis Pérez

    Observa de cerca

    Responda con sus propias palabras. Aquí no hay respuestas incorrectas, solo respuestas que pueda explicar.

    1. ¿Qué es lo primero que le llama la atención y por qué?
    2. ¿Qué colores o formas crean la atmósfera, y cuál es esa atmósfera?
    3. Vuelva a consultar Paisaje Ideal (1968) más adelante en esta guía. Mencione dos elementos que comparta con esta obra y uno que sea diferente.
    4. Celis Pérez tenía unos 22 años cuando se realizó esta obra. ¿Qué elementos parecen reflejar la etapa creativa de un artista a esa edad?
    5. ¿Qué habrá querido transmitir el artista?

    Tu respuesta

    Escriba un párrafo breve sobre esta obra de arte. Utilice los datos de las secciones anteriores de esta guía y sus respuestas anteriores.