Paper

Student Artwork Guide

On the Old Sod

Name Class Date

william magrath, On the Old Sod (1879). Public domain.

The facts

Artist
william magrath wahooart.com/en/artists/william-magrath/
Artist’s dates
1838 – 1918
Painted
1879
Original size
98 x 71 cm

In context

On the Old Sod — william magrath

How big is it?

The original measures 98 × 71 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910

Shaded: the lifetime of william magrath (1838–1918) ▲ this work, 1879

Colours

Measured from the image

    Main colour

    Espresso #4e4e4e

    Catalogued palette

    • #4E4E4E
    • #858585
    • #D9D9D9
    • #2F2F2F
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    william magrath

    Born in Cork, Ireland

    William Magrath: A Painter of Irish Shadows and Victorian Echoes

    William Magrath (1838-1918) emerges from the late 19th century as a compelling figure – an Irish-American watercolourist whose work transcends simple genre scenes, hinting at a complex interplay of influences and a quietly observant eye. Born in Cork, Ireland, to a family steeped in history, Magrath’s artistic journey took him across the Atlantic before establishing himself as a respected artist primarily in America. His life, punctuated by intriguing whispers of suspicion and a deep connection to his homeland, provides a rich backdrop for understanding the nuances of his art. Initially educated at the Blue Coat School and the Cork School of Art, he was clearly drawn to the realism and narrative potential of painting, finding particular resonance with the style of Alma-Tadema, whose meticulous depictions of Victorian life served as a significant point of reference. However, Magrath’s work wasn't merely imitation; he infused his scenes with a distinctly Irish sensibility, capturing the rugged beauty of the landscape and the everyday lives of its people – a ‘on the old sod’ that resonated deeply within him.

    Early Life and Artistic Training: Roots in Ireland and a Move to America

    Magrath's early years were shaped by his family’s lineage, tracing back to a line of Irish historians. This heritage instilled in him a keen interest in documenting the past and preserving cultural memory – an element that subtly informs many of his paintings. Leaving Ireland for America in the mid-1850s, he established himself as a professional artist in New York City, quickly gaining recognition for his ability to portray scenes of rural life with remarkable detail and sensitivity. His early works often focused on depicting Irish landscapes and customs, reflecting both his personal connection to his homeland and an acute awareness of the changing social landscape of America. The influence of Alma-Tadema is undeniable in Magrath’s compositions – a meticulous attention to light, texture, and costume – yet he skillfully blended this with a distinctly Irish perspective, creating images that are simultaneously familiar and evocative.

    Key Works: ‘On the Old Sod’ and the Depiction of Rural Ireland

    Perhaps Magrath's most celebrated work, “On the Old Sod” (available for viewing at WahooArt.com), exemplifies his artistic vision. This painting, a masterful depiction of rural Irish life, showcases his ability to capture not just the visual appearance but also the atmosphere and spirit of the landscape. The scene is rendered with remarkable precision, from the weathered faces of the figures to the textures of the fields and buildings. It’s more than just a portrait of a specific place; it's an evocation of a way of life – a poignant reminder of Ireland’s past and its enduring cultural identity. The painting’s success speaks to Magrath’s skill in translating his observations into compelling visual narratives, capturing the essence of Irish rural existence with both accuracy and emotional depth.

    Intriguing Circumstances: A ‘Suspicious Irishman’ and a Mansion in Alberta

    Adding an intriguing layer to Magrath's biography is the fact that he was listed as a “suspicious Irishman” within the Chief Constable’s Special Branch Register at 57 Bedford Gardens. While the exact nature of this suspicion remains unclear, it hints at a complex and perhaps troubled personal history. Further adding to his story is the existence of Magrath Mansion in Edmonton, Alberta – a grand residence built between 1912 and 1913 by William J. Magrath himself. This opulent home, reflecting his wealth and status, stands as a testament to his success but also serves as a reminder of his ambition and perhaps a desire to establish a legacy. The mansion’s subsequent history – from its period of grandeur to its eventual donation to Concordia University – provides further insight into the artist's life and the changing social landscape of Alberta.

    Legacy and Influence: A Victorian Painter with an Irish Soul

    William Magrath’s legacy lies not only in his individual paintings but also in their contribution to the broader narrative of 19th-century art. He represents a fascinating intersection of influences – the meticulous realism of Alma-Tadema, the romanticism of Irish landscape painting, and the social observations of Victorian artists. His work continues to resonate with viewers today, offering a glimpse into a bygone era and a poignant reminder of Ireland’s rich cultural heritage. Magrath's paintings are now held in prestigious collections worldwide, ensuring that his unique artistic vision will continue to be appreciated for generations to come. Exploring the works available at WahooArt.com offers a direct connection to this remarkable artist and his captivating world.

    Where to read more

    Find this online

    QR code linking to the download page for On the Old Sod

    wahooart.com/en/art/download/william-magrath-on-the-old-sod-D2XDX7-en/

    Cite this artwork

    MLA
    magrath, william. On the Old Sod. 1879, https://wahooart.com/en/art/william-magrath-on-the-old-sod-D2XDX7-en/
    APA
    magrath, william (1879). On the Old Sod [Painting]. https://wahooart.com/en/art/william-magrath-on-the-old-sod-D2XDX7-en/
    Chicago
    william magrath. On the Old Sod. 1879. https://wahooart.com/en/art/william-magrath-on-the-old-sod-D2XDX7-en/
    Harvard
    magrath, william (1879) On the Old Sod. Available at: https://wahooart.com/en/art/william-magrath-on-the-old-sod-D2XDX7-en/

    Look closely

    On the Old Sod — william magrath

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. william magrath was about 41 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.