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Student Artwork Guide

The Strode Family

Name Class Date

William Hogarth, The Strode Family (1738), Tate Gallery. Public domain.

The facts

Artist
William Hogarth wahooart.com/en/artists/william-hogarth/
Artist’s dates
1697 – 1764
Painted
1738
Medium
Acrylic On Canvas
Original size
87 x 91 cm
Movement
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Held at
Tate Gallery wahooart.com/en/museums/tate-gallery-london/
Artistic style
Genre portrait
Influences
Dutch Portraiture
Notable elements or techniques
Detailed realism; satirical observation
Subject or theme
Domestic life; family portrait

In context

The Strode Family — William Hogarth

How big is it?

The original measures 87 × 91 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1690
  2. 1700
  3. 1710
  4. 1720
  5. 1730
  6. 1740
  7. 1750
  8. 1760

Shaded: the lifetime of William Hogarth (1697–1764) ▲ this work, 1738

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/william-hogarth-the-strode-family-8Y3CV5-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #302121

    Catalogued palette

    • #302121
    • #543631
    • #8D6553
    • #C3AD9D
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    The Strode Family — William Hogarth

    A Snapshot of Georgian Society: Hogarth’s ‘The Strode Family’

    William Hogarth's “The Strode Family,” completed in 1738, isn’t merely a portrait; it’s a meticulously crafted window into the social landscape of London during the reign of George II. More than just capturing likenesses, Hogarth undertook a profound mission – to dissect and critique the moral failings prevalent within the upper echelons of Georgian society. This ambitious undertaking is achieved through his signature blend of realism and satire, cementing his place as one of England’s most influential artists of the era.

    Subject Matter & Composition: The painting depicts the Strode family – John Strode, his wife Mary, their son William, and two daughters – gathered around a dining table in what appears to be a comfortable domestic setting. Hogarth’s masterful composition draws the viewer's eye inwards, emphasizing the familial bonds amidst an atmosphere of calculated formality.

    Style & Technique: Hogarth employed his distinctive Rococo style, albeit tempered with a grounding in observation and anatomical accuracy. He utilized chiaroscuro – dramatic contrasts between light and dark – to sculpt the figures and imbue them with palpable emotion. The meticulous detail evident in every brushstroke speaks volumes about Hogarth’s dedication to capturing not just appearance but also psychological nuance.

    Historical Context: Morality Play & Social Commentary

    The Strode Family” emerges from a period marked by significant social upheaval and anxieties. The Georgian era witnessed an explosion of wealth and privilege alongside growing concerns about moral decay – issues Hogarth relentlessly confronted through his art. Unlike idealized depictions common at the time, this portrait deliberately eschews romantic embellishment, presenting instead a stark portrayal of everyday life. The inclusion of a dog symbolizes loyalty and domestic tranquility, yet it’s juxtaposed with the subtle hints of discontent radiating from Mary Strode's gaze – a deliberate provocation designed to unsettle viewers accustomed to portraying families as paragons of virtue.

    Symbolism & Visual Language

    Beyond its immediate depiction of family life, “The Strode Family” is laden with symbolic significance. The dining table itself represents the center of domestic authority and social interaction, while the carefully arranged tableware underscores the importance of etiquette and propriety. However, Hogarth’s genius lies in his ability to convey unspoken anxieties through subtle visual cues. Consider the man on the left, whose tie serves as a visual reminder of societal expectations – an expectation that Mary Strode subtly rejects. This gesture encapsulates the broader critique of hypocrisy inherent within Hogarth's oeuvre.

    Emotional Impact & Legacy

    “The Strove Family” transcends mere representation; it compels viewers to confront uncomfortable truths about human behavior and social responsibility. The painting’s unsettling realism captures a moment frozen in time, inviting contemplation on themes of domestic harmony versus moral compromise. Hogarth's unflinching gaze at the complexities of human relationships continues to resonate with audiences today, securing “The Strode Family” as an enduring masterpiece – a testament to his unparalleled ability to transform observation into profound artistic expression.

    Artist and museum

    Artist

    William Hogarth

    Born in London, United Kingdom

    A London Life in Ink and Paint: The World of William Hogarth

    William Hogarth, born into the bustling heart of 18th-century London in 1697, was more than just an artist; he was a visual historian, a keen observer of human nature, and a satirical commentator on the societal currents of his age. His life story is inextricably linked to the very fabric of England during a period of significant transformation – its burgeoning ambitions, underlying anxieties, and pervasive hypocrisies all finding potent expression in his remarkably detailed and often biting works. The son of a struggling Latin schoolmaster, Hogarth’s early experiences instilled within him both a love for learning and a sharp awareness of social inequalities, a foundation that would prove crucial to shaping his artistic vision. Initially apprenticed to an engraver, he quickly demonstrated a talent extending beyond mere technical skill; he possessed an innate ability to observe the nuances of human behavior and translate them into compelling visual narratives. However, he chafed against the constraints of traditional engraving, seeking a more expressive outlet for his burgeoning creativity. This led him to studies at both St Martin’s Lane Academy and under Sir James Thornhill, where he honed his skills in painting and composition, absorbing influences that would later inform his unique style.

    The Birth of Modern Moral Subjects

    Hogarth's true innovation lay not simply what he painted, but how. He pioneered what he termed “modern moral subjects” – series of pictures designed to tell a story, often imbued with a strong satirical edge. These weren’t isolated portraits or landscapes; they were visual novels unfolding before the viewer’s eyes, offering pointed commentary on contemporary society. A Harlot's Progress, created in 1742, stands as perhaps his most famous example. This series of six paintings meticulously follows the tragic downfall of Mary, a young woman arriving in London full of hope but quickly succumbing to the temptations and dangers of city life. Each scene is rendered with painstaking detail, filled with symbolic elements that reveal the moral decay surrounding her. Similarly, A Rake's Progress, begun in 1733, charts the reckless decline of Tom Rakewell, a man who squanders his inheritance on gambling, debauchery, and ultimately, madness. These weren’t merely cautionary tales; they were unflinching portraits of a society grappling with issues of class, morality, and social mobility. Hogarth's genius resided in his ability to elevate everyday scenes – the bustling streets of London, the opulent interiors of the wealthy, the squalid lives of the poor – into works of art that resonated deeply with his audience. He didn’t shy away from depicting the harsh realities of life, presenting them with a blend of humor and pathos that forced viewers to confront uncomfortable truths about themselves and their society.

    Technique and Influences: A Synthesis of Styles

    Hogarth's artistic style was a unique amalgamation of diverse influences. He greatly admired the realism and narrative detail found in the works of Dutch genre painters like Pieter de Hooch, evident in his meticulous depictions of interiors and everyday life. The satirical prints produced in France also played a role in shaping his approach to social commentary. However, Hogarth wasn’t simply imitating these sources; he was synthesizing them into something entirely new and distinctly his own. His technique was characterized by a masterful use of line and shading, particularly evident in his engravings. He employed a distinctive cross-hatching technique that created depth and texture, bringing his scenes to life with remarkable clarity. He also possessed an exceptional eye for composition, arranging figures and objects within the frame to create dynamic and engaging narratives. Beyond visual art, Hogarth was influenced by literary works, particularly those of Jonathan Swift and Henry Fielding, whose satirical wit informed his own social observations. He believed that art should not merely be beautiful but should also serve a moral purpose, challenging viewers to confront uncomfortable truths about themselves and their society. He sought to hold a mirror up to nature, reflecting both its beauty and its ugliness with unflinching honesty.

    Legacy and Lasting Impact

    The impact of William Hogarth extends far beyond the realm of 18th-century art. His work gained immense popularity thanks to the mass production of prints based on his paintings, making his satirical commentary accessible to a wider audience than ever before. He is widely considered a precursor to political cartooning and comic strips, laying the groundwork for visual storytelling in popular culture. Artists like James Gillray and George Cruikshank were directly influenced by his style, carrying forward his tradition of social satire. Even Charles Lamb, the celebrated essayist, recognized the narrative power of Hogarth’s images, famously remarking that they were “like books to be read rather than merely looked at.”

    Hogarth established a distinctly British artistic identity.

    His work provides invaluable insights into 18th-century English society.

    He influenced generations of artists and satirists.

    William Hogarth died in 1764, leaving behind a legacy that continues to resonate today. He remains a pivotal figure in the history of British art, celebrated for his innovative approach to storytelling, his unflinching social commentary, and his enduring ability to capture the complexities of human life. His paintings and engravings are not merely historical artifacts; they are vibrant windows into a bygone era, offering timeless insights into the follies and foibles of humanity. He demonstrated that art could be both entertaining and enlightening, challenging viewers to think critically about the world around them and their place within it.

    Museum

    Tate Gallery

    On show in London, United Kingdom

    A Chronicle of British Vision: Unveiling Tate Britain

    Nestled along the Thames’s gentle curve in Millbank, Tate Britain isn't merely a gallery; it’s a living embodiment of British artistic evolution. From its inception as a champion of homegrown talent to its current status as a global beacon of modern and contemporary art, the museum’s story is inextricably linked to the nation’s own journey through time. Founded in 1897 by the philanthropic Henry Tate – a man whose personal collection formed the gallery's very foundation – Tate Britain began with an ambitious mandate: to celebrate the breadth and depth of British artistic heritage. The initial focus was firmly rooted in the traditions of the Tudor and Victorian eras, presenting a comprehensive panorama of art produced within these formative centuries. However, a pivotal shift occurred in the 1930s, driven by a desire to embrace the dynamism of modernism, marking a decisive departure from purely historical representation and establishing Tate Britain as a vital participant in the international dialogue surrounding artistic expression. Today, the museum stands as a testament to this ongoing evolution – a place where the echoes of masters past resonate alongside the bold visions of contemporary artists.

    Architectural Layers:

    The building itself is a captivating narrative, a layered composition of neoclassical grandeur and postmodern experimentation. Sidney R. J. Smith’s original design, completed in 1897, immediately proclaimed an air of imperial ambition, mirroring Britain's dominant position on the European artistic stage. Its imposing columns, expansive porticos, and soaring ceilings were deliberately intended to convey prestige and importance. Yet, this classical façade is dramatically juxtaposed with James Stirling’s Clore Gallery (1987), a daring intervention that introduces unconventional materials and spatial arrangements – a bold assertion of intellectual curiosity and artistic innovation. This purposeful contrast speaks volumes about Tate Britain's commitment to honoring tradition while simultaneously embracing the spirit of experimentation.

    A Treasury of British Art:

    The museum’s collection is nothing short of astonishing, encompassing over six centuries of British artistic expression. From the meticulously crafted panel paintings of the Tudor period – showcasing burgeoning confidence and a nascent sense of national identity – to the emotionally charged portraits of Francis Bacon, the gallery offers an unparalleled journey through the evolution of British art. Key highlights include J.M.W. Turner’s breathtaking landscapes, capturing sublime beauty with his masterful use of light and color; the evocative Pre-Raphaelite paintings celebrating romanticism and mythology; and David Hockney's vibrant works reflecting post-war Britain’s dynamism. The collection extends beyond painting to encompass sculpture, prints, drawings, and decorative arts, providing a holistic understanding of British artistic culture.

    The Enduring Legacy of Turner

    Tate Britain’s relationship with J.M.W. Turner is particularly profound, culminating in an unparalleled collection that stands as a cornerstone of the museum's identity. The gallery holds an astonishingly comprehensive selection of Turner’s work – including “Snow Storm – Steamers on Red Wharf,” a masterpiece that exemplifies his revolutionary approach to landscape painting. This iconic piece, and others within the collection, demonstrate Turner’s extraordinary ability to capture not just the visual appearance of a scene but also its emotional resonance. His innovative use of light, color, and brushstroke created a sense of movement and drama, forever altering the course of British art. The sheer volume and quality of Turner's works at Tate Britain make it an essential destination for any serious student or admirer of this pivotal figure in artistic history.

    Notable Exhibitions & Events:**

    Turner Prize:

    Tate Britain is intrinsically linked to the prestigious Turner Prize, a nationally recognized award celebrating outstanding achievement in contemporary British art. The gallery hosts the annual exhibition, providing a platform for emerging artists and generating critical discussion about the future of the art world.

    Special Exhibitions:

    Throughout the year, Tate Britain presents a diverse range of special exhibitions exploring specific themes, movements, or artists. These events offer unique insights into British artistic history and contemporary practice.

    Public Programs:

    The museum actively engages with its community through a wide array of public programs, including lectures, workshops, family activities, and guided tours.

    Beyond the Walls: Engagement & Innovation

    Tate Britain transcends its role as a traditional museum; it functions as a dynamic cultural hub dedicated to fostering creativity and engaging audiences of all ages. The gallery’s commitment to accessibility extends far beyond physical space, bolstered by a robust digital presence that provides virtual tours, online collections, and interactive experiences accessible globally. Furthermore, Tate Britain champions emerging artists through the annual Turner Prize – generating critical discussion and celebrating innovation within the contemporary art scene. Its ongoing efforts to connect with its community—hosting public events, collaborating with local organizations—solidify its position as a cornerstone of London’s cultural landscape.

    A Living Reflection of British Identity

    Ultimately, Tate Britain is more than just a collection of artworks; it's a living reflection of British artistic heritage – a vibrant testament to the nation’s evolving identity. Its architectural grandeur, combined with its diverse collection and unwavering commitment to engagement, creates an immersive experience that transcends conventional museum boundaries. From echoes of masters past to bold expressions of artists today, Tate Britain narrates a compelling chronicle—a living testament to British art and culture, perpetually shaped by history, innovation, and the enduring spirit of creativity.

    For further information and planning your visit, please consult their website: https://www.tate.org.uk

    Where to read more

    Find this online

    QR code linking to the download page for The Strode Family

    wahooart.com/en/art/download/william-hogarth-the-strode-family-8Y3CV5-en/

    Cite this artwork

    MLA
    Hogarth, William. The Strode Family. 1738, Tate Gallery. https://wahooart.com/en/art/william-hogarth-the-strode-family-8Y3CV5-en/
    APA
    Hogarth, William (1738). The Strode Family [Painting]. Tate Gallery. https://wahooart.com/en/art/william-hogarth-the-strode-family-8Y3CV5-en/
    Chicago
    William Hogarth. The Strode Family. 1738. Tate Gallery. https://wahooart.com/en/art/william-hogarth-the-strode-family-8Y3CV5-en/
    Harvard
    Hogarth, William (1738) The Strode Family. Tate Gallery. Available at: https://wahooart.com/en/art/william-hogarth-the-strode-family-8Y3CV5-en/

    Look closely

    The Strode Family — William Hogarth

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: family portrait, domestic scene, social commentary. Do you agree? What would you add, or take away?
    4. Look back at Plate one, from A Rake's Progress, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    The Strode Family — William Hogarth

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject matter of William Hogarth’s ‘The Strode Family’?

      • A A depiction of a royal banquet.
      • B A portrait capturing a family gathering and domestic life.
      • C An abstract landscape scene inspired by classical ideals.
    2. 2. In what year was ‘The Strode Family’ painted?

      • A 1697
      • B 1738
      • C 1764
    3. 3. What prominent feature contributes to the depiction of social dynamics within the painting?

      • A The use of vibrant colors and elaborate ornamentation.
      • B The inclusion of a dog positioned near one of the family members.
      • C A focus on idealized figures representing moral virtue.
    4. 4. What artistic technique is Hogarth known for employing in his works?

      • A Impressionistic brushstrokes capturing fleeting moments.
      • B Detailed engraving, which allowed for precise rendering of textures and expressions.
      • C Cubist fragmentation presenting multiple perspectives simultaneously.
    5. 5. How does ‘The Strode Family’ reflect the broader societal concerns prevalent in England during Hogarth's lifetime?

      • A It celebrates aristocratic grandeur and reinforces traditional hierarchies.
      • B It satirizes social hypocrisy and critiques moral failings within the upper classes.
      • C It glorifies religious piety and promotes spiritual contemplation.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3B · 4B · 5B