Paper

Student Artwork Guide

Samuel Griffin

Name Class Date

William Dunlap, Samuel Griffin (1809). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
William Dunlap wahooart.com/en/artists/william-dunlap/
Artist’s dates
1766 – 1839
Painted
1809
Original size
84 x 71 cm

In context

Samuel Griffin — William Dunlap

How big is it?

The original measures 84 × 71 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1760
  2. 1770
  3. 1780
  4. 1790
  5. 1800
  6. 1810
  7. 1820
  8. 1830

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 73 at death.

Painted when the artist was 43. The artist lived to 73. 1 of the 7 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of William Dunlap (1766–1839) ▲ this work, 1809 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/william-dunlap-samuel-griffin-D38J2F-en/

Colours

Measured from the image

    Main colour

    Driftwood #86844a

    Catalogued palette

    • #86844A
    • #A2A36C
    • #685D33
    • #342721

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by William Dunlap over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%400 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by William Dunlap

    1. 1 American Landscape Trunk Series, 1981 50.0%200 visits
    2. 2 Elizabeth Chandler Putnam, 1826 25.0%100 visits
    3. 3 John Adams Conant, 1829 25.0%100 visits
    4. — Samuel Griffin, 1809 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 8 works by this artist, of which 3 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    William Dunlap

    Born in Perth Amboy, United States of America

    William Dunlap: A Pioneer of American Theater and Art

    Early Life and Education

    Born: February 19, 1766, in Perth Amboy, New Jersey.

    Dunlap was the son of an army officer wounded at the Battle of Quebec in 1759.

    He demonstrated artistic talent early on, producing a portrait of George Washington in 1783 while staying at Rockingham in Rocky Hill.

    He later pursued formal art training under Benjamin West in London and briefly with Abraham Delanoy in New York.

    A Career in the Theater

    Upon returning to America in 1787, Dunlap dedicated himself almost entirely to the theater for eighteen years.

    He became a pivotal figure in the burgeoning American theatrical scene, managing two of New York City’s most prominent theaters: the John Street Theatre (1796–98) and the Park Theatre (1798–1805).

    Dunlap was not only a manager but also a prolific playwright, producing over sixty plays, many adaptations or translations from French and German works.

    Notable Plays: The Father (1789), André (1798), The Virgin of the Sun (1800).

    Return to Painting and Artistic Development

    Economic necessity prompted Dunlap to resume painting in 1805, eventually becoming a full-time painter by 1817.

    His artistic style encompassed portraiture and landscape painting, often reflecting the elegance of Rococo and Neoclassical influences.

    He focused on capturing the likenesses of prominent individuals and scenes of American life during the Federal period.

    Major Achievements and Historical Significance

    Historical Record: Dunlap’s most significant contribution lies in his three-volume History of the Rise and Progress of the Arts of Design in the United States (1834).

    This work remains an invaluable resource for understanding the development of art, collecting practices, and artistic life in colonial and Federal America.

    Founding Member: In 1825, he was one of the founders of the National Academy of Design and served as an instructor at its school.

    Dunlap’s multifaceted career—as a theater manager, playwright, and artist—demonstrates his broad cultural impact on early America.

    Legacy

    William Dunlap's work provides crucial insights into the artistic and theatrical landscape of the late 18th and early 19th centuries in the United States.

    His historical writings continue to be essential for scholars researching American art history.

    He is remembered as a true Renaissance man, contributing significantly to multiple facets of American cultural life.

    Where to read more

    Find this online

    QR code linking to the download page for Samuel Griffin

    wahooart.com/en/art/download/william-dunlap-samuel-griffin-D38J2F-en/

    Cite this artwork

    MLA
    Dunlap, William. Samuel Griffin. 1809, https://wahooart.com/en/art/william-dunlap-samuel-griffin-D38J2F-en/
    APA
    Dunlap, William (1809). Samuel Griffin [Painting]. https://wahooart.com/en/art/william-dunlap-samuel-griffin-D38J2F-en/
    Chicago
    William Dunlap. Samuel Griffin. 1809. https://wahooart.com/en/art/william-dunlap-samuel-griffin-D38J2F-en/
    Harvard
    Dunlap, William (1809) Samuel Griffin. Available at: https://wahooart.com/en/art/william-dunlap-samuel-griffin-D38J2F-en/

    Look closely

    Samuel Griffin — William Dunlap

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at The Dunlap Family (1788), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. William Dunlap was about 43 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Samuel Griffin" available as a fine art print?

    To get a print of "Samuel Griffin" by William Dunlap, simply order it on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.

    How do I download the image of "Samuel Griffin" by William Dunlap?

    The image of "Samuel Griffin" by William Dunlap can be downloaded from the artwork's Download page: a high-resolution digital image download.

    Which palette and lead color define "Samuel Griffin"?

    "Samuel Griffin" by William Dunlap uses a dark palette, with driftwood (#86844a) as the dominant color.