Paper

Student Artwork Guide

Move Over Matisse I

Name Class Date

virginia avery, Move Over Matisse I (1980), The National Quilt Museum. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
virginia avery wahooart.com/en/artists/virginia-avery/
Artist’s dates
1912 – ?
Painted
1980
Held at
The National Quilt Museum wahooart.com/en/museums/the-national-quilt-museum-paducah/

In context

Move Over Matisse I — virginia avery

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980

Shaded: the lifetime of virginia avery (1912–?) ▲ this work, 1980

Colours

Measured from the image

    Main colour

    White #e2e8e7

    Catalogued palette

    • #E2E8E7
    • #264978
    • #EDE22A
    • #C75D71
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    White
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    virginia avery

    Born in Greenwood, United States of America

    Virginia Avery: A Quilter’s Legacy of Jazz and American Soul

    Virginia Avery (Jinny Avery), born in Greenwood, South Carolina, in 1912, wasn't merely a quilter; she was a vibrant embodiment of American creativity, a force that simultaneously honored tradition while fearlessly forging her own artistic path. Her life – interwoven with the rhythms of jazz music and the quiet dedication to her craft – offers a compelling portrait of an artist deeply rooted in her heritage yet profoundly influenced by the modern world. Avery’s legacy extends far beyond the intricate beauty of her quilts; it resides in her ability to inspire generations of quilters, educators, and musicians alike.

    Avery's early life was shaped by a rich cultural landscape. She graduated from DePauw University with a degree in English Composition, a grounding that would later inform her meticulous approach to design and storytelling through fabric. Following university, she found work at the Indianapolis News, an experience that exposed her to the visual world of journalism and honed her eye for detail. It was during this period that she met and married, embarking on a journey that led her to New York City where she raised four children. This relocation marked a pivotal shift, bringing her into contact with a wider artistic community and fueling her desire to share her passion for quilting.

    The Evolution of a Quilter’s Vision

    Avery's quilting career blossomed in the mid-20th century, a time when traditional techniques were being revitalized alongside emerging modern styles. She didn’t simply replicate established patterns; instead, she developed a distinctive aesthetic characterized by bold color palettes, dynamic compositions, and an intuitive understanding of texture. Her quilts often feature geometric abstractions, reminiscent of jazz improvisation—a deliberate reflection of her lifelong love for the genre. The influence of jazz is palpable in the rhythmic interplay of shapes and colors within her work, mirroring the spontaneous energy of a live performance.

    Early influences included the Blue Ridge quilting traditions of her native South Carolina, which instilled in her a deep respect for heritage and craftsmanship. However, Avery’s artistic vision quickly transcended regional boundaries, incorporating elements of European modernism – particularly the work of Matisse—and drawing inspiration from the vibrant energy of New York City. This fusion resulted in quilts that are both deeply rooted in tradition and strikingly contemporary.

    Teaching and Mentorship: A Quilter's Gift

    Beyond her own artistic creations, Virginia Avery’s most enduring contribution lies in her role as a dedicated quilt teacher. She traveled extensively, sharing her knowledge and techniques with quilters across the United States and beyond. Her workshops were renowned for their warmth, encouragement, and emphasis on experimentation. Avery believed that quilting was more than just a craft; it was a form of self-expression, a way to connect with one’s heritage, and a means of fostering community.

    Her teaching philosophy centered around empowering students to develop their own unique voices within the tradition. She encouraged them to embrace color, explore new techniques, and break free from rigid constraints. Avery's influence extended far beyond her immediate students; she became a beloved figure in the quilting world, celebrated for her generosity, wisdom, and unwavering belief in the transformative power of art.

    Notable Works and Artistic Style

    Virginia Avery’s quilts are instantly recognizable by their vibrant color palettes—often incorporating bold reds, blues, yellows, and greens—and their dynamic compositions. She frequently employed a technique known as “free-form quilting,” allowing her designs to evolve organically during the stitching process. This approach resulted in quilts that possess an unparalleled sense of spontaneity and energy.

    One particularly striking example is "Move Over Matisse I," a large-scale quilt that showcases Avery’s masterful use of color and geometric abstraction. The piece, with its layered shapes and contrasting hues, evokes the spirit of Matisse's bold compositions while retaining a distinctly American sensibility. Her work has been exhibited in numerous galleries and museums across the country, solidifying her place as one of America’s most celebrated quilters.

    A Lasting Legacy

    Virginia Avery passed away in 2012, leaving behind a rich legacy that continues to inspire quilters today. Her quilts are treasured for their beauty, innovation, and emotional depth. More importantly, she fostered a community of artists and educators who carry on her mission of celebrating quilting as an art form—a testament to the enduring power of creativity, tradition, and mentorship.

    Her influence can be seen in contemporary quilters who continue to push the boundaries of the craft while honoring its rich history. Virginia Avery’s quilts are not merely objects of beauty; they are windows into her soul, offering a glimpse into the heart and mind of an extraordinary American artist.

    Museum

    The National Quilt Museum

    On show in Paducah, United States of America

    A Tapestry of Innovation: Unveiling The National Quilt Museum

    Nestled within the vibrant creative heart of Paducah, Kentucky – a city rightfully designated as a UNESCO Creative City – lies an institution unlike any other: The National Quilt Museum. More than just a repository of stitched fabric, it’s a dynamic celebration of contemporary quilting, a testament to the enduring artistry and boundless imagination woven into this often-overlooked craft. Founded in 1991 by Bill and Meredith Schroeder, visionaries who recognized the profound artistic merit within the quilting tradition, the museum stands as the sole United States space dedicated exclusively to showcasing the evolution of quiltmaking – from its humble roots to its current status as a sophisticated art form. Stepping through its doors is akin to entering a kaleidoscope; a vibrant explosion of color, texture, and design that challenges conventional notions of craft and invites visitors on a journey of discovery. The museum’s very location, adjacent to the Ohio River and within a city brimming with artistic energy, contributes significantly to its unique atmosphere – a confluence of heritage and innovation.

    A Collection Rooted in Contemporary Vision:

    The National Quilt Museum's core strength lies in its commitment to showcasing work created after 1980. This deliberate focus ensures that visitors encounter the cutting edge of quiltmaking, witnessing a remarkable diversity of styles – from meticulously rendered representational scenes that capture the essence of everyday life to bold abstract compositions bursting with geometric precision, intricate surface designs exploring texture and light, and innovative explorations pushing the boundaries of traditional techniques.

    Beyond Preservation:

    Unlike many museums dedicated to historical crafts, The National Quilt Museum isn’t simply a shrine to the past. It actively champions the artists behind these works, providing a vital platform for both established masters and emerging talents to share their unique voices and perspectives. This commitment to supporting contemporary quiltmakers is at the heart of the museum's mission.

    Exhibitions that Spark Dialogue:

    Currently, visitors are captivated by two particularly compelling exhibitions. “Caryl Bryer Fallert-Gentry: A Life in Color” offers a stunning showcase of an artist renowned for her mastery of light and illusion within the quilt medium – her work doesn’t merely depict scenes; it evokes atmosphere, creating a sense of depth and movement that truly captivates the eye. Simultaneously, “Victoria Findlay Wolfe: Option Expedition” provides a fascinating exploration of design principles through the fundamental building blocks of patchwork, demonstrating how seemingly simple shapes can be combined to create complex and visually arresting compositions.

    Paducah: A Creative Crucible

    The museum’s location in Paducah is integral to its identity and appeal. Designated as a UNESCO Creative City, Paducah boasts a thriving artistic community, a legacy rooted in the region's history as a vital transportation hub along the Ohio and Tennessee Rivers. This rich cultural landscape provides a fertile ground for creativity, fostering an environment where art and craft are not merely appreciated but actively celebrated. The city’s historic downtown district, with its beautifully preserved architecture and vibrant atmosphere, serves as the perfect backdrop for the museum's unique collection. The proximity to the Mississippi River further enhances Paducah’s significance as a crossroads of cultures and artistic influences. A short drive takes you to the Lewis & Clark National Historic Trail, adding another layer of historical context to the region’s creative spirit.

    A Legacy of Industry and Innovation:

    Paducah's history is inextricably linked to its role as a major railroad center and industrial hub. The Illinois Central Railroad, which established a massive locomotive repair shop in the city in the early 20th century, profoundly shaped the region’s economy and culture. This legacy of industry continues to inform Paducah’s creative identity, fostering a spirit of innovation and craftsmanship.

    UNESCO Recognition:

    The designation as a UNESCO Creative City underscores Paducah's commitment to supporting arts and cultural initiatives. It’s a testament to the city’s dedication to nurturing creativity and promoting its unique artistic heritage.

    The Museum Experience

    The National Quilt Museum itself is thoughtfully designed to enhance the visitor experience. The building, constructed with a blend of modern materials and traditional architectural elements, provides ample space for displaying the museum's extensive collection and hosting rotating exhibitions. A central gallery houses the permanent collection, while two additional galleries are dedicated to showcasing traveling exhibits and contemporary works. Beyond the visual displays, the museum offers workshops led by expert instructors, providing visitors with the opportunity to learn about quilting techniques and create their own masterpieces. The museum’s commitment to education extends to its youth programs, including the annual School Block Challenge and Quilt Camp – nurturing a new generation of fiber artists and ensuring the continuation of this vibrant tradition.

    Don't miss:

    The opportunity to participate in a quilting workshop.

    A guided tour with one of the museum’s knowledgeable staff members.

    Exploring the gift shop for unique, handcrafted items.

    A National Treasure and Community Hub

    The story of The National Quilt Museum is one of passion, dedication, and a profound belief in the transformative power of art. What began as a dream to elevate quilting beyond its traditional associations has blossomed into a nationally recognized institution – officially designated “The National Quilt Museum of the United States” by the U.S. Congress in 2008. This recognition underscores the museum’s significance not only within the quilting community but also within the broader art world. With approximately 40,000 visitors annually hailing from across the globe, The National Quilt Museum is more than just a museum; it's a testament to the enduring beauty and boundless potential of the quilted form – a vibrant hub for creativity, education, and community engagement in the heart of Kentucky.

    Where to read more

    Find this online

    QR code linking to the download page for Move Over Matisse I

    wahooart.com/en/art/download/virginia-avery-move-over-matisse-i-D9RLLS-en/

    Cite this artwork

    MLA
    avery, virginia. Move Over Matisse I. 1980, The National Quilt Museum. https://wahooart.com/en/art/virginia-avery-move-over-matisse-i-D9RLLS-en/
    APA
    avery, virginia (1980). Move Over Matisse I [Painting]. The National Quilt Museum. https://wahooart.com/en/art/virginia-avery-move-over-matisse-i-D9RLLS-en/
    Chicago
    virginia avery. Move Over Matisse I. 1980. The National Quilt Museum. https://wahooart.com/en/art/virginia-avery-move-over-matisse-i-D9RLLS-en/
    Harvard
    avery, virginia (1980) Move Over Matisse I. The National Quilt Museum. Available at: https://wahooart.com/en/art/virginia-avery-move-over-matisse-i-D9RLLS-en/

    Look closely

    Move Over Matisse I — virginia avery

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. virginia avery was about 68 when this was made. What in it looks like the work of an artist at that stage?
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.