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Student Artwork Guide

Tree trunks with ivy

Name Class Date

vincent willem van gogh, Tree trunks with ivy (1889), Kröller-Müller Museum. Public domain.

The facts

Artist
vincent willem van gogh wahooart.com/en/artists/vincent-willem-van-gogh/
Artist’s dates
1853 – 1890
Painted
1889
Medium
Oil On Canvas
Movement
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.
Period
19th Century
Held at
Kröller-Müller Museum wahooart.com/en/museums/kroller-muller-museum-otterlo/
Artistic style
Expressionist
Influences
Dutch Masters, Ukiyo-e
Notable elements or techniques
Impasto application, Short brushstrokes, Rhythmic pattern
Subject or theme
Nature, vegetation

In context

Tree trunks with ivy — vincent willem van gogh

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890

Shaded: the lifetime of vincent willem van gogh (1853–1890) ▲ this work, 1889

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/vincent-willem-van-gogh-tree-trunks-with-ivy-D3VGRC-en/

Colours

Measured from the image

    Main colour

    Espresso #3c423f

    Catalogued palette

    • #3C423F
    • #898D6D
    • #535A4F
    • #67705D
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Tree trunks with ivy — vincent willem van gogh

    A Glimpse into Nature's Embrace: Vincent van Gogh’s "Tree Trunks with Ivy"

    Subject & Setting: This captivating painting by Vincent van Gogh, titled "Tree trunks with ivy," transports the viewer to a lush corner of the garden at the Saint-Paul-de-Mausole asylum in Saint-Rémy, France. Created in July 1889, it focuses intently on the lower vegetation—the tree trunks and sprawling ivy that characterize this particular spot. Rather than depicting a sweeping landscape, Van Gogh zooms in, offering an intimate study of nature's textures and patterns.

    Post-Impressionist Technique & Style

    Impasto & Brushwork: "Tree Trunks with Ivy" exemplifies Van Gogh’s signature Post-Impressionistic style, most notably through his masterful use of impasto – the thick application of paint that creates a palpable texture on the canvas. The painting is characterized by short, lively brushstrokes applied wet-on-wet, resulting in a vibrant and dynamic surface. These strokes aren't blended smoothly; instead, they remain distinct, contributing to the work’s energetic feel and capturing the density of the vegetation.

    Color Palette: Van Gogh employs a rich palette of yellows (ochre), greens, browns, and blues to depict the scene. The interplay of these colors creates depth and vibrancy, while also conveying a sense of the humid, overgrown environment. The muted tones contribute to a somber yet natural mood, reflective of the artist's emotional state during his time at the asylum.

    Historical Context & "Sous-bois" Motifs

    A Recurring Theme: This painting is part of a series Van Gogh called “sous-bois” (undergrowth), which he explored throughout his career. These depictions of low vegetation, forest floors, and ivy were particularly significant to him, as he referred to them as "eternal nests of greenery for lovers." The asylum garden provided ample opportunity for these studies, allowing Van Gogh to find solace and inspiration in the natural world despite his confinement.

    Artist's Observations: Interestingly, Van Gogh noted that other residents of the asylum would often gather to observe him while he painted in the garden, demonstrating a surprising level of respect for his artistic process. He remarked on their discretion and politeness compared to the citizens of Arles.

    Symbolism & Emotional Resonance

    Nature's Solace: "Tree Trunks with Ivy" transcends a simple depiction of nature; it embodies themes of solitude, introspection, and resilience. The dense vegetation can be interpreted as representing both confinement and the enduring power of life.

    Emotional Intensity: As with much of Van Gogh’s work, this painting is imbued with emotional intensity. The vibrant colors and energetic brushstrokes convey a sense of restlessness and longing, reflecting the artist's inner turmoil while simultaneously celebrating the beauty he found in his surroundings. The close-up perspective invites viewers to contemplate the intricate details of nature, fostering a connection between the observer and the natural world.

    Artist and museum

    Artist

    vincent willem van gogh

    Born in Zundert, Netherlands

    A Life Painted in Passion: Vincent van Gogh

    Vincent Willem van Gogh, a name synonymous with vibrant color and raw emotion, remains one of the most recognizable and beloved figures in art history. Born on March 30, 1853, in Zundert, Netherlands, his journey from a troubled young man seeking purpose to an artistic visionary is a poignant tale of dedication, struggle, and ultimately, enduring legacy. While he achieved little commercial success during his lifetime – selling only one painting, The Red Vineyard, before his death – Van Gogh’s impact on modern art is immeasurable, paving the way for Expressionism and influencing countless artists who followed. His story isn't just about brushstrokes and canvases; it's a testament to the power of human expression in the face of adversity.

    Early Years and Artistic Awakening

    Van Gogh’s early life was marked by a series of unfulfilled aspirations. He tried his hand at various professions – an art dealer, a teacher, and even a missionary – before finally dedicating himself to painting at the relatively late age of 27. These earlier experiences profoundly shaped his worldview and found their way into his art. His initial works, depicting scenes of peasant life in rural Belgium, reflect a deep empathy for the working class and a somber palette reflecting their hardships. Influenced by artists like Jean-François Millet, Van Gogh sought to capture the dignity and resilience of these individuals through stark realism. However, it was his move to Paris in 1886 that proved transformative. There, he encountered Impressionism and Post-Impressionism, absorbing the techniques of masters like Monet, Renoir, and Pissarro. This exposure broadened his artistic horizons, leading him to experiment with brighter colors and looser brushwork, though retaining a distinct emotional intensity absent in many of his contemporaries. His brother Theo, an art dealer, played a crucial role during this period, providing financial support and acting as a vital link to the Parisian art world. Their extensive correspondence offers invaluable insights into Van Gogh’s artistic development and personal struggles.

    The Southern Light and Explosive Creativity

    Seeking a more vibrant landscape and a sense of renewal, Van Gogh relocated to Arles in southern France in 1888. This move marked a period of intense creative output, characterized by an explosion of color and a distinctive impasto technique – applying paint thickly onto the canvas, creating a textured surface that seems to pulsate with energy. It was here that he produced some of his most iconic works: *Sunflowers, The Night Cafe, and Starry Night*. The intense sunlight of Provence seemed to ignite his imagination, leading him to depict landscapes and still lifes with an unprecedented vibrancy. His desire for artistic collaboration led him to invite Paul Gauguin to join him in Arles, hoping to establish a utopian artists' colony. However, their relationship proved volatile, culminating in a dramatic confrontation that resulted in Van Gogh mutilating his own ear. This event underscored the fragility of his mental state and marked the beginning of a period of institutionalization and increasing psychological distress.

    Later Years and Enduring Legacy

    Following his breakdown, Van Gogh voluntarily entered an asylum at Saint-Rémy, where he continued to paint prolifically, capturing the surrounding landscapes with both beauty and turmoil. Works like *The Starry Night*, painted during this time, are imbued with a sense of cosmic wonder and profound emotional depth. He later moved to Auvers-sur-Oise under the care of Dr. Paul Gachet, but his struggles persisted. On July 29, 1890, at the age of 37, Van Gogh tragically died from a self-inflicted gunshot wound. Despite achieving little recognition during his lifetime, his work began to gain posthumous acclaim thanks largely to the tireless efforts of his sister-in-law, Johanna van Gogh-Bonger, who inherited his estate and dedicated herself to promoting his art. Today, Van Gogh’s paintings are celebrated worldwide for their emotional intensity, innovative techniques, and enduring beauty. His legacy extends far beyond the canvas; he has become a symbol of artistic passion, perseverance in the face of adversity, and the power of art to express the deepest human emotions.

    Key Influences and Artistic Development

    Early Realism: Jean-François Millet’s depictions of peasant life influenced Van Gogh's early works.

    Impressionism & Post-Impressionism: Exposure to Monet, Renoir, Pissarro and others in Paris broadened his palette and technique.

    Japanese Prints: Van Gogh was deeply influenced by Japanese woodblock prints, which he collected avidly. Their bold compositions and flat planes of color impacted his own style.

    Emotional Expression: Above all, Van Gogh sought to convey emotion through his art, prioritizing subjective experience over objective representation. This focus on emotional intensity became a defining characteristic of his work and paved the way for Expressionism.

    Museum

    Kröller-Müller Museum

    On show in Otterlo, Netherlands

    A Sanctuary of Color: The Kröller-Müller Museum’s Enduring Legacy

    Nestled within the vast expanse of the Hoge Veluwe National Park in Otterlo, Netherlands, the Kröller-Müller Museum stands as a testament to one woman's profound passion and foresight – Helene Kröller-Müller. More than just a museum, it’s an immersive experience, a dialogue between art, nature, and history, all housed within a strikingly modern architectural masterpiece designed by Henry van de Velde. Established in 1938, the museum’s story is inextricably linked to its founder's remarkable vision: to create a space where the brilliance of Vincent van Gogh could be celebrated not just as an artist, but as a deeply human being whose work continues to resonate with profound emotional power.

    The Kröller-Müller’s collection isn’t merely comprised of paintings; it's a carefully curated narrative. The undisputed centerpiece is undoubtedly the second-largest collection of Van Gogh works globally – nearly ninety paintings and over one hundred eighty drawings, offering an unparalleled opportunity to trace the evolution of his distinctive style and explore the raw emotion that fueled his brushstrokes. Stand before Café Terrace at Night, mesmerized by the vibrant hues and the palpable sense of Parisian atmosphere, or contemplate the haunting intensity of Sorrowing Old Man (At Eternity’s Gate), a portrait brimming with vulnerability and existential questioning. Beyond Van Gogh, however, the museum boasts an impressive array of works from other masters: Claude Monet's luminous landscapes, Georges Seurat’s meticulously detailed portraits, Pablo Picasso’s groundbreaking cubist experiments, Piet Mondrian’s geometric abstractions, and countless others spanning the 19th and 20th centuries. The collection deliberately showcases a breadth of artistic movements, reflecting Helene Kröller-Müller's discerning eye and her commitment to celebrating innovation in art.

    The Sculpture Garden: A Dialogue with Nature

    Leaving the gallery spaces, visitors are immediately struck by the sheer scale and beauty of the sculpture garden. This expansive outdoor realm, encompassing over seventy acres within the national park, is a deliberate extension of the museum’s artistic vision – a harmonious blend of art and nature. The garden's design, conceived in collaboration with landscape architect Jan van Eyck, creates a series of interconnected pathways that guide visitors through a diverse collection of modern and contemporary sculptures by renowned artists such as Auguste Rodin, Henry Moore, Jean Dubuffet, Mark di Suvero, and Claes Oldenburg. The placement of each sculpture is carefully considered, responding to the surrounding landscape and creating unexpected visual encounters. It’s not simply a display of statues; it's an orchestrated choreography between human creativity and the natural world – a space designed for contemplation, discovery, and a profound appreciation of both art and environment.

    A Building as Art: The Architecture of Henry van de Velde

    The Kröller-Müller Museum building itself is a remarkable achievement of architectural design. Designed by the renowned architect Henry van de Velde, it’s a strikingly modern structure that seamlessly integrates with its natural surroundings. Constructed primarily from concrete and glass, the museum's exterior reflects the stark beauty of the Dutch landscape while simultaneously offering expansive views into the surrounding park. The building’s interior spaces are equally impressive, characterized by soaring ceilings, abundant natural light, and a sense of spaciousness that enhances the viewing experience for the artwork. Van de Velde’s design wasn’t merely functional; it was an artistic statement in itself – a bold declaration of modernism within the context of a historic estate.

    Echoes of War and Resilience

    The museum's history is inextricably linked to the tumultuous events of World War II. Helene Kröller-Müller’s estate, including the museum building, served as a vital hub for the Dutch resistance during the occupation. The secret telephone line installed by an electrician in Otterlo – still standing today – represents a remarkable act of defiance and collaboration. The museum's survival through the war is a testament to the resilience of its founder and the enduring spirit of the Netherlands. This poignant history adds another layer of depth to the museum’s experience, reminding visitors of the sacrifices made during that era and the importance of preserving cultural heritage.

    Contemporary Exhibitions and Future Directions

    The Kröller-Müller Museum continues to evolve, offering a dynamic program of temporary exhibitions that explore diverse themes and artistic movements. From retrospectives dedicated to individual artists to thematic explorations of specific periods or styles, the museum consistently seeks to engage audiences with new perspectives on its permanent collection. Currently, the museum is hosting “Between Worlds,” an exhibition exploring the intersection of art and nature, while a future exhibition titled "Lilian Kreutzberger. Rauhfaser" promises to delve into the work of this contemporary artist. The Kröller-Müller Museum remains committed to fostering dialogue, inspiring creativity, and preserving its legacy as one of the world’s leading art institutions – a place where the past informs the present and the future.

    Where to read more

    Find this online

    QR code linking to the download page for Tree trunks with ivy

    wahooart.com/en/art/download/vincent-willem-van-gogh-tree-trunks-with-ivy-D3VGRC-en/

    Cite this artwork

    MLA
    gogh, vincent willem van. Tree trunks with ivy. 1889, Kröller-Müller Museum. https://wahooart.com/en/art/vincent-willem-van-gogh-tree-trunks-with-ivy-D3VGRC-en/
    APA
    gogh, vincent willem van (1889). Tree trunks with ivy [Painting]. Kröller-Müller Museum. https://wahooart.com/en/art/vincent-willem-van-gogh-tree-trunks-with-ivy-D3VGRC-en/
    Chicago
    vincent willem van gogh. Tree trunks with ivy. 1889. Kröller-Müller Museum. https://wahooart.com/en/art/vincent-willem-van-gogh-tree-trunks-with-ivy-D3VGRC-en/
    Harvard
    gogh, vincent willem van (1889) Tree trunks with ivy. Kröller-Müller Museum. Available at: https://wahooart.com/en/art/vincent-willem-van-gogh-tree-trunks-with-ivy-D3VGRC-en/

    Look closely

    Tree trunks with ivy — vincent willem van gogh

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: forest, ivy, trees. Do you agree? What would you add, or take away?
    4. Look back at Starry Night (New York, MoMA) (1889), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Tree trunks with ivy — vincent willem van gogh

    How well do you know this artwork?

    Tick one answer for each of the 4 questions below. Each has exactly one correct answer.

    1. 1. What is the term used to describe paintings like 'Tree Trunks with Ivy' that focus on low vegetation and undergrowth?

      • A Impasto
      • B Sous-bois
      • C Pointillism
    2. 2. Which artistic technique is prominently featured in Van Gogh’s application of paint in this artwork, creating a textured surface?

      • A Sfumato
      • B Impasto
      • C Chiaroscuro
    3. 3. What is the overall mood or atmosphere conveyed by the color palette and composition of 'Tree Trunks with Ivy'?

      • A Joyful and vibrant
      • B Somber yet natural
      • C Energetic and chaotic
    4. 4. Where was this painting created, providing context for the subject matter?

      • A Arles, France
      • B Zundert, Netherlands
      • C Asylum garden in Saint-Rémy

    My score: ____ out of 4

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4C