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Student Artwork Guide

Self-portrait

Name Class Date

Vasily Grigoryevich Perov, Self-portrait (1870). Public domain.

The facts

Artist
Vasily Grigoryevich Perov wahooart.com/en/artists/vasily-grigoryevich-perov/
Artist’s dates
1833 – 1882
Painted
1870
Medium
Oil On Canvas
Original size
63 x 52 cm
Movement
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.
Period
19th Century
Artistic style
Realism
Influences
Jean Baptiste Camille Corot, Albert Edelfelt
Notable elements or techniques
Earthy tones, subtle lighting
Subject or theme
Self-portrait

In context

Self-portrait — Vasily Grigoryevich Perov

How big is it?

The original measures 63 × 52 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880

Shaded: the lifetime of Vasily Grigoryevich Perov (1833–1882) ▲ this work, 1870

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/vasily-grigoryevich-perov-self-portrait-8XZ46A-en/

Colours

Measured from the image

    Main colour

    Espresso #464239

    Catalogued palette

    • #464239
    • #FEFEFD
    • #141714
    • #B9A78E
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Self-portrait — Vasily Grigoryevich Perov

    Self-Portrait by Vasily Grigoryevich Perov: A Glimpse into the Soul of a Realist

    The Self-portrait by Vasily Grigoryevich Perov, created in 1870, is a captivating example of Realism that continues to fascinate art enthusiasts worldwide. This oil on canvas painting measures 63 x 52 cm and stands as a testament to the artist's skill in capturing an accurate depiction of visual reality while simultaneously revealing profound psychological depth.

    Artistic Context and Style: The Rise of Russian Realism

    Perov was a key figure in the Russian Realist movement, which emerged in the mid-19th century as a reaction against Romantic idealism. Realism sought to depict life as it truly was, focusing on everyday subjects and social issues with unflinching honesty. Perov’s work had a significant impact on the development of art in Russia, influencing subsequent generations of artists who embraced this commitment to portraying reality without embellishment. The Self-portrait showcases Perov's ability to blend elements of realism with a deep understanding of human emotion. The painting is characterized by its use of earthy tones, subtle lighting, and an emphasis on texture, which creates a sense of depth and dimensionality. This meticulous attention to detail was central to the Realist aesthetic.

    A Detailed Examination: Technique and Composition

    The Self-portrait demonstrates Perov’s mastery of oil painting techniques. The artist employs subtle gradations of color and light to model the face and clothing, creating a sense of volume and realism. Noticeable brushstrokes add texture and vitality to the surface, preventing the image from appearing overly smooth or artificial. The composition is carefully considered; the subject's face is centrally positioned within an oval frame, drawing the viewer’s eye directly to his gaze. The dark background serves to isolate Perov, intensifying the focus on his expression and conveying a sense of introspection. The lighting appears soft and diffused, highlighting the textures of the man’s clothing and facial features.

    Symbolism and Emotional Impact: A Portrait of Introspection

    Beyond its technical brilliance, the Self-portrait resonates with viewers due to its emotional depth. Perov's expression is serious, perhaps even melancholic, inviting speculation about his inner thoughts and feelings. The long beard and hair, rendered with meticulous detail, suggest a man of intellect and experience. The overall somber mood, created by the muted color palette and dark background, contributes to an atmosphere of formality and introspection. While Perov was known for depicting scenes of social hardship in his other works (such as The Queue at The Fountain and A Meal in the Monastery), this self-portrait offers a more personal glimpse into the artist's own psyche.

    Perov and His Contemporaries: A Legacy of Realism

    Vasily Grigoryevich Perov (1834 – 1882) was born in Tobolsk, Russia. His early life was marked by complexity due to his illegitimacy, a circumstance that likely informed his later social commentary through art. He received training at the Alexander Stupin Art School and the Moscow School of Painting. Perov’s contributions to the art world are not limited to his Self-portrait. Other artists who explored the Realist style include Jean Baptiste Camille Corot and Albert Edelfelt. For example, Corot’s A Ford with Large Trees and Edelfelt's Conveying a Child showcase the versatility and range of Realism.

    Artist and museum

    Artist

    Vasily Grigoryevich Perov

    Born in Tyumen, Russia

    A Life Etched in Realism: Vasily Perov and the Soul of Russia

    Vasily Grigoryevich Perov, born Vasily Vasiliev in 1834 in the remote Siberian town of Tobolsk, emerged as a pivotal figure in Russian art, a painter whose work became synonymous with critical realism. His life story is itself imbued with the social complexities he would later portray on canvas. Born out of wedlock to Baron Grigory Kridener and Akulina Ivanova, Perov’s early years were marked by an unconventional upbringing that instilled within him a keen sensitivity to societal inequalities. The adoption of the surname “Perov,” derived from the Russian word for ‘feather,’ a nod to his early skill in calligraphy, foreshadowed his dedication to meticulously detailing the world around him—a world often overlooked or deliberately obscured. His formal artistic journey began at the Alexander Stupin Art School in Arzamas, where he honed fundamental skills before progressing to the Moscow School of Painting, Sculpture and Architecture in 1853. This period was crucial in shaping his technical abilities and exposing him to a broader range of artistic influences. Early recognition came with silver and gold medals awarded by the Imperial Academy of Arts for works like “Commissary of Rural Police Investigating” and, most notably, "Sermon in a Village" in 1861—a painting that would propel him into the national spotlight and earn him the opportunity to study abroad.

    The Voice of the Voiceless: Themes and Techniques

    Perov’s artistic vision was deeply rooted in a commitment to portraying Russian society with unflinching honesty. He rejected the idealized depictions favored by many of his contemporaries, instead choosing to focus on the lives of ordinary people—peasants, laborers, the marginalized, and the forgotten. His paintings are not merely representations of reality; they are powerful social commentaries that expose the hardships, injustices, and spiritual emptiness prevalent in 19th-century Russia. “Sermon in a Village,” for example, subtly critiques religious hypocrisy by depicting a disengaged congregation during a church service, while "The Queue at the Fountain" starkly illustrates the daily struggles of rural life. His technique was characterized by meticulous detail, somber color palettes, and a masterful use of light and shadow to create dramatic effect. He wasn’t interested in romanticizing poverty or suffering; rather, he sought to present it with dignity and empathy, forcing viewers to confront uncomfortable truths about their own society. Works like “The Last Journey,” depicting a peasant funeral procession, and "Troika: Apprentice Workmen Carrying Water" are poignant examples of his ability to evoke profound emotional responses through realistic portrayals of everyday life. Perov’s skill extended beyond oil painting; he also excelled in etching, as demonstrated by the powerful monochromatic work “Naushnitsa. Before the storm,” which showcases his mastery of chiaroscuro and intricate detail.

    Founding a Movement: The Peredvizhniki

    Perov’s dedication to realism aligned perfectly with the burgeoning spirit of artistic rebellion that led to the formation of the Peredvizhniki (Wanderers) in 1870. This collective of Russian realist painters broke away from the constraints of the Academy, establishing an independent society dedicated to exhibiting art throughout Russia—reaching audiences beyond the confines of St. Petersburg and Moscow.

    The Peredvizhniki aimed to bring art directly to the people,

    to address social issues through their work,

    and to promote a uniquely Russian artistic identity.

    Perov was not merely a member; he was a founding force, instrumental in shaping the movement’s ideals and advocating for its principles. His commitment to portraying the lives of ordinary Russians resonated deeply with the Peredvizhniki's mission, solidifying his position as a leading figure within the group. The Wanderers’ exhibitions became immensely popular, attracting large crowds and sparking important conversations about art, society, and national identity.

    Legacy and Enduring Influence

    Vasily Perov’s untimely death from tuberculosis in 1882 at the age of 48 marked a significant loss for Russian art. However, his legacy continued to inspire generations of artists who followed in his footsteps. His influence can be seen in the works of Ilya Repin and Vasily Surikov, both masters of realist painting who further developed the tradition he helped establish. Perov’s paintings remain relevant today not only for their artistic merit but also for their enduring social commentary. They serve as a powerful reminder of the hardships faced by ordinary people throughout history and continue to provoke empathy and understanding. His works are now housed in prominent collections, including the Tropinin and Contemporary Moscow Artists Museum, ensuring that his vision continues to resonate with audiences worldwide. Perov’s contribution extends beyond mere artistic skill; he was a social conscience etched onto canvas, a voice for the voiceless, and a pioneer of Russian realism. He left behind a body of work that not only documented his time but also challenged it, forever changing the landscape of Russian art.

    Where to read more

    Find this online

    QR code linking to the download page for Self-portrait

    wahooart.com/en/art/download/vasily-grigoryevich-perov-self-portrait-8XZ46A-en/

    Cite this artwork

    MLA
    Perov, Vasily Grigoryevich. Self-portrait. 1870, https://wahooart.com/en/art/vasily-grigoryevich-perov-self-portrait-8XZ46A-en/
    APA
    Perov, Vasily Grigoryevich (1870). Self-portrait [Painting]. https://wahooart.com/en/art/vasily-grigoryevich-perov-self-portrait-8XZ46A-en/
    Chicago
    Vasily Grigoryevich Perov. Self-portrait. 1870. https://wahooart.com/en/art/vasily-grigoryevich-perov-self-portrait-8XZ46A-en/
    Harvard
    Perov, Vasily Grigoryevich (1870) Self-portrait. Available at: https://wahooart.com/en/art/vasily-grigoryevich-perov-self-portrait-8XZ46A-en/

    Look closely

    Self-portrait — Vasily Grigoryevich Perov

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: portrait, self-portrait, realism. Do you agree? What would you add, or take away?
    5. Look back at Incorrigible One (1873), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Self-portrait — Vasily Grigoryevich Perov

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Vasily Perov’s ‘Self-Portrait’ most closely associated with?

      • A Impressionism
      • B Realism
      • C Abstract Expressionism
    2. 2. Approximately what year was the 'Self-Portrait' created?

      • A 1834
      • B 1870
      • C 1882
    3. 3. What is a prominent characteristic of the lighting in the ‘Self-Portrait’?

      • A Harsh and dramatic
      • B Soft and diffused
      • C Bright and vibrant
    4. 4. Which of the following best describes the overall mood conveyed by the painting, considering its color palette and subject's expression?

      • A Joyful and celebratory
      • B Somber and introspective
      • C Energetic and dynamic
    5. 5. What is a notable aspect of Perov’s artistic contributions, as highlighted in the description?

      • A His focus on mythological themes
      • B His ability to capture everyday life and social issues
      • C His pioneering use of pointillism

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4B · 5B