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Student Artwork Guide

Terezin: On a supervised outing

Troller, Norbert, 1942

Name Class Date
Troller, Norbert, Terezin: On a supervised outing (1942), Leo Baeck Institute. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Troller, Norbert wahooart.com/en/artists/troller-norbert/
Artist’s dates
1896 – 1984
Painted
1942
Medium
Watercolor
Original size
30 x 20 cm
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Period
Modern
Held at
Leo Baeck Institute wahooart.com/en/museums/leo-baeck-institute-new-york-city/
Subject or theme
Children gathered around a wagon

Copyright This work is still under copyright. Troller, Norbert died in 1984; copyright lasts 70 years after the artist’s death, so it remains in force until 2054. The image is shown here for classroom reference; rights remain with the rights holder.

Source: WahooArt.com — accessed Oct. 7, 2026

Terezin: On a supervised outing — Troller, Norbert Part 1 · The artwork

In context

Terezin: On a supervised outing — Troller, Norbert

How big is it?

The original measures 30 × 20 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 88 at death.

Painted when the artist was 46. The artist lived to 88. 8 of the 17 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Troller, Norbert (1896–1984) ▲ this work, 1942 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/troller-norbert-terezin-on-a-supervised-outing-D7RQCR-en/

Colours

Measured from the image

    Main colour

    Quinacridone Magenta #796a4e

    Catalogued palette

    • #796A4E
    • #D1C7A1
    • #415243
    • #9F9875

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Quinacridone Magenta
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Troller, Norbert over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 45.0%900 visits
    2. 2 Italy 45.0%900 visits
    3. 3 Poland 10.0%200 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 14 most looked-at works by Troller, Norbert

    1. 1 Street Scene, Paris, 1948 16.0%400 visits
    2. 2 Terezin: People waiting for the soup, 1943 12.0%300 visits
    3. 3 Sailboat, 1940 12.0%300 visits
    4. 4 Terezin, Latrines, 1942 12.0%300 visits
    5. 5 Terezin: Yard, 1943 8.0%200 visits
    6. 6 Ile St. Louis, 1940 8.0%200 visits
    7. 7 Street, Italy, 1940 8.0%200 visits
    8. 8 Junk Furniture, Terezin, 1943 4.0%100 visits
    9. 9 Terezin: Yard, 1943 4.0%100 visits
    10. 10 Waterside, Maine, 1940 4.0%100 visits
    11. 11 Priest bearing cross, 1940 4.0%100 visits
    12. 12 New York City, 1950 4.0%100 visits
    13. 13 House and trees, reflected in water, 1940 4.0%100 visits
    14. — Terezin: On a supervised outing, 1942 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 17 works by this artist, of which 13 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Source: WahooArt.com — accessed Oct. 7, 2026

    Terezin: On a supervised outing — Troller, Norbert Part 2 · In context

    About this artwork

    Terezin: On a supervised outing — Troller, Norbert

    A Glimpse of Resilience: The Tender Waters of Norbert Troller

    In the hauntingly quiet corners of history, certain artworks emerge not merely as aesthetic objects, but as profound testimonies to the human spirit. "Terezin: On a supervised outing," a delicate watercolor created in 1942 by the Czech-American artist Norbert Troller, serves as one such window into a world of unimaginable hardship. At first glance, the painting captures a scene of deceptive simplicity: a group of children gathered around a small wagon or carriage, their faces illuminated by a shared moment of togetherness. The soft, fluid application of watercolor creates an atmosphere that feels almost dreamlike, masking the grim reality of the Theresienstadt concentration camp where this piece was conceived. Through his masterful use of light and gentle brushwork, Troller invites the viewer into a fleeting sanctuary of joy, making the piece an essential acquisition for those who value art as a vessel for historical truth and emotional depth.

    The technique employed in this 30 x 20 cm masterpiece is characterized by a poignant lightness. Troller, trained in both architecture and fine arts, possesses a unique ability to structure a scene with precision while maintaining the ethereal quality of the watercolor medium. The way the figures are dispersed throughout the composition—some standing in close-knit clusters, others drifting toward the periphery—creates a sense of natural, unforced movement. The background, featuring subtle hints of trees, provides a soft boundary to this "supervised" moment, suggesting a world that is both contained and momentarily liberated. For the collector or interior designer, this painting offers a sophisticated balance of delicate texture and narrative weight, making it a captivating focal point for a gallery wall or a contemplative study.

    Beyond its visual charm, the historical context of the work imbues every stroke with profound symbolism. As an architect and survivor, Troller used his artistic skill to document the daily life of those deported to the ghetto, turning the act of painting into an act of resistance. The "supervised outing" depicted here is a bittersweet metaphor; while the children appear to be enjoying a communal moment, the very title reminds us of the surveillance and confinement that defined their existence. This tension between the visible joy of the subjects and the invisible shadow of their circumstances creates a powerful emotional resonance. To possess a reproduction of this work is to hold a piece of a larger, vital narrative—a testament to the capacity for beauty and connection to flourish even in the most desolate of landscapes.

    Source: WahooArt.com — accessed Oct. 7, 2026

    Terezin: On a supervised outing — Troller, Norbert Part 3 · About this artwork

    Artist and museum

    Artist

    Troller, Norbert

    Born in Brno, Czech Republic

    early life and education

    troller, norbert, a czech-american architect and artist, was born in brno, czech republic in 1896. he served as a soldier in world war i, taken prisoner by the italians but released within a year. after the war, he studied architecture at the brno technical university and later at the academy of fine arts in vienna.

    artistic expression in the face of adversity

    in 1942, troller was deported to theresienstadt concentration camp, where he utilized his artistic skills to document life within the camp. his works, characterized by their poignant portrayal of daily life, serve as a testament to the human spirit's capacity for resilience.

    notable works and exhibitions

    troller's artwork has been featured in various exhibitions, including "terezin 1942-44: through the eyes of norbert troller" at the yeshiva university museum.

    his designs and sketches have also been showcased in the leo baeck institute's collection, highlighting his architectural expertise within the camp.

    some of his notable works can be found on AllPaintingsStore, a platform dedicated to showcasing artistic masterpieces.

    legacy and impact

    through his art, troller has left an indelible mark on history, serving as a poignant reminder of the atrocities faced by those in concentration camps during world war ii. his legacy continues to inspire artists and scholars alike.

    further reading and resources

    troller, norbert | AllPaintingsStore - explore more of troller's artwork on AllPaintingsStore.

    gemäldegalerie alte meister, germany: a comprehensive guide to the old masters gallery - discover the world of european art with this comprehensive guide.

    conclusion

    norbert troller's life serves as a powerful reminder of the human spirit's capacity for resilience and creativity in the face of adversity. through his artwork, we are offered a poignant glimpse into the lives of those who suffered during world war ii, ensuring their stories are never forgotten.

    Museum

    Leo Baeck Institute

    On show in New York City, United States of America

    A Sanctuary of Memory in the Heart of New York

    In the vibrant tapestry of New York City, nestled within the prestigious Center for Jewish History, lies a sanctuary that transcends the traditional boundaries of a museum. The

    Leo Baeck Institute

    serves as a profound beacon of remembrance, a place where the echoes of a vanished world are preserved with meticulous care and reverence. It is not merely a repository for artifacts but a living, breathing hub of scholarly investigation, where the shadows of the past are illuminated by the light of rigorous research and cultural engagement. The architecture of the institute reflects its solemn yet forward-looking mission, designed with a deliberate and striking simplicity that avoids unnecessary ornamentation to prioritize the intellectual exploration within its walls. This architectural restraint creates an atmosphere of focused contemplation, allowing the weight of history to resonate through every corridor and offering a bridge between eras.

    The Soul of a Culture Preserved

    To wander through the collections of the

    Leo Baeck Institute

    is to embark on an intimate journey through the soul of a culture. The holdings are nothing short of extraordinary, offering unparalleled insights into the vibrancy of German-Jewish life before the darkness of the mid-twentieth century. For the art lover and the scholar alike, the institute provides an enduring connection to a legacy of profound cultural significance. The collections feature:

    Rare Jewish Books:

    Exquisitely crafted manuscripts from centuries past that bear witness to profound religious scholarship and delicate artistic expression.

    Photographic Archives:

    Poignant images that capture the faces, families, and landscapes of communities forever changed, presenting portraits of everyday individuals whose lives were woven into the cultural fabric of Europe.

    Personal Papers:

    A collection of letters and documents that serve as a window into an era of resilience and adaptation, documenting individual narratives amidst extraordinary circumstances.

    What truly distinguishes the

    Leo Baeck Institute

    is its unwavering dedication to the nuance of identity. Unlike institutions that seek breadth, the LBI focuses deeply on the specificities of German-speaking Jewry, ensuring that the intricate details of their history are never lost to generalization. Through notable exhibitions that explore everything from the intellectual currents of the Weimar Republic to the artistic responses to wartime trauma, the institute fosters a vital dialogue between the past and the present, ensuring that the indelible mark of German-Jewish culture continues to inspire, educate, and move generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Terezin: On a supervised outing

    wahooart.com/en/art/download/troller-norbert-terezin-on-a-supervised-outing-D7RQCR-en/

    Cite this artwork

    MLA
    Norbert, Troller,. Terezin: On a supervised outing. 1942, Leo Baeck Institute. https://wahooart.com/en/art/troller-norbert-terezin-on-a-supervised-outing-D7RQCR-en/
    APA
    Norbert, Troller, (1942). Terezin: On a supervised outing [Painting]. Leo Baeck Institute. https://wahooart.com/en/art/troller-norbert-terezin-on-a-supervised-outing-D7RQCR-en/
    Chicago
    Troller, Norbert. Terezin: On a supervised outing. 1942. Leo Baeck Institute. https://wahooart.com/en/art/troller-norbert-terezin-on-a-supervised-outing-D7RQCR-en/
    Harvard
    Norbert, Troller, (1942) Terezin: On a supervised outing. Leo Baeck Institute. Available at: https://wahooart.com/en/art/troller-norbert-terezin-on-a-supervised-outing-D7RQCR-en/

    Source: WahooArt.com — accessed Oct. 7, 2026

    Terezin: On a supervised outing — Troller, Norbert Part 4 · Artist and museum

    Look closely

    Terezin: On a supervised outing — Troller, Norbert

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: children, wagon, trees. Do you agree? What would you add, or take away?
    4. Look back at Priest bearing cross (1940), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Source: WahooArt.com — accessed Oct. 7, 2026

    Terezin: On a supervised outing — Troller, Norbert Part 5 · Look closely

    Questions & Answers

    What aliases or alternate names does Troller, Norbert have?

    Other names recorded for Troller, Norbert, creator of "Terezin: On a supervised outing", include Norbert Troller.

    Where in Troller, Norbert's career does "Terezin: On a supervised outing" fall, given its date?

    "Terezin: On a supervised outing", created in 1942, belongs to the WWII Period of Troller, Norbert's career.

    What is the format of "Terezin: On a supervised outing"?

    "Terezin: On a supervised outing" by Troller, Norbert is a landscape composition. The proportions are worth checking before choosing a print size.