Paper

Student Artwork Guide

Untitled from Woodcuts

Name Class Date

Thomas Schütte, Untitled from Woodcuts (2011). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Thomas Schütte wahooart.com/en/artists/thomas-schutte/
Artist’s dates
1954 –
Painted
2011
Original size
253 x 162 cm
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

In context

Untitled from Woodcuts — Thomas Schütte

How big is it?

The original measures 253 × 162 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 57. 0 of the 2 dated works by this artist in our catalogue came earlier.

▲ this work, 2011 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/thomas-schutte-untitled-from-woodcuts-AS7VB5-en/

Colours

Measured from the image

    Main colour

    Gray #6f8069

    Catalogued palette

    • #6F8069
    • #EFEAE4
    • #634040
    • #A3AB9E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Thomas Schütte over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%
    2. 2 Germany 50.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Thomas Schütte

    1. 1 Steel Woman No. 11 66.7%
    2. 2 United Enemies I, 2011 33.3%
    3. — Untitled from Woodcuts, 2011 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 4 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Thomas Schütte

    Born in Oldenburg, Germany

    Thomas Schütte: A Biography

    Early Life and Education

    Born in Oldenburg, Germany, in 1954, Thomas Schütte is a prominent figure in contemporary art. He received his artistic training at the prestigious Kunstakademie Düsseldorf from 1973 to 1981. His instructors included influential artists such as Gerhard Richter, Fritz Schwegler, Daniel Buren, and Benjamin Buchloh, shaping his conceptual approach to art.

    Artistic Development and Style

    Schütte’s artistic practice is remarkably diverse, encompassing sculpture, architectural designs, and drawings. He doesn't adhere to a single style; instead, he explores various forms and materials, often characterized by a sense of ambiguity and critical engagement with societal norms. His early work frequently involved wooden figures and installations that questioned traditional sculptural conventions.

    Sculptural Experimentation: Schütte’s sculptures range from small-scale figurative works to monumental public installations.

    Architectural Models: He is renowned for his intricate architectural models, often fantastical and thought-provoking, challenging conventional notions of space and functionality.

    Drawing & Woodcuts: His drawings and woodcuts offer a more intimate exploration of form and texture, frequently displaying surreal or unsettling imagery.

    Influences and Themes

    Schütte’s work is influenced by a broad range of sources, including art history, philosophy, and architecture. He engages with themes such as the human condition, cultural memory, societal structures, and the role of art itself. His pieces often provoke questions about identity, power, and the complexities of modern life.

    Major Achievements and Recognition

    First US Solo Show (1989): Schütte gained significant recognition with his first solo exhibition in New York at Marian Goodman Gallery.

    Fourth Plinth Commission (2007): His “Model for a hotel” was installed on the Fourth Plinth in Trafalgar Square, London – a highly visible public art commission.

    Venice Biennale Golden Lion (2005): He received the prestigious Golden Lion award at the Venice Biennale for his outstanding contribution to contemporary art.

    Düsseldorf Prize (2010): Awarded the Düsseldorf Prize, recognizing his significant artistic achievements.

    Auction Successes: His sculptures have achieved impressive prices at auction, demonstrating their market value and collector demand. For example, “Großer Geist No. 16” sold for $4.1 million in 2010.

    Historical Significance and Legacy

    Thomas Schütte’s work has had a profound impact on contemporary sculpture and installation art. He challenges traditional artistic boundaries, prompting viewers to question their perceptions of the world around them. His diverse practice and intellectual rigor have established him as one of the most important artists of his generation. His pieces are held in major museum collections worldwide, including the Tate, MoMA, and the Art Institute of Chicago, ensuring his lasting legacy within art history.

    Where to read more

    Find this online

    QR code linking to the download page for Untitled from Woodcuts

    wahooart.com/en/art/download/thomas-schutte-untitled-from-woodcuts-AS7VB5-en/

    Cite this artwork

    MLA
    Schütte, Thomas. Untitled from Woodcuts. 2011, https://wahooart.com/en/art/thomas-schutte-untitled-from-woodcuts-AS7VB5-en/
    APA
    Schütte, Thomas (2011). Untitled from Woodcuts [Painting]. https://wahooart.com/en/art/thomas-schutte-untitled-from-woodcuts-AS7VB5-en/
    Chicago
    Thomas Schütte. Untitled from Woodcuts. 2011. https://wahooart.com/en/art/thomas-schutte-untitled-from-woodcuts-AS7VB5-en/
    Harvard
    Schütte, Thomas (2011) Untitled from Woodcuts. Available at: https://wahooart.com/en/art/thomas-schutte-untitled-from-woodcuts-AS7VB5-en/

    Look closely

    Untitled from Woodcuts — Thomas Schütte

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: dark gateway, architectural art, symbolic entrance. Do you agree? What would you add, or take away?
    4. Look back at Steel Woman No. 11, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What national origin stands behind the Contemporary Realism of "Untitled from Woodcuts"?

    "Untitled from Woodcuts" connects the Contemporary Realism movement with Germany through its creator's birthplace.

    What is the dominant hue of "Untitled from Woodcuts" by Thomas Schütte?

    An ochre to sepia hue runs through "Untitled from Woodcuts" by Thomas Schütte.

    What other names is Thomas Schütte known by?

    Other names recorded for Thomas Schütte, creator of "Untitled from Woodcuts", include Thomas Schutte.