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Student Artwork Guide

Crucifixion

Name Class Date

thomas saunders nash, Crucifixion (1932), Laing Art Gallery. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
thomas saunders nash wahooart.com/en/artists/thomas-saunders-nash/
Artist’s dates
1891 – 1968
Painted
1932
Original size
122 x 107 cm
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Held at
Laing Art Gallery wahooart.com/en/museums/laing-art-gallery-newcastle-upon-tyne/

In context

Crucifixion — thomas saunders nash

How big is it?

The original measures 122 × 107 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Shaded: the lifetime of thomas saunders nash (1891–1968) ▲ this work, 1932

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/thomas-saunders-nash-crucifixion-AQUE54-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #2b261f

    Catalogued palette

    • #2B261F
    • #C4AC9A
    • #594D40
    • #917868
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Crucifixion — thomas saunders nash

    The Crucifixion painting by Thomas Saunders Nash is a thought-provoking artwork that showcases the artist's skill and attention to detail. Created in 1932, this oil on canvas piece measures 122 x 107 cm and is currently housed at the Laing Art Gallery in Newcastle Upon Tyne, United Kingdom.

    Artistic Style and Composition

    The painting depicts a somber scene of Jesus being crucified, surrounded by a crowd of onlookers. The artist's use of color and composition creates a sense of depth and emotion, drawing the viewer into the scene. The lighting in the painting is particularly noteworthy, with the use of shadows and highlights adding to the overall mood of the piece.

    Symbolism and Meaning

    The Crucifixion painting is rich in symbolism, with various elements holding significant meaning. The cross itself represents sacrifice and redemption, while the crowd surrounding Jesus symbolizes the diverse reactions of humanity to his crucifixion. The umbrella in the background may represent protection or shelter, adding another layer of depth to the painting.

    The Laing Art Gallery is home to an impressive collection of artworks, including pieces by James Walker Tucker and Charles Napier Hemy.

    For more information on the Crucifixion painting, visit AllPaintingsStore.com.

    To learn more about the artist Emma Woollard, visit AllPaintingsStore.com.

    Handmade oil painting reproductions of the Crucifixion are available for purchase on AllPaintingsStore.com, allowing art lovers to own a piece of history. The website also features a range of other artworks, including pieces by Ralph Bullock and Thomas Saunders Nash.

    The Crucifixion painting is a powerful example of Thomas Saunders Nash's skill as an artist, and its thought-provoking themes continue to resonate with audiences today. Whether you are an art historian or simply appreciate beautiful artwork, this piece is sure to leave a lasting impression.

    Artist and museum

    Artist

    thomas saunders nash

    Thomas Saunders Nash (1891 – 1968): A Painter of Rural Faith

    Thomas Saunders Nash was born in Évreux, France, in 1891, into a family steeped in artistic tradition. His father, Henry Nash, was a sculptor and instilled in Thomas a deep appreciation for craftsmanship and visual storytelling. Early influences included Impressionism and Post-Impressionism, particularly the works of Jean-François Millet – whose depictions of peasant life resonated deeply with Nash’s own sensibilities. This formative period shaped his artistic vision, prioritizing observation and conveying emotion through subtle tonal shifts and meticulous detail.

    Early Life & Education: Nash pursued formal art training at École Supérieure des Beaux-Arts in Paris, honing his skills in oil painting and sculpture. He absorbed the stylistic innovations of Cubism and Surrealism, experimenting with fragmented perspectives and dreamlike imagery alongside more traditional landscapes.

    Notable Works: Nash’s oeuvre is characterized by a profound engagement with themes of rural life, religious devotion, and humanist compassion. His paintings frequently portray scenes of agricultural labor—often illuminated by soft, diffused light—capturing the dignity and resilience of ordinary people.

    The Influence of Millet & Surrealism

    Nash’s artistic journey was significantly impacted by Jean-François Millet's unflinching portrayal of rural hardship and spiritual contemplation. Millet’s canvases served as a catalyst for Nash to explore the complexities of human experience within the natural world, emphasizing empathy and recognizing the beauty inherent in simplicity. Simultaneously, he embraced Surrealist techniques—particularly automatism—allowing subconscious impulses to guide his creative process. This duality resulted in artworks that blended realism with symbolic resonance, reflecting both meticulous observation and imaginative exploration.

    Millet’s Legacy: Nash acknowledged Millet's profound influence on his artistic approach, recognizing the importance of conveying emotion through understated visual language.

    Surrealist Experimentation: He actively incorporated Surrealist principles into his paintings, seeking to tap into the realm of dreams and intuition—a deliberate departure from purely representational art.

    Key Achievements & Artistic Style

    Nash achieved considerable acclaim during his lifetime, securing commissions for murals and landscapes that celebrated French heritage and humanist values. His distinctive artistic style is marked by a masterful command of tonal gradation—creating atmospheric depth and conveying nuanced emotional states—and an unwavering commitment to capturing the essence of his subjects with remarkable accuracy. He favored muted palettes—often dominated by earthy hues—enhancing the contemplative mood of his compositions.

    Murals & Landscape Commissions: Nash’s artistic talent earned him recognition from institutions like St Thomas' Hospital and Musée Thomas-Henry, where he created impactful artworks reflecting social responsibility.

    Technique & Palette: His meticulous brushwork and subtle color harmonies established him as a leading figure in French landscape painting—a testament to his dedication to craftmanship and artistic vision.

    Legacy & Historical Significance

    Thomas Saunders Nash’s enduring legacy resides in his ability to synthesize Impressionistic observation with Surrealist imagination—producing artworks that transcend mere depiction, communicating profound spiritual and humanist ideas. His paintings continue to inspire viewers with their evocative beauty and thoughtful reflection on the human condition. He remains a prominent artist of the 20th century, remembered for his contribution to French art history and his unwavering devotion to portraying rural life with compassion and artistic integrity.

    Museum

    Laing Art Gallery

    On show in Newcastle upon Tyne, United Kingdom

    Laing Art Gallery: A Beacon of British Artistic Heritage in Newcastle Upon Tyne

    Nestled on New Bridge Street West, Newcastle upon Tyne, the Laing Art Gallery stands as a testament to Victorian philanthropy and a remarkable repository of British art spanning centuries. Established in 1904 by Alexander Laing—a local wine merchant whose generosity ensured its enduring legacy—the gallery welcomes visitors free of charge (excluding special exhibitions), fostering accessibility and enriching Newcastle’s cultural landscape.

    Location:

    Newcastle upon Tyne, Northumberland and West Lothian

    Address:

    Laing Art Gallery, New Bridge Street, Newcastle upon Tyne, NE1 8AG

    Website:

    https://en.wikipedia.org/wiki/Laing_Art_Gallery

    The gallery’s mission is to champion British art from the 18th and 19th centuries, alongside showcasing contemporary works and celebrating local artistic talent. Its curators meticulously curate exhibitions that illuminate diverse artistic movements and perspectives, offering visitors a stimulating journey through visual culture.

    A Collection That Captures Emotion and Vision

    Paintings:

    The Laing’s collection is anchored by masterpieces from luminaries like J.M.W. Turner—whose dramatic landscapes convey sublime beauty—Edward Burne-Jones—renowned for his opulent Symbolist fantasies—and John Martin—a pioneer of Romantic horror whose monumental canvases evoke visceral emotion. Notably, “The Destruction of Sodom and Gomorrah” by Martin remains a haunting depiction of biblical catastrophe, while Burne-Jones’ “Laus Veneris” embodies ethereal grace and mythological grandeur.

    Watercolours & Drawings:

    Complementing the paintings are exquisite watercolours and drawings by Turner and John Sell Cotman—artists who skillfully captured atmospheric conditions and rendered intricate detail. These works exemplify the artistic techniques prevalent during their time, revealing a profound understanding of light and colour.

    Decorative Arts:

    Beyond visual art, the gallery’s holdings encompass decorative historical objects that reflect Newcastle's rich craft traditions. Admire Newcastle silver—a symbol of civic pride—the delicately enamelled glasses crafted by William Beilby—demonstrating Victorian craftsmanship—and ceramics produced by Maling pottery—celebrated for their vibrant glaze colours and artistic designs.

    Architectural Elegance: Baroque Roots, Art Nouveau Flair

    Designed in the Baroque style with subtle Art Nouveau influences by architects Cackett & Burns Dick, the Laing Art Gallery is a Grade II listed building—a tangible reminder of Newcastle’s Victorian grandeur. Its soaring ceilings and ornate detailing evoke the opulent aesthetic of European palaces, while delicate floral motifs subtly intertwine with classical proportions.

    More Than Just Art: Engagement and Inspiration

    What distinguishes Laing Art Gallery is its unwavering commitment to fostering artistic appreciation and community engagement. Regularly rotating exhibitions present groundbreaking artworks alongside established classics—inspiring dialogue and broadening perspectives. Furthermore, the gallery hosts free events—including insightful gallery talks, engaging family activities—and stimulating artist-led workshops—creating a vibrant space for learning and creativity.

    Exploring Further

    Notable Exhibitions:

    Recent exhibitions have explored themes of British identity, artistic innovation, and the role of art in shaping cultural narratives.

    Community Partnerships:

    Collaborations with local schools and organizations enrich educational programs and promote artistic outreach within Newcastle upon Tyne.

    A visit to Laing Art Gallery is an immersive experience—a chance to connect with British artistic heritage, discover inspiring artworks, and celebrate the enduring power of creativity.

    Where to read more

    Find this online

    QR code linking to the download page for Crucifixion

    wahooart.com/en/art/download/thomas-saunders-nash-crucifixion-AQUE54-en/

    Cite this artwork

    MLA
    nash, thomas saunders. Crucifixion. 1932, Laing Art Gallery. https://wahooart.com/en/art/thomas-saunders-nash-crucifixion-AQUE54-en/
    APA
    nash, thomas saunders (1932). Crucifixion [Painting]. Laing Art Gallery. https://wahooart.com/en/art/thomas-saunders-nash-crucifixion-AQUE54-en/
    Chicago
    thomas saunders nash. Crucifixion. 1932. Laing Art Gallery. https://wahooart.com/en/art/thomas-saunders-nash-crucifixion-AQUE54-en/
    Harvard
    nash, thomas saunders (1932) Crucifixion. Laing Art Gallery. Available at: https://wahooart.com/en/art/thomas-saunders-nash-crucifixion-AQUE54-en/

    Look closely

    Crucifixion — thomas saunders nash

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 10 — do you agree?)
    4. Our catalogue files this work under: religious art, crucifixion scene, human suffering. Do you agree? What would you add, or take away?
    5. Look back at The Hop Pickers (1930), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.