Student Artwork Guide
Copyright This work is in the public domain. Thomas Le Clear died in 1882; copyright lasts 70 years after the artist’s death, so it ended in 1952.
In context
William Cullen Bryant — Thomas Le Clear
The original measures 88 × 75 cm (height × width), drawn here beside an adult of average height.
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 64 at death.
Painted when the artist was 58. The artist lived to 64. 2 of the 3 dated works by this artist in our catalogue came earlier.
Shaded: the lifetime of Thomas Le Clear (1818–1882) ▲ this work, 1876 every dated painting, decade by decade
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: wahooart.com/en/art/similar/thomas-le-clear-william-cullen-bryant-D2ZUAL-en/
Measured from the image
Main colour
Phthalo Green #272320
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 3 works by this artist, of which 3 were looked at at least once. This painting ranks 3 of them, with 25.0% of that attention. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in Oswego, United States of America
Born in Oswego, New York, in 1818, Thomas Le Clear’s artistic journey was one forged through self-directed study and a keen observation of the world around him. Unlike many artists of his era who benefited from formal training, Le Clear began his career at just twelve years old, selling copies of religious paintings – notably Saint Matthew – demonstrating an early aptitude for capturing likeness and detail. This initial success fueled a passion that he pursued relentlessly, absorbing techniques and styles through diligent study of the works of established masters. His early life, marked by this independent approach to learning, would profoundly shape his distinctive artistic voice.
Le Clear’s formative years were spent in Canada, specifically London, Ontario, where he honed his portraiture skills during a period of significant growth for the settlement. This experience exposed him to diverse subjects and likely influenced his ability to portray individuals with nuanced characterization. Returning to America, he established himself as a respected artist in Elmira and Rochester, New York, steadily building a reputation for capturing both the outward appearance and inner essence of his sitters. These early commissions provided invaluable practical experience, allowing him to refine his technique and develop a confident style.
A pivotal moment in Le Clear’s career arrived with his relocation to New York City in 1839. Seeking further artistic development, he enrolled under the tutelage of Henry Inman, a prominent portraitist known for his refined academic approach. This period proved instrumental in solidifying his understanding of composition, lighting, and classical techniques. However, Le Clear’s true strength lay not merely in imitation but in imbuing his portraits with a palpable sense of life and emotion – a quality that distinguished him from many of his contemporaries.
From 1844 to 1860, Le Clear found a fertile ground for artistic growth in Buffalo, New York. He played a crucial role in the establishment of the Buffalo Fine Arts Academy, becoming one of its founding members and contributing significantly to the development of art education in the region. This involvement reflects his commitment to fostering artistic talent and sharing his knowledge with future generations. During this period, Le Clear’s work flourished, characterized by a growing confidence and an increasingly sophisticated approach to portraiture and genre scenes.
His Buffalo years produced some of his most celebrated works, including evocative depictions of everyday life – scenes of itinerants, interiors filled with portraits, and glimpses into the domestic sphere. These paintings offer valuable insights into the social fabric of 19th-century America, capturing not just physical appearances but also the subtle nuances of human interaction and emotion. The influence of his time in Buffalo is evident in the richness of color and detail that permeates many of his later works.
Le Clear’s artistic reputation reached a new level with his election to the National Academy of Design in 1863. This prestigious honor acknowledged his contributions to American art and solidified his standing within the established artistic community. Following this recognition, he continued to produce portraits of notable figures – including Millard Fillmore, William Cullen Bryant, Edwin Booth as Hamlet, and Bayard Taylor – each rendered with a remarkable degree of psychological insight and technical skill.
His ability to capture not just physical likeness but also the character and personality of his subjects was particularly admired. Le Clear’s portraits were often described as “alive,” imbued with a sense of immediacy and emotional resonance that set them apart from more formal or idealized representations. These works remain valuable historical documents, offering intimate glimpses into the lives and personalities of prominent figures of the era.
Thomas Le Clear’s career spanned several decades, during which he developed a distinctive artistic style characterized by meticulous detail, subtle tonal variations, and a remarkable ability to convey emotion. His portraits are not merely representations of individuals; they are carefully constructed narratives that reveal the subject's inner world. While influenced by academic traditions, Le Clear’s work possesses a unique warmth and humanity – a testament to his keen observation skills and his dedication to capturing the essence of his subjects.
He died in Rutherford Park, New Jersey, in 1882, at the age of 64. Despite his relatively short career, Le Clear left behind a significant body of work that continues to be appreciated for its technical skill, emotional depth, and historical significance. His contributions to the Buffalo Fine Arts Academy and his portraits of prominent figures ensure his place as a key figure in American art history.
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Look closely
William Cullen Bryant — Thomas Le Clear
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
"William Cullen Bryant" by Thomas Le Clear is a portrait composition measuring 88 x 75 cm in the original.
"William Cullen Bryant" dates from 1876. The date places the work within Thomas Le Clear's career and its era.
A slideshow is available: the Diaporama page of "William Cullen Bryant" by Thomas Le Clear.