Paper

Student Artwork Guide

Hauling Time

Name Class Date

thomas henry roskell, Hauling Time. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
thomas henry roskell wahooart.com/en/artists/thomas-henry-roskell/
Artist’s dates
1928 – ?
Original size
138 x 184 cm
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.

In context

Hauling Time — thomas henry roskell

How big is it?

The original measures 138 × 184 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1920

Shaded: the lifetime of thomas henry roskell (1928–?)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Jane Feeding Swans wahooart.com/en/art/thomas-henry-roskell-jane-feeding-swans-AR2EBU-en/
  • Mess Room, 2004 wahooart.com/en/art/thomas-henry-roskell-mess-room-AR2EBL-en/
  • George's Birthday wahooart.com/en/art/thomas-henry-roskell-george-s-birthday-AR2EBS-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/thomas-henry-roskell-hauling-time-AR2EBN-en/

Colours

Measured from the image

    Main colour

    Clay #b06841

    Catalogued palette

    • #B06841
    • #513629
    • #824D36
    • #A4AC99
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Clay
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    thomas henry roskell

    Thomas Henry Roskell: A Chronicle of the Coastal Soul

    The canvases of Thomas Henry Roskell aren’t merely depictions of seascapes; they are profound meditations on humanity's relationship with the relentless, beautiful, and often unforgiving power of the sea. Born in 1928 in Lancashire, England, Roskell’s artistic journey was deeply intertwined with his upbringing – a childhood spent immersed in the rugged beauty of the North West coast, where fishing villages clung precariously to windswept cliffs and the rhythms of life were dictated by the tides. This intimate connection to the maritime world became the bedrock of his art, informing not just what he painted but also how he painted—with a palpable sense of immediacy and emotional resonance.

    Roskell’s early influences weren't formally academic. He initially trained as a carpenter, a skill that instilled in him an appreciation for craftsmanship and the tactile qualities of materials – a sensibility that would later translate into his meticulous brushwork and layered textures. However, it was through observing the local fishermen and their weathered faces, hearing their tales of storms and bountiful catches, and witnessing the dramatic shifts in light across the water that he began to develop his distinctive style. Unlike many landscape artists who sought to capture a pristine, idealized view, Roskell deliberately embraced the grit and grime of coastal life, portraying the fishermen not as romantic heroes but as men inextricably linked to their environment – often struggling against its forces.

    The Language of the Sea: Technique and Subject Matter

    Roskell’s technique is characterized by a remarkable blend of realism and expressionism. He meticulously rendered the details of his subjects—the worn nets, the weathered boats, the intricate patterns of the waves—but then layered these observations with bold strokes, vibrant colors, and a deliberate distortion of form. This approach wasn't intended to deceive; rather, it was a way of conveying the emotional intensity he felt when confronted by the sea’s power. His palette is often dominated by deep blues and greens, punctuated by flashes of ochre, crimson, and grey – mirroring the shifting moods of the weather.

    Central to Roskell's oeuvre are his depictions of fishermen at work. Paintings like “Hauling Time” (1968) offer a particularly arresting glimpse into this world. The figures are rendered with an almost brutal honesty, their muscles straining under the weight of the nets, their faces etched with exhaustion and determination. Yet, there’s also a sense of camaraderie, of shared hardship and mutual respect. Similarly, “Mess Room” (1970) captures the intimate atmosphere of a fishing boat's galley—a space filled with the smells of salt, fish, and woodsmoke, where men gather to share stories and sustenance after a long day at sea. These paintings aren’t simply records of daily life; they are celebrations of resilience, community, and the enduring spirit of those who make their living from the ocean.

    Key Works and Artistic Evolution

    Throughout his career, Roskell consistently returned to themes of maritime life, but his style evolved subtly over time. Early works were characterized by a more straightforward realism, while later paintings became increasingly expressive, with looser brushwork and a greater emphasis on color. “On Deck of a Trawler” (1972), for example, showcases this shift—the composition is less rigidly structured than earlier pieces, and the colors are applied with a freer hand, conveying a sense of movement and turbulence.

    His most celebrated works often depict scenes of quiet contemplation – fishermen mending nets on a windswept shore, or a lone boat returning to harbor at dusk. These paintings possess a remarkable stillness, inviting the viewer to reflect on the timeless connection between humanity and nature. Roskell’s ability to capture not just the visual appearance of these scenes but also their underlying mood and atmosphere is what sets his work apart.

    Legacy and Historical Significance

    Thomas Henry Roskell's art offers a poignant reminder of the vital role that the sea has played in shaping human history and culture. His paintings are not merely beautiful images; they are windows into a world often overlooked—the lives of ordinary people who have dedicated themselves to the rhythms of the ocean. He’s considered a significant figure within British seascape art, particularly for his unflinching portrayal of working-class life and his masterful use of color and texture.

    Despite not achieving widespread fame during his lifetime, Roskell's work has gained increasing recognition in recent years, with several exhibitions dedicated to his paintings. His legacy lies not only in the beauty of his art but also in his ability to evoke a deep sense of empathy for those who live and work alongside the sea—a testament to the enduring power of observation and artistic expression.

    Where to read more

    Find this online

    QR code linking to the download page for Hauling Time

    wahooart.com/en/art/download/thomas-henry-roskell-hauling-time-AR2EBN-en/

    Cite this artwork

    MLA
    roskell, thomas henry. Hauling Time. n.d., https://wahooart.com/en/art/thomas-henry-roskell-hauling-time-AR2EBN-en/
    APA
    roskell, thomas henry (n.d.). Hauling Time [Painting]. https://wahooart.com/en/art/thomas-henry-roskell-hauling-time-AR2EBN-en/
    Chicago
    thomas henry roskell. Hauling Time. n.d. https://wahooart.com/en/art/thomas-henry-roskell-hauling-time-AR2EBN-en/
    Harvard
    roskell, thomas henry (n.d.) Hauling Time. Available at: https://wahooart.com/en/art/thomas-henry-roskell-hauling-time-AR2EBN-en/

    Look closely

    Hauling Time — thomas henry roskell

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: surreal labor, grotesque figure, distorted forms. Do you agree? What would you add, or take away?
    5. Look back at Jane Feeding Swans, earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.