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Student Artwork Guide

Untitled

Name Class Date

Taro Yamamoto, Untitled (1961). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Taro Yamamoto wahooart.com/en/artists/taro-yamamoto/
Artist’s dates
1919 – 1994
Painted
1961
Original size
127 x 178 cm
Movement
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.

In context

Untitled — Taro Yamamoto

How big is it?

The original measures 127 × 178 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Shaded: the lifetime of Taro Yamamoto (1919–1994) ▲ this work, 1961

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/taro-yamamoto-untitled-AQZV36-en/

Colours

Measured from the image

    Main colour

    Clay #a67238

    Catalogued palette

    • #A67238
    • #B6A977
    • #4C402C
    • #E2DAB9
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Clay
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Untitled — Taro Yamamoto

    Taro Yamamoto was a prominent figure in the New York School Abstract Expressionist movement, and his artwork Untitled is a testament to his innovative style. Created in 1961, this painting showcases Yamamoto's ability to balance color and composition, resulting in a visually striking piece.

    The Artist's Background

    Born on October 29, 1919, in Hollywood, California, Taro Yamamoto spent his early years in Japan before returning to the United States. He studied at the Art Students League of New York and the Hans Hofmann School of Fine Arts, where he developed his unique artistic voice. Yamamoto's work was recognized across the Atlantic, including in Paris, and he became a leading figure in the Abstract Expressionist movement.

    The Painting

    Untitled is a prime example of Yamamoto's abstract expressionist style, characterized by bold brushstrokes and vibrant colors. The painting features a large eye with a yellow background, surrounded by various shapes and colors that create an interesting visual effect. The artwork also includes a clock face, adding an element of intrigue to the piece. Key Features:

    Created in 1961

    Abstract Expressionist style

    Features a large eye with a yellow background

    Includes a clock face

    Availability and Reproduction

    The original Untitled painting is housed at the Hirshhorn Museum and Sculpture Garden in the United States. However, art enthusiasts can explore handmade oil painting reproductions of this artwork on AllPaintingsStore.com. This platform offers a range of artistic reproductions, including those by Taro Yamamoto and other prominent artists. For more information on Taro Yamamoto and his artwork, visit Wikipedia. To explore more artistic reproductions, including those of Untitled, visit AllPaintingsStore.com.

    The abstract expressionist movement, led by artists like Taro Yamamoto, continues to inspire and influence contemporary art. As a result, Untitled remains a significant piece in the world of modern art, offering a glimpse into the innovative style of this prominent artist.

    Artist and museum

    Artist

    Taro Yamamoto

    Born in Los Angeles, United States of America

    Taro Yamamoto: A Life in Abstract Expressionism

    Early Life and Education

    Taro Yamamoto (born October 29, 1919, in Hollywood, California – died 1994) was a significant figure within the New York School of Abstract Expressionist artists. His early life was marked by a unique cultural experience; he lived in Japan from the age of six to nineteen, an upbringing that would profoundly influence his artistic vision.

    Born in California but deeply connected to Japanese culture.

    Served in the U.S. Army during World War II (November 7, 1941 – February 23, 1946).

    Artistic Development and Influences

    Following his military service, Yamamoto dedicated himself to formal artistic training. He studied at several prestigious institutions:

    Santa Monica City College (1949).

    The Art Students League of New York (1950-1952), under the guidance of Yasuo Kuniyoshi, Morris Kantor, Byron Browne, and Vaclav Vytlacil.

    Hans Hofmann School of Fine Arts in New York City (1951-1953).

    The teachings of Hans Hofmann were particularly influential, shaping Yamamoto’s understanding of color and form. His exposure to the vibrant art scene of post-war New York further solidified his commitment to abstract expressionism.

    Key Achievements and Recognition

    Won the John Sloan Memorial Fellowship at The Art Students League of New York in 1952.

    Received the Edward G. McDowell Traveling Fellowship in 1953, allowing him to study art in Europe.

    Yamamoto’s work gained recognition within the burgeoning Abstract Expressionist movement, exhibiting alongside prominent artists like Jackson Pollock and Willem de Kooning.

    Artistic Style and Themes

    Yamamoto's paintings are characterized by a dynamic interplay of abstract forms, bold colors, and layered textures. While rooted in the principles of Abstract Expressionism, his work often reveals subtle references to Japanese aesthetics and cultural motifs.

    His pieces frequently explore themes of memory, identity, and the intersection of Eastern and Western artistic traditions.

    Historical Significance

    Taro Yamamoto played a vital role in bridging the gap between American Abstract Expressionism and Japanese artistic sensibilities. As part of the New York School, he contributed to the movement’s international acclaim during the post-World War II era. His work demonstrates the power of art to transcend cultural boundaries and express universal human experiences.

    Though not as widely celebrated as some of his contemporaries, Yamamoto's contributions remain significant in understanding the diversity and complexity of Abstract Expressionism.

    Where to read more

    Find this online

    QR code linking to the download page for Untitled

    wahooart.com/en/art/download/taro-yamamoto-untitled-AQZV36-en/

    Cite this artwork

    MLA
    Yamamoto, Taro. Untitled. 1961, https://wahooart.com/en/art/taro-yamamoto-untitled-AQZV36-en/
    APA
    Yamamoto, Taro (1961). Untitled [Painting]. https://wahooart.com/en/art/taro-yamamoto-untitled-AQZV36-en/
    Chicago
    Taro Yamamoto. Untitled. 1961. https://wahooart.com/en/art/taro-yamamoto-untitled-AQZV36-en/
    Harvard
    Yamamoto, Taro (1961) Untitled. Available at: https://wahooart.com/en/art/taro-yamamoto-untitled-AQZV36-en/

    Look closely

    Untitled — Taro Yamamoto

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract, eye symbolism, clock face. Do you agree? What would you add, or take away?
    4. Look back at Memorial Byobu for Kumamoto (2017), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.