Paper

Student Artwork Guide

Cranes

Name Class Date

soga shohaku, Cranes (1760). Public domain.

The facts

Artist
soga shohaku wahooart.com/en/artists/soga-shohaku/
Artist’s dates
1730 – 1781
Painted
1760
Original size
134 x 56 cm
Movement
Muromachi Period”

In context

Cranes — soga shohaku

How big is it?

The original measures 134 × 56 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1730
  2. 1740
  3. 1750
  4. 1760
  5. 1770
  6. 1780

Shaded: the lifetime of soga shohaku (1730–1781) ▲ this work, 1760

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/soga-shohaku-cranes-D3599E-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #b79b74

    Catalogued palette

    • #B79B74
    • #5F503E
    • #090104
    • #91724C
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Cranes — soga shohaku

    Two cranes, one striding aggressively forward with open beak, the other with its head gracefully lowered as if in submission, face each other within the diptych format. Crisp, precise brushwork outlining the cranes’ plumage, and the combination of brush lines and wash used to delineate their bodies can also be seen in the mix of line and wash on the foliage in the left scroll and the bamboo branches and leaves on the right. The composition derives from the old tradition of Muromachi-period ink painting, but here the cranes—symbols of longevity and good fortune—are depicted with almost human-like expressions that enliven the image. This characteristic appears in other paintings by the unconventional and “eccentric” Soga Shōhaku.One of the major Japanese artists of the eighteenth century, Shōhaku’s outlandish behavior, sometimes unrestrained approach to painting (especially in his early career), and rebellious personality were noted by his contemporaries. His individuality and “modern” sensibilities are much appreciated today.

    Artist and museum

    Artist

    soga shohaku

    Born in Kyoto, Japan

    life and artistic style

    soga shōhaku, a japanese painter from the edo period (1730-1781), defied conventions with his unique brush style, reminiscent of the muromachi period, which was already 150 years out of vogue by the time of his birth. this distinctive approach set him apart from his contemporaries.

    notable works and their significance

    * race at uji river (harvard art museums, cambridge, united states): this polychromatic screen, depicting a famous episode from the 14th-century war epic "the tale of the heike," showcases shōhaku's pictorial grotesquerie. it is a rare example of his work in full color. * the immortal li tieguai (128 x 28 cm, paper): this piece illustrates the story of one of the eight chinese immortals, li tieguai, and demonstrates shōhaku's ability to convey complex narratives through his art.

    artistic influences and legacy

    * shōhaku's preference for the muromachi period's brush style reflects an aesthetic that was already passé by the time of his birth. this choice not only distinguishes him from his contemporaries but also highlights his unique artistic vision. * his monstrous depictions of prominent figures were extremely unusual compared to other painters of his time, further solidifying his position as an unconventional artist.

    explore more at AllPaintingsStore

    discover soga shōhaku's works in the artist profile on AllPaintingsStore.

    learn more about japanese art movements, including the bunjinga art movement, which influenced shōhaku's style.

    view other notable artists from the edo period in AllPaintingsStore's extensive collection, including mori ransai.

    conclusion

    soga shōhaku's unorthodox approach to japanese painting during the edo period has left an indelible mark on art history. his unique style, characterized by monstrous depictions and a preference for outdated aesthetics, continues to fascinate art lovers today. explore his works and those of other influential artists at AllPaintingsStore, the virtual museum for art aficionados. references:

    soga shōhaku - artist profile, AllPaintingsStore

    the bunjinga art movement, AllPaintingsStore

    mori ransai - artist profile, AllPaintingsStore

    related artists:

    ito jakuchu, known for his unique use of vegetables and plants in his art.

    kano einō, a prominent member of the preeminent kano family workshop.

    Where to read more

    Find this online

    QR code linking to the download page for Cranes

    wahooart.com/en/art/download/soga-shohaku-cranes-D3599E-en/

    Cite this artwork

    MLA
    shohaku, soga. Cranes. 1760, https://wahooart.com/en/art/soga-shohaku-cranes-D3599E-en/
    APA
    shohaku, soga (1760). Cranes [Painting]. https://wahooart.com/en/art/soga-shohaku-cranes-D3599E-en/
    Chicago
    soga shohaku. Cranes. 1760. https://wahooart.com/en/art/soga-shohaku-cranes-D3599E-en/
    Harvard
    shohaku, soga (1760) Cranes. Available at: https://wahooart.com/en/art/soga-shohaku-cranes-D3599E-en/

    Look closely

    Cranes — soga shohaku

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: japanese cranes, zen symbolism, ink wash art. Do you agree? What would you add, or take away?
    4. Look back at Shoki Ensnaring a Demon in a Spider Web (1700), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. soga shohaku was about 30 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.