Paper

Student Artwork Guide

Nefos

Name Class Date

simon callery, Nefos (1993), Paintings. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
simon callery wahooart.com/en/artists/simon-callery/
Artist’s dates
1960 – ?
Painted
1993
Original size
201 x 250 cm
Movement
Other
Held at
Paintings wahooart.com/en/museums/paintings-london/

In context

Nefos — simon callery

How big is it?

The original measures 201 × 250 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1960
  2. 1970
  3. 1980
  4. 1990

Shaded: the lifetime of simon callery (1960–?) ▲ this work, 1993

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/simon-callery-nefos-ARD6U7-en/

Colours

Measured from the image

    Main colour

    Celadon #c0bfb1

    Catalogued palette

    • #C0BFB1
    • #9EA093
    • #ACAD9E
    • #B6B6A7
    Palette
    Monochrome The dominant colour family in the image.
    Main colour name
    Celadon
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    simon callery

    Simon Callery: Mapping the Urban Landscape Through Abstract Vision

    Simon Callery (born 1960) is an English artist whose distinctive approach to painting—characterized by fragmented, layered textures and evocative depictions of urban environments—has cemented his place as a pivotal figure within the Young British Artists movement and established him as one of Britain’s most respected contemporary painters. His work transcends mere representation; instead, it delves into psychological landscapes, exploring themes of memory, perception, and the elusive nature of experience.

    Born in London, Callery pursued formal artistic training at Cardiff College of Art, where he honed his skills in oil painting and developed a fascination with architectural forms and textures—influences that would profoundly shape his subsequent artistic endeavors. Early exhibitions showcased his burgeoning talent, establishing him within the vibrant milieu of British art during the nineties, alongside contemporaries like Liam Gilliland and Rachel Harrison. This period marked an initial foray into abstraction, where Callery began to dismantle recognizable imagery, prioritizing surface qualities and tonal harmonies over narrative content.

    Callery’s artistic trajectory gained considerable momentum with his inclusion in “Young British Artists III” at Saatchi Gallery (1994), a landmark exhibition that propelled him onto the international stage. This collective showcased a bold rejection of traditional art conventions, embracing experimentation and challenging viewers to reconsider established aesthetic boundaries. Subsequent projects—including collaborations with architects on the Segsbury Project—further solidified his commitment to exploring spatial relationships and materiality. The Segsbury project involved creating sculptural installations alongside archeologists at two significant sites in Wiltshire and Oxfordshire, reflecting Callery’s interest in engaging with history and uncovering hidden narratives within familiar landscapes.

    His work has been exhibited extensively across Europe and North America, garnering critical acclaim for its conceptual depth and visual impact. Notably, his paintings reside in the Tate Collection, a testament to their enduring artistic merit and contribution to British art history. Callery’s distinctive style—characterized by meticulous layering of pigment and textured surfaces—employs techniques reminiscent of Venetian Renaissance masters like Titian and Tintoretto, subtly referencing traditions of illusionistic painting while simultaneously forging an entirely original visual language. Through his exploration of urban spaces and psychological states, Simon Callery continues to provoke contemplation and inspire dialogue about the complexities of human perception and experience.

    Notable Exhibitions: Young British Artists III (1994), Art Now at Tate Britain (2002), Galerie Philippe Casini, Paris (2002)

    Collection Holdings: Tate Collection

    Influences: Venetian Renaissance Masters (Titian & Tintoretto); Architectural Forms and Textures

    Museum

    Paintings

    On show in London, United Kingdom

    A Tapestry of Light and Shadow: The Soul of London’s Paintings Museum

    In the beating heart of Westminster, where the historical echoes of London meet the vibrant pulse of contemporary life, lies the

    Paintings Museum

    —a sanctuary dedicated to the transformative power of the brushstroke. To enter this institution is to step away from the frantic pace of the modern metropolis and into a curated journey through time, where every canvas serves as a window into a different era. The museum does not merely display art; it orchestrates an emotional experience, inviting visitors to witness the evolution of human perception through the lens of master painters. From the soft, ethereal glows of Impressionist landscapes to the commanding presence of Victorian portraiture, the collection acts as a living chronicle of London’s enduring artistic legacy.

    The museum’s collection is a breathtaking panorama of movement and mastery. One cannot wander through its halls without being captivated by the way light dances across the works of

    Claude Monet

    , particularly his evocative depictions of London, where the twilight over Waterloo Bridge is rendered with such atmospheric depth that the dampness of the Thames seems almost palpable. This dialogue between light and atmosphere is echoed in the delicate, tonalist compositions of

    James Abbott McNeill Whistler

    , whose London Bridge emerges from a soft, nocturnal haze. These works are balanced by the structural grandeur of the Victorian era, seen in the panoramic vistas of

    Thomas Allom

    , which offer a breathtaking glimpse into a cityscape defined by architectural ambition and imperial pride.

    Beyond the historical weight of its classical holdings, the museum breathes with the vitality of more recent centuries. The collection transitions seamlessly into the textured, vibrant worlds of artists like

    John Ritchie

    , whose "A Summer Day In Hyde Park" utilizes a Romantic sensibility to celebrate the rhythmic beauty of urban leisure. Even the architectural nuances of the city find their way into the museum through the works of

    Stephen Bone

    , whose Impressionistic interpretations of Westminster capture a sense of movement and light that feels both nostalgic and strikingly modern. For the collector or interior designer, these pieces offer more than mere decoration; they provide a narrative depth that can anchor a room with historical gravity or contemporary elegance.

    The architecture of the museum itself serves as a silent protagonist in this artistic drama. Designed to prioritize the sanctity of the artwork, the space is characterized by an understated grandeur and a meticulous approach to illumination. The layout encourages a contemplative flow, guiding the observer through a chronological narrative that moves from Renaissance-inspired idealism toward the bold experimentation of Modernism. This intentional design ensures that each painting is afforded its own moment of quietude, allowing for a profound connection between the viewer and the artist's original intent. It is this seamless blend of historical depth, technical brilliance, and immersive atmosphere that cements the Paintings Museum as an indispensable cornerstone of London’s cultural landscape.

    Where to read more

    Find this online

    QR code linking to the download page for Nefos

    wahooart.com/en/art/download/simon-callery-nefos-ARD6U7-en/

    Cite this artwork

    MLA
    callery, simon. Nefos. 1993, Paintings. https://wahooart.com/en/art/simon-callery-nefos-ARD6U7-en/
    APA
    callery, simon (1993). Nefos [Painting]. Paintings. https://wahooart.com/en/art/simon-callery-nefos-ARD6U7-en/
    Chicago
    simon callery. Nefos. 1993. Paintings. https://wahooart.com/en/art/simon-callery-nefos-ARD6U7-en/
    Harvard
    callery, simon (1993) Nefos. Paintings. Available at: https://wahooart.com/en/art/simon-callery-nefos-ARD6U7-en/

    Look closely

    Nefos — simon callery

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract cityscape, urban landscape, modern art. Do you agree? What would you add, or take away?
    4. Look back at Borough and Trinity (1993), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. simon callery was about 33 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.