Paper

Student Artwork Guide

Pentecost

Name Class Date

Simon Bening, Pentecost (1490), Museum Boijmans Van Beuningen. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Simon Bening wahooart.com/en/artists/simon-bening/
Artist’s dates
1483 – 1561
Painted
1490
Original size
147 x 108 cm
Held at
Museum Boijmans Van Beuningen wahooart.com/en/museums/museum-boijmans-van-beuningen-rotterdam/

In context

Pentecost — Simon Bening

How big is it?

The original measures 147 × 108 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1480
  2. 1490
  3. 1500
  4. 1510
  5. 1520
  6. 1530
  7. 1540
  8. 1550
  9. 1560

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 78 at death.

Painted when the artist was 7. The artist lived to 78. 0 of the 12 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Simon Bening (1483–1561) ▲ this work, 1490 every dated painting, decade by decade

First works: up to 1530 Main working years: 1530–1535 Late works: from 1535

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/simon-bening-pentecost-8XZA53-en/

Colours

Measured from the image

    Main colour

    Putty #d3d1ce

    Catalogued palette

    • #D3D1CE
    • #ACAAA5
    • #7F7D79
    • #444441

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Simon Bening over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 60.0%
    2. 2 Netherlands 30.0%
    3. 3 United States of America 10.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 8 most looked-at works by Simon Bening

    1. 1 The Seven Sorrows of the Virgin, 1530 46.2%
    2. 2 Scenes from the Creation 15.4%
    3. 3 The Temptation of Christ, 1530 7.7%
    4. 4 Villagers on Their Way to Church, 1550 7.7%
    5. 5 Penitent St Jerome, 1515 7.7%
    6. 6 Henry III, Count of Nassau-Breda and Mencía de Mendoza, 1531 7.7%
    7. 7 Manuscript Leaf with Adoration of the Holy Name, from a Book of Hours, 1530 7.7%
    8. — Pentecost, 1490 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 21 works by this artist, of which 7 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Simon Bening

    Born in Ghent, Belgium

    The Master of Miniature Worlds

    In the delicate, luminous realm of Flemish illumination, few names resonate with as much prestige as Simon Bening. Often celebrated as the last great master of the Netherlandish tradition, Bening possessed a singular ability to transform tiny vellum surfaces into expansive, breathing landscapes and profound spiritual meditations. His life was deeply rooted in the rich artistic heritage of the Low Countries; born in either Ghent or Antwerp, he likely began his journey within the family workshop under the guidance of his father, the esteemed illuminator Alexander Bening. This lineage provided him with a foundation of technical excellence that would eventually allow him to lead one of the most flourishing workshops in Bruges.

    As Bening moved through the artistic hubs of Ghent and Bruges, his reputation grew alongside his mastery of the miniature. By 1508, he had officially joined the Guild of Saint John and Saint Luke in Bruges, a testament to his standing among the professional elite. His career was marked by a seamless transition between the late Gothic sensibilities of his predecessors and the burgeoning nuances of the early Renaissance. This period of artistic evolution is perhaps most poignantly captured in his Self-portrait, a work that serves as much more than a mere likeness. In this miniature, Bening presents himself not simply as a craftsman, but as an intellectual, seated before an easel with spectacles in hand—a symbolic nod to the meticulous observation required by his craft and an alignment with Saint Luke, the patron saint of painters.

    A Legacy of Devotion and Detail

    The true magic of Bening’s work lies in his capacity to create "miniature worlds" that invite the viewer into a state of quiet contemplation. His Book of Hours serves as a prime example of this devotional artistry, where each page acts as a prayerful jewel intended to remind the faithful of the omnipresence of the divine. Through an exquisite manipulation of light and shadow, Bening achieved a sense of three-dimensionality that defied the small scale of his medium. His technique allowed for a breathtaking level of detail, from the subtle textures of luxurious fabrics to the atmospheric depth of landscapes that seem to stretch far beyond the borders of the page.

    Beyond his technical prowess, Bening’s historical significance is found in his role as a bridge between eras. While he maintained the rigorous traditions of the Ghent-Bruges school, his work embraced the new humanistic focus on detail and naturalism. His achievements are reflected in the enduring presence of his works in the world's most prestigious collections, where they continue to offer glimpses into the spiritual and aesthetic soul of the sixteenth century. Through his hands, the ephemeral beauty of illumination reached a pinnacle of perfection, leaving behind a legacy of light, color, and profound devotion.

    Museum

    Museum Boijmans Van Beuningen

    On show in Rotterdam, Netherlands

    A Legacy Forged in Patronage: The Heart of Dutch Artistic Heritage

    Nestled within Rotterdam’s vibrant Museumpark, Museum Boijmans Van Beuningen stands as more than just a repository of art; it's a living chronicle of Dutch artistic evolution, a testament to centuries of patronage and visionary collecting. Founded in 1849 with the generous bequest of Frans Jacob Otto Boijmans, and subsequently enriched by the substantial contributions of Daniël George van Beuningen in 1958, this institution began as a personal collection—a passionate pursuit of beauty that quickly blossomed into one of Europe’s most significant art museums. The story isn't simply about accumulating masterpieces; it’s about a lineage of dedication to artistic endeavor, a tradition established by Boijmans himself and carried forward through generations. The museum’s very architecture reflects this commitment – designed by the brilliant Alexander Van der Steur in 1935, the building embodies a philosophy of service to art, prioritizing the artwork itself through subtle design choices that minimize visitor fatigue and maximize the impact of each piece. Notice the gentle level changes, the unobtrusive stairwells, all meticulously crafted to ensure the viewer’s focus remains firmly on the art within.

    Frans Jacob Otto Boijmans:

    A pioneering collector whose initial holdings laid the foundation for the museum's breadth and depth.

    Daniël George van Beuningen:

    His transformative donation in 1958 solidified the museum’s position as a leading cultural institution, ensuring its continued growth and relevance.

    Alexander Van der Steur’s Design:

    A masterpiece of functional architecture, prioritizing the artwork's experience over imposing grandeur.

    A Kaleidoscope of Artistic Voices: The Museum’s Remarkable Collection

    Boijmans Van Beuningen boasts an astonishing breadth, encompassing a staggering array of artistic styles and periods—from the spiritual fervor of medieval religious iconography to the groundbreaking explorations of Surrealism and beyond. Within its walls reside masterpieces by Rembrandt and Rubens, their dramatic lighting and masterful brushstrokes captivating visitors with scenes of biblical drama and opulent courtly life. The influence of Monet is palpable in his delicate depictions of light and water, while Picasso’s vibrant Cubist works challenge our perceptions of form and space. Sculptures by Rodin and Brancusi stand as powerful testaments to the human condition, their dynamic forms inviting contemplation. But perhaps most notably, the museum's collection includes a remarkable series of works by Peter Paul Rubens, particularly the monumental ‘Achilles series,’ a project that captivated audiences upon its unveiling and continues to inspire awe and admiration today. Beyond these iconic figures, Boijmans Van Beuningen’s holdings encompass decorative arts reflecting diverse cultural traditions—ceramics from Asia, textiles from South America, and furniture showcasing the craftsmanship of various European nations.

    Highlights Include:

    Rembrandt's "The Return of the Prodigal Son"

    Rubens’ “Achilles series”

    Monet’s “Impression, Sunrise”

    Picasso’s Cubist works

    Rodin and Brancusi sculptures

    Innovation in Preservation: The Depots of Boijmans

    Recognizing the limitations of a single physical space, Museum Boijmans Van Beuningen embarked on an innovative solution: the creation of Depot Boijmans Van Beuningen. Inaugurated in 2021, this vast, architecturally striking building serves as a public art depot—a place where the majority of the museum’s collection is safely stored and accessible to researchers, artists, and the general public. Designed by MVRDV, Depot Boijmans Van Beuningen isn't merely a warehouse; it’s an immersive experience that demystifies the process of conservation science. Visitors can witness firsthand how artworks are handled, protected, and studied—gaining a deeper appreciation for the complexities involved in preserving cultural heritage. The building itself is a marvel of engineering, featuring reflective plates that create a mirrored landscape, inviting contemplation and offering a unique perspective on the surrounding environment. Furthermore, Depot Boijmans Van Beuningen actively fosters dialogue between past and present through rotating exhibitions and educational programs, ensuring that the museum remains a vital force in shaping artistic understanding and inspiring creativity for generations to come.

    Contemporary Engagement & Future Horizons

    Recent years have witnessed a renewed commitment to contemporary engagement at Museum Boijmans Van Beuningen. Exhibitions like “Beyond Surrealism” showcase collaborations with artists from around the globe, reflecting the museum’s role as a catalyst for innovation and cross-cultural dialogue. The ongoing renovation of the main building—a project slated to reopen in 2030—promises to further enhance the visitor experience while preserving the museum's legacy. The spirit of experimentation and accessibility continues at Depot Boijmans Van Beuningen, offering unprecedented insight into art preservation and fostering a deeper appreciation for cultural heritage. As Rotterdam celebrates its vibrant artistic landscape, Museum Boijmans Van Beuningen remains steadfast in its conviction that art belongs to everyone, inspiring wonder and shaping our understanding of the world around us.

    Additional Resources

    Official Website:

    Museum Boijmans Van Beuningen

    Wikipedia Entry:

    Museum Boijmans Van Beuningen - Wikipedia

    Depot Museum Boijmans Van Beuningen:

    Depot Museum Boijmans Van Beuningen - Wikipedia

    Rotterdam:

    Rotterdam - Wikipedia

    Where to read more

    Find this online

    QR code linking to the download page for Pentecost

    wahooart.com/en/art/download/simon-bening-pentecost-8XZA53-en/

    Cite this artwork

    MLA
    Bening, Simon. Pentecost. 1490, Museum Boijmans Van Beuningen. https://wahooart.com/en/art/simon-bening-pentecost-8XZA53-en/
    APA
    Bening, Simon (1490). Pentecost [Painting]. Museum Boijmans Van Beuningen. https://wahooart.com/en/art/simon-bening-pentecost-8XZA53-en/
    Chicago
    Simon Bening. Pentecost. 1490. Museum Boijmans Van Beuningen. https://wahooart.com/en/art/simon-bening-pentecost-8XZA53-en/
    Harvard
    Bening, Simon (1490) Pentecost. Museum Boijmans Van Beuningen. Available at: https://wahooart.com/en/art/simon-bening-pentecost-8XZA53-en/

    Look closely

    Pentecost — Simon Bening

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 12 — do you agree?)
    4. Look back at Landscape with St Jerome (1515), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Who is the artist behind "Pentecost"?

    The artist behind "Pentecost" is Simon Bening. The work is catalogued under Simon Bening's name.

    How do contrast and harmony combine in "Pentecost"?

    The color analysis of "Pentecost" by Simon Bening records a gentle contrast and a strong color unity harmony.

    Can I see "Pentecost" by Simon Bening under different lights?

    The X-Ray view of "Pentecost" by Simon Bening is on the artwork's X-Ray page: an interactive examination of the image through eleven optical layers.