Paper

Student Artwork Guide

Lock Coruisk

Name Class Date

Sidney Richard Percy, Lock Coruisk. Public domain.

The facts

Artist
Sidney Richard Percy wahooart.com/en/artists/sidney-richard-percy/
Artist’s dates
1821 – 1886

In context

Lock Coruisk — Sidney Richard Percy

When might this have been painted?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880

Shaded: the lifetime of Sidney Richard Percy (1821–1886)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/sidney-richard-percy-lock-coruisk-8LT6VL-en/

Colours

Measured from the image

    Main colour

    Gray #817e66

    Catalogued palette

    • #817E66
    • #514833
    • #2B2410
    • #D6D096
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Sidney Richard Percy

    Born in London, United Kingdom

    The Legacy of Sidney Richard Percy: Master of the Barnes School

    Sidney Richard Percy (1821–1886) stands as a cornerstone of the Barnes School, an artistic movement that flourished in London’s southwest during the Victorian era. Born into a family steeped in artistic tradition—his father, Edward Williams, was himself a celebrated painter—Percy inherited not only talent but also a profound connection to the rural landscapes of Britain. This familial lineage shaped his oeuvre with meticulous observation and a distinctive aesthetic that would eventually define much of the 19th-century English landscape tradition.

    His upbringing within the Williams family fostered an environment where artistic pursuits were deeply valued. The siblings—including Henry John Boddington and Arthur Gilbert—all pursued careers as artists, establishing a remarkable familial tradition. While Percy’s development was largely self-directed, his apprenticeship under Thomas Hilliard, a respected gilder and engraver in Carnaby Street, provided him with invaluable technical insights. This early exposure to the precision of engraving profoundly influenced his approach to composition, allowing him to master the delicate interplay of light and shadow that characterizes his most celebrated works.

    Atmospheric Landscapes and the Romantic Spirit

    The relocation to Barnes, a tranquil village bordering the Thames River, marked a pivotal moment in Percy’s artistic life. Surrounded by marshes, farms, and rolling hills, this landscape provided an unparalleled source of inspiration. Embracing the Romantic tradition championed by masters such as James Ward and George Moront, Percy prioritized atmospheric perspective to capture the sublime beauty of the British countryside. His work often transcends mere documentation, instead evoking a sense of nostalgia and peace through the use of soft, luminous light and earthy tones.

    Percy’s technical mastery is most evident in his ability to render diverse terrains with emotional depth:

    The English Countryside: In works like Harvest Time and The road across the common, he captures the serene, idyllic rhythms of rural life.

    The Welsh Mountains: His paintings of North Wales, such as Moel Siabab, utilize vastness and golden light to evoke the grandeur of nature.

    The Scottish Highlands: In pieces like Williams cattle and sheep in a scottish highland landscape, he employs an impasto texture and warm palette to recreate the rugged majesty of the north.

    Cumbrian Vistas: His depictions of Styhead Pass demonstrate his skill in portraying the interaction between livestock and the untamed elements of the Lake District.

    Historical Significance and Artistic Achievement

    Throughout his career, Percy achieved significant recognition within the British art establishment. Debuting at the Royal Academy in 1842, he quickly established himself as a professional force, launching his career with vigor during the 1840s. His ability to blend the realism of the landscape with the emotional resonance of Luminism allowed his work to resonate with both contemporary Victorian audiences and modern collectors alike.

    The historical significance of Sidney Richard Percy lies in his role as a chronicler of a vanishing era. As the Industrial Revolution began to reshape the British landscape, Percy’s paintings preserved the memory of an untouched, pastoral England. Through his detailed depictions of grazing cattle, winding paths, and misty valleys, he created a timeless visual record of the sublime. Today, his work remains a testament to the enduring beauty of the natural world and a definitive contribution to the legacy of English landscape painting.

    Where to read more

    Find this online

    QR code linking to the download page for Lock Coruisk

    wahooart.com/en/art/download/sidney-richard-percy-lock-coruisk-8LT6VL-en/

    Cite this artwork

    MLA
    Percy, Sidney Richard. Lock Coruisk. n.d., https://wahooart.com/en/art/sidney-richard-percy-lock-coruisk-8LT6VL-en/
    APA
    Percy, Sidney Richard (n.d.). Lock Coruisk [Painting]. https://wahooart.com/en/art/sidney-richard-percy-lock-coruisk-8LT6VL-en/
    Chicago
    Sidney Richard Percy. Lock Coruisk. n.d. https://wahooart.com/en/art/sidney-richard-percy-lock-coruisk-8LT6VL-en/
    Harvard
    Percy, Sidney Richard (n.d.) Lock Coruisk. Available at: https://wahooart.com/en/art/sidney-richard-percy-lock-coruisk-8LT6VL-en/

    Look closely

    Lock Coruisk — Sidney Richard Percy

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Loch Coruisk, Isle of Skye (1874), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.