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Student Artwork Guide

Sem título

Name Class Date

Sameer Makarius, Sem título (1953), Centro Cultural Banco do Brasil Rio de Janeiro. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Sameer Makarius wahooart.com/en/artists/sameer-makarius/
Artist’s dates
1924 – 2009
Painted
1953
Original size
67 x 35 cm
Movement
Geometric Abstraction Abstraction built strictly from squares, circles and straight edges rather than free gesture.
Held at
Centro Cultural Banco do Brasil Rio de Janeiro wahooart.com/en/museums/centro-cultural-banco-do-brasil-rio-de-janeiro-rio-de-janeiro/

In context

Sem título — Sameer Makarius

How big is it?

The original measures 67 × 35 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 85 at death.

Painted when the artist was 29. The artist lived to 85. 1 of the 2 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Sameer Makarius (1924–2009) ▲ this work, 1953 every dated painting, decade by decade

Compare with

  • Untitled, 1950 wahooart.com/en/art/sameer-makarius-untitled-AQSVJ5-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/sameer-makarius-sem-titulo-D935Q9-en/

Colours

Measured from the image

    Main colour

    Gray #807c59

    Catalogued palette

    • #807C59
    • #4A452C
    • #24080C
    • #5A5D3C

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Sameer Makarius

    The Nomadic Vision of Sameer Makarius

    The life of Sameer Makarius was a profound journey across borders, much like the layered and textured canvases he created. Born in Egypt in 1924, his early years were shaped by the shifting tides of mid-century Europe. Moving between Egypt, Germany, and Hungary during the turbulent decades of the 1930s and 1940s, Makarius developed a cosmopolitan perspective that would later define his artistic identity. It was in Budapest, amidst the shadows of World War II, that he truly found his voice as a painter. By 1944, he had emerged as a significant figure in the non-figurative movement, participating in the city's first exhibitions of abstract art and establishing himself as a founding member of the Hungarian Concrete Art Group. This period of intense experimentation within the European School instilled in him a lifelong commitment to the avant-garde, blending the precision of geometric abstraction with a deep, subconscious exploration of form.

    In 1953, a pivotal chapter began when Makarius settled in Buenos Aires, a move that would forever intertwine his Egyptian roots with Argentine culture. This transition marked more than just a change in geography; it was an immersion into a burgeoning scene of abstract experimentation. In Argentina, his work expanded to encompass not only the canvas but also the lens. As a photographer and historian, he became one of the most prolific chroniclers of Buenos Aires during the 1950s and 60s. Carrying his Leica and Olympus cameras through the bustling streets, he sought to capture the soul of his new home, treating photography not merely as documentation but as a high art form. His dedication to this medium led him to co-found the Grupo Forum, a collective dedicated to elevating photography's status within the artistic hierarchy.

    A Synthesis of Abstraction and Identity

    The aesthetic language of Makarius is a captivating dialogue between structure and emotion. His paintings are often characterized by complex, layered geometric forms that seem to emerge from and recede into textured surfaces. This technique creates a sense of depth and mystery, inviting the viewer to look beyond the surface into a realm of symbolic resonance. Influenced heavily by the Surrealist principles of André Breton and Joan Miró, his work often evokes dreamlike landscapes that grapple with themes of memory, identity, and the human psyche. There is a palpable tension in his oeuvre between the rigid discipline of Concrete Art and the fluid, evocative nature of his more atmospheric compositions.

    Beyond his personal practice, Makarius was a vital architect of the Argentine art scene. He was a co-founder of the influential Otra Figuración group, working alongside luminaries such as Jorge de la Vega, Ernesto Deira, Rómulo Macció, and Luis Felipe Noé. This involvement placed him at the heart of a movement that sought to redefine visual aesthetics through a more expressive, often visceral approach to painting. His scholarly contributions were equally significant; he authored essential texts on the history of Argentine photography, documenting the evolution of the medium from 1840 to 1981, and published works like Buenos Aires y su gente that captured the cultural pulse of his adopted city.

    The legacy of Sameer Makarius is preserved in some of the world's most prestigious institutions, ensuring that his nomadic spirit continues to inspire. His work serves as a bridge between the European avant-garde and Latin American modernism, representing a unique intersection of history and art. To study his life is to witness the power of movement and adaptation, seeing how an artist can take the fragments of a displaced life and weave them into a cohesive, enduring masterpiece of global significance.

    Key Artistic Movements: Concrete Art, Surrealism, Abstract Avant-Garde, Otra Figuración.

    Major Contributions: Co-founder of Grupo Forum and Otra Figuración; Author of foundational texts on Argentine photography.

    Notable Collections: The Museum of Modern Art (New York), Tate Modern (London), Centre Pompidou (Paris), and Museo Reina Sofía (Madrid).

    Museum

    Centro Cultural Banco do Brasil Rio de Janeiro

    On show in Rio de Janeiro, Brazil

    A Jewel of Brazilian Culture: The Centro Cultural Banco do Brasil Rio de Janeiro

    Nestled in the heart of Rio de Janeiro’s historic Central Zone, opposite the vibrant Largo da Candelária, lies a building that is more than just bricks and mortar – it's a living testament to Brazil’s artistic soul. The Centro Cultural Banco do Brasil (CCBB) Rio de Janeiro isn’t merely a museum; it’s an immersive experience, a carefully curated journey through Brazilian art, theatre, cinema, and the very spirit of its people. Originally conceived as the headquarters for the Commercial Association of Rio de Janeiro in 1880, this architectural masterpiece underwent a dramatic transformation when acquired by Banco do Brasil in the 1920s, ultimately blossoming into the dynamic cultural center it is today. Its story is one of preservation and reinvention, seamlessly blending Art Deco elegance with contemporary creativity – a reflection of Brazil’s own evolving identity.

    The building itself is an immediate draw, a stunning example of Brazilian Modernism. Designed by architect Francisco Joaquim Béthencourt da Silva, it's a symphony in stone and light, boasting soaring columns, intricate ornamentation, and a breathtaking marble staircase that seems to ascend into the heavens. The façade’s geometric patterns hint at the treasures within, while the interior maintains an atmosphere of refined grandeur – a deliberate choice to honor the building’s rich past while embracing the future. The CCBB Rio de Janeiro stands as a powerful symbol of Brazilian cultural heritage, inviting visitors to step back in time and connect with the nation's artistic legacy.

    Architectural Significance:

    A prime example of Brazilian Art Deco architecture, showcasing geometric patterns and luxurious materials.

    Historical Context:

    Originally the headquarters of the Commercial Association of Rio de Janeiro, later transformed into Banco do Brasil’s central branch.

    Location:

    Strategically situated in Largo da Candelária, providing easy access for both residents and tourists.

    A Kaleidoscope of Artistic Expressions

    The CCBB Rio de Janeiro's programming is remarkably diverse, catering to a wide range of interests and sensibilities. At its core lies an impressive collection of Brazilian and international art exhibitions – from established masters to emerging talents. But the center’s offerings extend far beyond visual arts; it’s a true multidisciplinary hub. Throughout the year, you'll find captivating theatrical performances ranging from large-scale productions to intimate experimental shows, a vibrant cinema screening everything from independent Brazilian films to international blockbusters, and a comprehensive library offering access to a wealth of knowledge. The space truly breathes with creative energy.

    Notably, the CCBB Rio de Janeiro has consistently hosted exhibitions that have garnered international acclaim. The 2015 presentation of “Picasso and Spanish Modernity” achieved global recognition as the most visited post-impressionist and modern exhibition worldwide, drawing an astounding number of visitors and solidifying the center’s reputation as a premier cultural destination. This success wasn't an isolated incident; the CCBB consistently curates exhibitions that spark dialogue, challenge perspectives, and celebrate the power of art to transcend boundaries. The institution doesn’t shy away from ambitious projects, frequently presenting large-scale retrospectives and thematic explorations that delve into the complexities of artistic movements and individual creative visions.

    Echoes of Brazilian Masters

    Delving deeper into the collection reveals a fascinating array of Brazilian artists whose work reflects the nation's diverse cultural landscape. The museum’s holdings include significant works by Francisco Togni, known for his evocative depictions of industrial São Paulo – particularly “Utilitário Centro Cultural (lado B),” which captures the city’s essence through geometric forms and cool tones. The collection also features pieces by Hélio Oiticica, a pioneering Neo-Concrete artist whose innovative use of color, environmental art, and immersive installations pushed the boundaries of artistic expression. Rubens Teixeira Scavone, a celebrated novelist and artist, is also represented, showcasing his unique blend of creativity and wit.

    These artists, alongside many others, contribute to a rich tapestry of Brazilian artistic heritage. The CCBB Rio de Janeiro serves as a vital platform for showcasing their work, ensuring that their legacies continue to inspire future generations. The museum’s commitment to representing diverse voices within the Brazilian art world is a testament to its dedication to cultural inclusivity and preservation.

    A Legacy Forged in Landmark Exhibitions

    Beyond individual artists, the CCBB Rio de Janeiro has consistently hosted exhibitions that have captivated audiences and garnered international acclaim. The 2015 presentation of “Picasso and Spanish Modernity” achieved global recognition as the most visited post-impressionist and modern exhibition worldwide, drawing an astounding number of visitors and solidifying the center’s reputation as a premier cultural destination. This success wasn't an isolated incident; the CCBB consistently curates exhibitions that spark dialogue, challenge perspectives, and celebrate the power of art to transcend boundaries. The institution doesn’t shy away from ambitious projects, frequently presenting large-scale retrospectives and thematic explorations that delve into the complexities of artistic movements and individual creative visions.

    More Than a Museum: A Cultural Heartbeat

    What truly sets the CCBB Rio de Janeiro apart is its accessibility and comprehensive approach to culture. It’s not simply a place for passive observation; it's an immersive environment designed to engage, inspire, and foster a deeper appreciation for the arts. Its central location near Largo da Candelária ensures easy access for both locals and tourists alike, making cultural enrichment readily available to all. The CCBB is a space where one can lose themselves in the brushstrokes of a masterpiece, be moved by a powerful theatrical performance, or discover new perspectives through independent cinema – all under one magnificent roof. It embodies the vibrant soul of Rio de Janeiro and serves as a vital cultural landmark for Brazil as a whole. It’s a place where art breathes, lives, and connects with the community on a profound level.

    Where to read more

    Find this online

    QR code linking to the download page for Sem título

    wahooart.com/en/art/download/sameer-makarius-sem-titulo-D935Q9-en/

    Cite this artwork

    MLA
    Makarius, Sameer. Sem título. 1953, Centro Cultural Banco do Brasil Rio de Janeiro. https://wahooart.com/en/art/sameer-makarius-sem-titulo-D935Q9-en/
    APA
    Makarius, Sameer (1953). Sem título [Painting]. Centro Cultural Banco do Brasil Rio de Janeiro. https://wahooart.com/en/art/sameer-makarius-sem-titulo-D935Q9-en/
    Chicago
    Sameer Makarius. Sem título. 1953. Centro Cultural Banco do Brasil Rio de Janeiro. https://wahooart.com/en/art/sameer-makarius-sem-titulo-D935Q9-en/
    Harvard
    Makarius, Sameer (1953) Sem título. Centro Cultural Banco do Brasil Rio de Janeiro. Available at: https://wahooart.com/en/art/sameer-makarius-sem-titulo-D935Q9-en/

    Look closely

    Sem título — Sameer Makarius

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract, geometric, texture. Do you agree? What would you add, or take away?
    4. Look back at Untitled (1950), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Geometric Abstraction: Abstraction built strictly from squares, circles and straight edges rather than free gesture. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can I watch "Sem título" as a full-screen slideshow?

    "Sem título" by Sameer Makarius can be viewed as a slideshow on the artwork's Diaporama page.

    Does "Sem título" have an augmented reality preview?

    "Sem título" has an augmented reality preview: the artwork's AR Preview page shows it in your own space on a compatible device.

    What color intensity does "Sem título" by Sameer Makarius have?

    The colors in "Sem título" by Sameer Makarius have a balanced intensity.