Paper

Student Artwork Guide

Trees

Name Class Date

Roger Wagner, Trees, Lady Margaret Hall. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Roger Wagner wahooart.com/en/artists/roger-wagner/
Artist’s dates
1914 – 1992
Original size
19 x 15 cm
Held at
Lady Margaret Hall wahooart.com/en/museums/lady-margaret-hall-oxford/

In context

Trees — Roger Wagner

How big is it?

The original measures 19 × 15 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 78 at death.

Shaded: the lifetime of Roger Wagner (1914–1992) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Menorah, 1993 wahooart.com/en/art/roger-wagner-menorah-ARD6UR-en/
  • Black Poplar wahooart.com/en/art/roger-wagner-black-poplar-ARD6UV-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/roger-wagner-trees-ARD6UT-en/

Colours

Measured from the image

    Main colour

    Gray #7c7c52

    Catalogued palette

    • #7C7C52
    • #C3C292
    • #7E9BAC
    • #5B7590

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Roger Wagner over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Roger Wagner

    1. 1 Black Poplar 100.0%
    2. Trees this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 3 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Roger Wagner

    Museum

    Lady Margaret Hall

    On show in Oxford, United Kingdom

    A Sanctuary of Intellect and Aesthetic Purpose

    Nestled along the tranquil banks of the River Cherwell, where the verdant expanse of University Parks meets the scholarly quietude of North Oxford, lies a sanctuary of intellect and aesthetic purpose.

    Lady Margaret Hall

    is far more than a constituent college of the University of Oxford; it is a living testament to the power of feminist scholarship and a curated gallery of human perseverance. The air within its historic grounds seems thick with the echoes of trailblazers who transformed societal expectations into academic triumphs, creating an atmosphere where history and progress exist in a delicate, beautiful dance.

    The college’s artistic identity is not found in the overwhelming scale of a grand national gallery, but rather in a deeply intimate and deliberate curation. The collection thrives on focused narratives, specifically through a series of poignant portraits that commemorate remarkable women who defied convention. These canvases serve as much more than mere likenesses; they are powerful visual declarations of resilience. Each brushstroke captures the spirit of those who achieved extraordinary feats in academia and beyond, offering viewers a window into lives defined by the courage to challenge the status quo. For the art lover or collector, these works offer a profound connection to history, illustrating the gradual yet persistent advancement of women’s roles within the hallowed halls of Oxford.

    Architectural Elegance and Contemporary Dialogue

    The architectural landscape of Lady Margaret Hall provides a breathtaking stage for this artistic dialogue. The campus is a harmonious marriage of Victorian grandeur and modern innovation, a character solidified during its transformative expansion in 1894. The buildings themselves possess a timeless elegance, designed with a meticulous attention to detail that fosters both intellectual curiosity and contemplative reflection. As the light shifts over the historic stone facades, one perceives a sense of continuity—a bridge between the college's nineteenth-century foundations and its contemporary mission.

    Beyond its permanent portraiture, the hall serves as a vibrant site for contemporary artistic engagement, bridging the gap between historical reverence and modern provocation. The college has famously hosted exhibitions featuring the work of

    Cornelia Parker

    , whose sculptures explore the evocative themes of destruction and transformation. Such installations resonate deeply with the LMH ethos; just as Parker reimagines familiar materials through a lens of change, the college itself has been a site of constant reinvention. Through recent exhibitions exploring identity, social justice, and environmental stewardship, Lady Margaret Hall continues to prove that art is not merely an ornament of the past, but a vital tool for shaping understanding and inspiring action in the wider world.

    Where to read more

    Find this online

    QR code linking to the download page for Trees

    wahooart.com/en/art/download/roger-wagner-trees-ARD6UT-en/

    Cite this artwork

    MLA
    Wagner, Roger. Trees. n.d., Lady Margaret Hall. https://wahooart.com/en/art/roger-wagner-trees-ARD6UT-en/
    APA
    Wagner, Roger (n.d.). Trees [Painting]. Lady Margaret Hall. https://wahooart.com/en/art/roger-wagner-trees-ARD6UT-en/
    Chicago
    Roger Wagner. Trees. n.d. Lady Margaret Hall. https://wahooart.com/en/art/roger-wagner-trees-ARD6UT-en/
    Harvard
    Wagner, Roger (n.d.) Trees. Lady Margaret Hall. Available at: https://wahooart.com/en/art/roger-wagner-trees-ARD6UT-en/

    Look closely

    Trees — Roger Wagner

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Menorah (1993), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is the luminance of "Trees" by Roger Wagner?

    The colors of "Trees" show a gentle luminance luminance.

    Is "Trees" by Roger Wagner a light or a dark artwork?

    "Trees" is brilliant overall, and its luminance is gentle luminance.

    Does "Trees" have an augmented reality preview?

    "Trees" by Roger Wagner can be previewed on your own wall with the artwork's AR Preview page, using augmented reality on a compatible device.