Paper

Student Artwork Guide

In Clover

Name Class Date

Robert Walker Macbeth, In Clover (1879), Walker Art Gallery. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Robert Walker Macbeth wahooart.com/en/artists/robert-walker-macbeth/
Artist’s dates
1848 – 1910
Painted
1879
Original size
54 x 87 cm
Held at
Walker Art Gallery wahooart.com/en/museums/walker-art-gallery-liverpool/

In context

In Clover — Robert Walker Macbeth

How big is it?

The original measures 54 × 87 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 62 at death.

Painted when the artist was 31. The artist lived to 62. 2 of the 15 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Robert Walker Macbeth (1848–1910) ▲ this work, 1879 every dated painting, decade by decade

First works: up to 1881 Main working years: 1881–1902 Late works: from 1902

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/robert-walker-macbeth-in-clover-AQSDE6-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #271f20

    Catalogued palette

    • #271F20
    • #C9BCA1
    • #5A4B3F
    • #94856A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Robert Walker Macbeth over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 73.7%
    2. 2 Hong Kong 10.5%
    3. 3 Czechia 5.3%
    4. 4 New Zealand 5.3%
    5. 5 United States of America 5.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Robert Walker Macbeth

    1. 1 The Ferry, 1881 9.1%
    2. 2 Called 'Robert Cromwell 9.1%
    3. 3 Ralph perkins 9.1%
    4. 4 Thomas Graham (1840–1906), HRSA, 1883 4.5%
    5. 5 The Lass that a Sailor Loves, 1903 4.5%
    6. 6 Faire Pledges of a Fruitful Tree, 1902 4.5%
    7. 7 Diana Hunting, 1896 4.5%
    8. 8 Unknown man, formerly known as William Faithorne 4.5%
    9. 9 Osier Peeling on the Cam, 1875 4.5%
    10. 10 Portrait of an Unknown Gentleman 4.5%
    11. 11 Charles fleetwood 4.5%
    12. 12 William juxon 4.5%
    13. 13 Sir richard onslow 4.5%
    14. 14 Oliver cromwell 4.5%
    15. 15 Montagu bertie 4.5%
    16. 16 Oliver cromwell - (14) 4.5%
    17. 17 Oliver cromwell - (10) 4.5%
    18. 18 Oliver cromwell 4.5%
    19. 19 Sir charles shirley 4.5%
    20. — In Clover, 1879 this painting 0.0%

    Together these works take 99.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 88 works by this artist, of which 19 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Robert Walker Macbeth

    A Life Immersed in Pastoral Charm: Robert Walker Macbeth

    Robert Walker Macbeth, born in Glasgow on September 30th, 1848, emerged from a family deeply rooted in the artistic traditions of Scotland. His father, Norman Macbeth, was a respected portrait painter, and this early exposure to the world of brushes, canvases, and discerning clientele undoubtedly shaped young Robert’s trajectory. However, while his father specialized in capturing likenesses, Robert would forge his own path, becoming celebrated for evocative landscapes and scenes of rustic life that resonated with the Victorian public's growing nostalgia for a simpler existence. The artistic lineage didn’t stop there; two of his brothers, James Macbeth and Henry Macbeth-Raeburn, also pursued careers as painters, creating a vibrant creative atmosphere within the family circle. This familial encouragement fostered an environment where experimentation and dedication to craft were paramount.

    Early Training and the Influence of Realism

    Macbeth’s formal artistic education began in London, where he honed his skills at the Royal Scottish Academy School and later at the prestigious Royal Academy Schools. It was during this period that he developed a keen eye for realism, meticulously rendering everyday scenes with an attention to detail that would become a hallmark of his style. He initially found work as an illustrator for The Graphic, a popular weekly newspaper, which provided valuable experience in narrative storytelling and capturing fleeting moments in time. This early work instilled in him the ability to translate observations into compelling visual representations. However, it was his travels through the countryside – particularly Lincolnshire and Somerset – that truly ignited his artistic passion. Influenced by painters like George Heming Mason and Frederick Walker, Macbeth began to focus on pastoral landscapes, depicting the lives of field laborers and the beauty of rural England with a sensitivity that set him apart. His painting The Cast Shoe, purchased by the Chantrey Bequest in 1890, marked a significant early achievement and secured his place within the artistic establishment.

    Embracing the Idyllists and the Power of Etching

    Macbeth became closely associated with the Idyllist school, a group of artists who sought to capture the beauty and tranquility of rural life, often focusing on scenes of everyday labor and domesticity. He played a crucial role in popularizing their work through his masterful etchings. Etching allowed him to reproduce his paintings more widely, bringing his vision of idyllic landscapes to a broader audience. This commitment to accessibility didn’t diminish the quality of his reproductions; rather, it demonstrated a desire to share his artistic perspective with as many people as possible. He was elected an associate of the Royal Watercolour Society in 1871 and became a full member in 1901, further solidifying his reputation within the art world. His involvement with societies like the Royal Society of Painter-Etchers and Engravers (becoming a member in 1880) underscored his dedication to both painting and printmaking.

    A Flourishing Career and Recognition

    Throughout his career, Macbeth exhibited extensively at prestigious venues including the Royal Academy, the Grosvenor Gallery, and the New Gallery. He also participated in regional exhibitions, showcasing his work across England and Scotland. His style evolved over time, though he remained committed to depicting scenes of everyday life. While some critics noted a shift towards conventional sentimentality in his later works, his ability to capture atmosphere and emotion never wavered. In 1883, Macbeth was elected an associate of the Royal Academy, culminating in full membership in 1903 – a testament to his artistic achievements and standing within the British art community. His personal life also flourished; he married Lydia Esther Bates in 1887, and they had two daughters. He continued to paint prolifically until his death at Holder’s Green, near Lindsell, Essex, on November 1st, 1910.

    Legacy and Historical Significance

    Robert Walker Macbeth's legacy lies in his ability to capture the essence of Victorian rural life with both realism and charm. He wasn’t merely documenting scenes; he was imbuing them with a sense of nostalgia and emotional resonance that appealed deeply to his contemporaries. His work provides valuable insight into the social and cultural values of the era, reflecting a growing appreciation for the simplicity and authenticity of country living. His paintings continue to be admired today for their technical skill, evocative atmosphere, and enduring appeal. Macbeth’s influence can be seen in the work of later landscape painters who sought to capture the beauty of the English countryside, and his etchings remain prized by collectors for their delicate detail and artistic merit. He stands as a significant figure within the Idyllist movement, bridging the gap between realism and sentimentality and leaving behind a body of work that continues to captivate and inspire.

    Museum

    Walker Art Gallery

    On show in Liverpool, United Kingdom

    A Victorian Sanctuary: The Timeless Allure of the Walker Art Gallery

    Nestled in the vibrant heart of Liverpool, the

    Walker Art Gallery

    stands as a majestic testament to the enduring power of artistic vision. This grand Victorian institution is far more than a mere repository for canvas and stone; it is an immersive journey through the corridors of time. The architectural splendor of Evan James Hall’s design prepares the visitor for a profound encounter with beauty, where the very air seems to vibrate with the echoes of Renaissance masters, the romantic whispers of Pre-Raphaelite dreams, and the bold, transformative strokes of British modernism.

    To step inside is to enter worlds meticulously crafted by artists who sought truth in the most profound forms. The gallery’s international renown is anchored by its exceptional collection of

    Pre-Raphaelite paintings

    , arguably one of the finest assemblages in existence. Here, the works of

    Dante Gabriel Rossetti

    and

    John Everett Millais

    transport the viewer into realms of haunting beauty and intricate symbolism. One might find themselves lost in the lush, detailed landscapes or the psychological depth of figures imbued with a certain ethereal melancholy, as these artists sought inspiration in the purity of the early Renaissance to achieve an emotional intensity that remains vital today.

    A Dialogue Between Eras and Innovation

    Beyond the romanticism of the Pre-Raphaelites, the collection offers a breathtaking glimpse into the pivotal innovations of the Renaissance. Masterpieces that redefine perspective and human grace allow visitors to witness the dawn of modern representation. From the delicate, mythological allegories of

    Botticelli

    to the divine, misty atmosphere of

    Leonardo da Vinci’s Annunciation

    , these works serve as monuments to human intellect and spiritual curiosity. This dialogue between eras is further enriched by a profound commitment to British artistic identity, chronicling the evolution of a nation through stately portraits and sweeping landscapes that evoke the rugged beauty of the British countryside.

    The gallery’s strength lies in its ability to bridge the gap between historical grandeur and contemporary relevance. The collection reflects Liverpool’s cosmopolitan identity as a global port city, incorporating twentieth-century titans such as

    Lucian Freud

    and

    David Hockney

    . This diversity makes the space a sanctuary for various enthusiasts:

    Art Historians and Scholars:

    Who can trace the lineage of movement from the Cubist roots in David Bomberg’s landscapes to the evolution of British portraiture.

    Interior Designers:

    Seeking the quiet elegance and atmospheric charm found in works like Marianne Stokes’

    Polishing Pans

    .

    Collectors and Dreamers:

    Drawn to the monumental anatomical skill found in George Stubbs’

    The Lincolnshire Ox

    or the serene, nostalgic scenes of a bygone era.

    What truly distinguishes the Walker Art Gallery is its role as a living, breathing cultural hub that remains deeply accessible to all. With free admission, it ensures that world-class art is never a luxury reserved for the few, but a shared heritage available to every soul seeking inspiration.

    Where to read more

    Find this online

    QR code linking to the download page for In Clover

    wahooart.com/en/art/download/robert-walker-macbeth-in-clover-AQSDE6-en/

    Cite this artwork

    MLA
    Macbeth, Robert Walker. In Clover. 1879, Walker Art Gallery. https://wahooart.com/en/art/robert-walker-macbeth-in-clover-AQSDE6-en/
    APA
    Macbeth, Robert Walker (1879). In Clover [Painting]. Walker Art Gallery. https://wahooart.com/en/art/robert-walker-macbeth-in-clover-AQSDE6-en/
    Chicago
    Robert Walker Macbeth. In Clover. 1879. Walker Art Gallery. https://wahooart.com/en/art/robert-walker-macbeth-in-clover-AQSDE6-en/
    Harvard
    Macbeth, Robert Walker (1879) In Clover. Walker Art Gallery. Available at: https://wahooart.com/en/art/robert-walker-macbeth-in-clover-AQSDE6-en/

    Look closely

    In Clover — Robert Walker Macbeth

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Unknown man, formerly known as William Faithorne, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Robert Walker Macbeth was about 31 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Which artist is "In Clover" attributed to?

    The artist behind "In Clover" is Robert Walker Macbeth. The work is catalogued under Robert Walker Macbeth's name.

    How strong are the colors of "In Clover"?

    The color of "In Clover" is subtle color in saturation and balanced in intensity.

    At what age did Robert Walker Macbeth make "In Clover"?

    When "In Clover" was created in 1879, Robert Walker Macbeth - born in 1848 - was 31 years old.