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Student Artwork Guide

Tynemouth Lighthouse

Name Class Date

Robert W. Salmon, Tynemouth Lighthouse (1836). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Robert W. Salmon wahooart.com/en/artists/robert-w-salmon/
Artist’s dates
1775 – 1845
Painted
1836

In context

Tynemouth Lighthouse — Robert W. Salmon

When was this painted?

  1. 1770
  2. 1780
  3. 1790
  4. 1800
  5. 1810
  6. 1820
  7. 1830
  8. 1840

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 70 at death.

Painted when the artist was 61. The artist lived to 70. 99 of the 122 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Robert W. Salmon (1775–1845) ▲ this work, 1836 every dated painting, decade by decade

First works: up to 1812 Main working years: 1812–1833 Late works: from 1833

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/robert-w-salmon-tynemouth-lighthouse-8CEGRQ-en/

Colours

Measured from the image

    Main colour

    Espresso #5c432e

    Catalogued palette

    • #5C432E
    • #C5BB87
    • #92754A
    • #321E1B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Robert W. Salmon over the last twelve months — 7 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 62.5%3,000 visits
    2. 2 Hong Kong 14.6%700 visits
    3. 3 United States of America 10.4%500 visits
    4. 4 Singapore 6.2%300 visits
    5. 5 United Kingdom 2.1%100 visits
    6. 6 Saudi Arabia 2.1%100 visits
    7. 7 Ukraine 2.1%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Robert W. Salmon

    1. 1 Shipping off Greenock, 1818 10.8%700 visits
    2. 2 Picture of the 'Dream Poleasure Yacht'', 1839 7.7%500 visits
    3. 3 View of Algiers, (painting), 1828 7.7%500 visits
    4. 4 A Sailing Ship in the Mersey, 1811 4.6%300 visits
    5. 5 Boston Harbor from Castle Island ( Ship Charlotte ), (painting), 1839 4.6%300 visits
    6. 6 Shipwrecked, 1821 4.6%300 visits
    7. 7 HMS Revenue Cutter 'Wickham', 1825 3.1%200 visits
    8. 8 A Schooner with a View of Boston, 1832 3.1%200 visits
    9. 9 American Schooner under Sail with Heavy Seas 3.1%200 visits
    10. 10 Armed Merchantman Entering Liverpool Harbor, (painting), 1819 3.1%200 visits
    11. 11 Dismal Swamp Canal with Lake Drummond Hotel, (painting), 1830 1.5%100 visits
    12. 12 View of the Middle Church and Harbour, Greenock, 1812 1.5%100 visits
    13. 13 A Coastal Scene, 1827 1.5%100 visits
    14. 14 Liverpool Town Hall Illuminated, 1806, 1807 1.5%100 visits
    15. 15 A Packet off Liverpool, 1809 1.5%100 visits
    16. 16 Bidston, Wirral, Old Lighthouse and Flagpoles, 1825 1.5%100 visits
    17. 17 Scottish Coastline, 1841 1.5%100 visits
    18. 18 View of Palermo, 1845 1.5%100 visits
    19. 19 Taking Down the Sails, 1841 1.5%100 visits
    20. — Tynemouth Lighthouse, 1836 this painting 0.0%0 visits

    Together these works take 65.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 173 works by this artist, of which 41 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Robert W. Salmon

    Born in Whitehaven, United Kingdom

    Early Life and Artistic Training

    Origins: Salmon was born Robert Salomon to Francis Salomon, a jeweler. Whitehaven's bustling port provided an early influence on his artistic development.

    Early Influences: His training is not extensively documented but it’s believed he studied Dutch marine painters of the 17th century, Italian vedute artists, and Claude Lorrain.

    Early Works: His earliest known works, “Two Armed Merchantmen Leaving Whitehaven Harbor” (1800) and “The ‘Estridge’ off Dover,” demonstrate his early skill in capturing maritime scenes.

    Royal Academy Debut: Salmon first exhibited at the Royal Academy in 1802, marking a significant step in his career.

    Career Development and Style

    Move to Liverpool (1806): Salmon settled in Liverpool and changed his name to Salmon. This period saw him produce numerous marine paintings now housed in the National Maritime Museum in London.

    Ship Portraits: His ship portraits reveal a deep familiarity with sailing ships and their mechanics, often depicting the same vessel from multiple angles on a single canvas.

    Popularity & Collectors: Salmon's work gained popularity among prominent Bostonians like Samuel Cabot, Robert Bennett Forbes, and John Newmarch Cushing, indicating his growing recognition in America.

    Luminism Pioneer: He is considered a key figure in the development of American Luminism, influencing artists like William Bradford and Fitz Henry Lane. His emphasis on light and atmosphere created serene and tranquil scenes.

    Notable Works and Artistic Significance

    Key Paintings: Some of Salmon's most recognized works include "The Brig 'Ariel'," "Sailing Ship 'Trelawney'," and “View of Liverpool from Cheshire.” These paintings exemplify his skill in capturing the beauty and complexity of sailing vessels.

    Boston Harbor Series: He produced a significant body of work depicting Boston Harbor, showcasing maritime life and historical Boston. “Boston Harbor from Castle Island (Ship Charlotte)” is a notable example.

    Influence on American Art: Salmon's style profoundly influenced subsequent generations of American seascape painters, contributing to the development of Luminism as an important artistic movement.

    Legacy and Recognition

    Museum Holdings: Salmon’s works are held in prestigious institutions including the U.S. Naval Academy, Museum of Fine Arts, Boston, and the National Maritime Museum, Greenwich.

    Lasting Impact: His paintings continue to inspire artists today, serving as a testament to his skill and artistry.

    Father of American Luminism: Salmon’s legacy is firmly established as a pioneer of American Luminism, leaving an indelible mark on the art world.

    Where to read more

    Find this online

    QR code linking to the download page for Tynemouth Lighthouse

    wahooart.com/en/art/download/robert-w-salmon-tynemouth-lighthouse-8CEGRQ-en/

    Cite this artwork

    MLA
    Salmon, Robert W.. Tynemouth Lighthouse. 1836, https://wahooart.com/en/art/robert-w-salmon-tynemouth-lighthouse-8CEGRQ-en/
    APA
    Salmon, Robert W. (1836). Tynemouth Lighthouse [Painting]. https://wahooart.com/en/art/robert-w-salmon-tynemouth-lighthouse-8CEGRQ-en/
    Chicago
    Robert W. Salmon. Tynemouth Lighthouse. 1836. https://wahooart.com/en/art/robert-w-salmon-tynemouth-lighthouse-8CEGRQ-en/
    Harvard
    Salmon, Robert W. (1836) Tynemouth Lighthouse. Available at: https://wahooart.com/en/art/robert-w-salmon-tynemouth-lighthouse-8CEGRQ-en/

    Look closely

    Tynemouth Lighthouse — Robert W. Salmon

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Dismal Swamp Canal (1830), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Robert W. Salmon was about 61 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Are there works similar to "Tynemouth Lighthouse"?

    Works similar to "Tynemouth Lighthouse" are listed on the artwork's Similars page.

    What level of contrast does "Tynemouth Lighthouse" by Robert W. Salmon show?

    The contrast level of "Tynemouth Lighthouse" by Robert W. Salmon is balanced.

    Where can I buy a digital image of "Tynemouth Lighthouse" by Robert W. Salmon?

    "Tynemouth Lighthouse" is available as a high-resolution digital image download, purchased directly on its Digital Image page.