Paper

Student Artwork Guide

Cardinal Richelieu

Name Class Date

Robert Nanteuil, Cardinal Richelieu (1657), Cleveland Museum of Art. Public domain.

The facts

Artist
Robert Nanteuil wahooart.com/en/artists/robert-nanteuil/
Artist’s dates
1623 – 1678
Painted
1657
Held at
Cleveland Museum of Art wahooart.com/en/museums/cleveland-museum-of-art-cleveland/

In context

Cardinal Richelieu — Robert Nanteuil

When was this painted?

  1. 1620
  2. 1630
  3. 1640
  4. 1650
  5. 1660
  6. 1670

Shaded: the lifetime of Robert Nanteuil (1623–1678) ▲ this work, 1657

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/robert-nanteuil-cardinal-richelieu-D3YVCT-en/

Colours

Measured from the image

    Main colour

    Espresso #45453e

    Catalogued palette

    • #45453E
    • #DFDCCA
    • #AAA698
    • #757368
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Robert Nanteuil

    Born in Reims, France

    The Sculptor of Light and Shadow in Portraiture

    In the grand, sun-drenched era of Louis XIV’s France, where every corner of the court shimmered with the intention of projecting absolute power, one man mastered the art of capturing the human soul through the precise tip of an engraver's tool. Robert Nanteuil, born in Reims around 1623, was far more than a mere technician of the copperplate; he was a transformative visionary who redefined the very boundaries of his medium. While many viewed engraving as a mechanical trade, Nanteuil possessed the rare ability to breathe life into monochrome, elevating the craft from a humble reproductive service to the prestigious status of fine art. His journey began not in a studio, but amidst the philosophical rigors of Reims University, where he studied rhetoric—a discipline that likely sharpened his understanding of the narrative and psychological depth required for truly great portraiture.

    The trajectory of Nanteuil’s genius was irrevocably shaped by his early apprenticeship under his brother-in-law, Nicolas Regnesson. In those formative years, he absorbed the rigorous stylistic traditions of masters like Claude Mellan and Jean Boulanger, learning to manipulate straight lines that strengthened without crossing to create subtle gradations of light. However, Nante euil was never content with mere imitation. Upon his move to Paris in 1647, he entered a vibrant, competitive artistic ecosystem, collaborating with luminaries such as Abraham Bosse and Philippe de Champaigne. This immersion in the Parisian milieu allowed him to synthesize diverse influences, moving beyond the rigid crosshatching of his predecessors toward a more fluid, expressive technique that could capture the delicate textures of skin, the luster of silk, and the profound dignity of his subjects.

    A Legacy Carved in Copper

    Nanteuil’s ascent to the pinnacle of French art was marked by an unparalleled mastery of both printmaking and crayon drawing. His portraits became the definitive visual records of the 17th century, capturing the likenesses of the most influential figures of the age, from the statesman Jean-Baptiste Colbert to the scholarly John Evelyn. He possessed a singular ability to model faces with such precision and completeness that his engravings felt almost sculptural, as if the light itself were being carved out of the darkness. This technical prowess earned him the patronage of King Louis XIV, who not only pensioned the artist but also appointed him as the designer and engraver of the royal cabinet.

    Perhaps his most enduring historical achievement was his successful advocacy for the artistic legitimacy of his profession. Through his immense skill and political influence, he helped secure the royal edict of 1660, a landmark decree that officially distinguished engraving from the mechanical arts. This distinction granted engravers the same social and professional privileges as painters, forever altering the hierarchy of the art world. His body of work, which includes hundreds of plates—some reaching near life-size proportions—stands as a testament to a man who could command the shadows to reveal the truth of his subjects. Today, Nanteuil remains a monumental figure, remembered not just for the faces he rendered, but for the prestige he bestowed upon the very medium of the line.

    Museum

    Cleveland Museum of Art

    On show in Cleveland, United States of America

    A Legacy Forged in Light: Exploring the Cleveland Museum of Art

    Nestled within University Circle’s vibrant heart, the Cleveland Museum of Art isn't merely a repository of artistic treasures; it’s an immersive journey through human creativity spanning millennia and continents. From its remarkably accessible free admission policy to its breathtaking architectural evolution—a harmonious blend of neoclassical grandeur, modernist boldness, and contemporary innovation—the CMA offers an experience that transcends the traditional museum visit. Founded on a bedrock of philanthropic vision in 1913, it has consistently championed inclusivity, inviting all to engage with art’s profound power to illuminate our world. The museum's story is inextricably linked to Cleveland itself, reflecting the city’s dynamic growth and its enduring commitment to cultural enrichment.

    The collection’s breadth is truly astonishing. While renowned for its unparalleled holdings in Asian and Egyptian art – imagine standing before the serene beauty of a Ming dynasty screen or the imposing majesty of an ancient sarcophagus – the CMA's narrative extends far beyond these iconic areas. European masterpieces, from the delicate brushstrokes of Monet to the revolutionary canvases of Van Gogh and Picasso, form a cornerstone of its legacy. Contemporary works pulse with vitality, challenging perspectives and reflecting the complexities of our time. Recent exhibitions like “Rose Iron Works,” a powerful exploration of Cleveland’s industrial heritage through the lens of contemporary sculpture, demonstrate the museum's commitment to both historical significance and engaging dialogue. The CMA doesn’t simply display art; it fosters understanding, sparking curiosity and inviting contemplation on its cultural context.

    Architectural Echoes: A Conversation Across Time

    The physical structure of the Cleveland Museum of Art is as captivating as its collection. Its initial 1916 building, a magnificent example of neoclassical design rendered in pristine white Georgian Marble and adorned with Beaux-Arts flourishes, exudes an aura of timeless elegance – a testament to the vision of Hinman Hurlbut, John Huntington, and Horace Kelley. However, the museum’s story doesn't end there. In 1971, Marcel Breuer’s strikingly modern North Wing dramatically countered this classical foundation with its angular granite facade, creating a dynamic dialogue between eras. The most recent transformation, completed in 2013 under Rafael Viñoly, represents a masterful synthesis of past and present. This ambitious project doubled the museum's size, culminating in a breathtaking glass-roofed atrium that floods the interior with natural light, dissolving boundaries and fostering a sense of airy spaciousness. The atrium isn’t simply an expansion; it’s a deliberate orchestration of architectural styles—a visual embodiment of the CMA’s commitment to bridging cultures and time periods through art.

    A Living Institution: Beyond the Walls

    The Cleveland Museum of Art is far more than just a collection housed within walls. It's a vibrant hub for engagement, education, and community building. Interactive exhibits invite visitors to delve deeper into artistic techniques and cultural contexts, while dedicated educational programs cater to audiences of all ages and backgrounds. The museum actively fosters a sense of belonging through lectures, artist talks, and hands-on workshops—transforming the experience from passive observation to active participation. Notably, Transformer Station, a dynamic center for visual and performing arts located in Cleveland’s vibrant Hingetown neighborhood, extends the CMA's reach beyond its physical boundaries, showcasing emerging artists and fostering creative dialogue within the city. This commitment to accessibility, education, and community engagement solidifies the museum’s position as a vital force shaping the artistic landscape of Ohio and beyond.

    A Foundation Built on Vision: Enduring Support

    The story of the Cleveland Museum of Art is inextricably linked to the unwavering generosity of its founders and the continued support of the Cleveland community. Hinman Hurlbut, John Huntington, and Horace Kelley envisioned an institution that would be accessible to all—a radical idea at the time—and this spirit of inclusivity remains central to the CMA’s mission today. The museum's substantial endowment – exceeding $920 million as of 2023 – allows it to maintain its free admission policy and invest in ambitious acquisitions and innovative programming, ensuring that future generations will have access to these invaluable cultural treasures. The ongoing dedication to preserving and expanding the collection stands as a testament to the enduring power of art to inspire, educate, and enrich lives—a legacy firmly rooted in the vision of those who first conceived this extraordinary institution.

    Useful Links:

    Cleveland Museum of Art

    Wikipedia - Cleveland Museum of Art

    Reynolds Morse Foundation

    Additional Research:

    Cleveland Museum of Art

    Cleveland Museum of Art - Wikipedia

    Museum of Contemporary Art Cleveland - Wikipedia

    Cleveland - Wikipedia

    Where to read more

    Find this online

    QR code linking to the download page for Cardinal Richelieu

    wahooart.com/en/art/download/robert-nanteuil-cardinal-richelieu-D3YVCT-en/

    Cite this artwork

    MLA
    Nanteuil, Robert. Cardinal Richelieu. 1657, Cleveland Museum of Art. https://wahooart.com/en/art/robert-nanteuil-cardinal-richelieu-D3YVCT-en/
    APA
    Nanteuil, Robert (1657). Cardinal Richelieu [Painting]. Cleveland Museum of Art. https://wahooart.com/en/art/robert-nanteuil-cardinal-richelieu-D3YVCT-en/
    Chicago
    Robert Nanteuil. Cardinal Richelieu. 1657. Cleveland Museum of Art. https://wahooart.com/en/art/robert-nanteuil-cardinal-richelieu-D3YVCT-en/
    Harvard
    Nanteuil, Robert (1657) Cardinal Richelieu. Cleveland Museum of Art. Available at: https://wahooart.com/en/art/robert-nanteuil-cardinal-richelieu-D3YVCT-en/

    Look closely

    Cardinal Richelieu — Robert Nanteuil

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Portrait De Eveque Felix Iii Vialard De Herse Par Robert Nanteuil, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Robert Nanteuil was about 34 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.