Paper

Student Artwork Guide

Saint John

Name Class Date

reni guido (le guide), Saint John (1621). Public domain.

The facts

Artist
reni guido (le guide) wahooart.com/en/artists/reni-guido-le-guide/
Artist’s dates
1575 – 1642
Painted
1621
Original size
78 x 65 cm
Movement
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.

In context

Saint John — reni guido (le guide)

How big is it?

The original measures 78 × 65 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1570
  2. 1580
  3. 1590
  4. 1600
  5. 1610
  6. 1620
  7. 1630
  8. 1640

Shaded: the lifetime of reni guido (le guide) (1575–1642) ▲ this work, 1621

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/reni-guido-le-guide-saint-john-8XY635-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #201918

    Catalogued palette

    • #201918
    • #AD2D0E
    • #C79247
    • #64351D
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    reni guido (le guide)

    Born in Bologna, Italy

    Guido Reni (Le Guide): Life and Legacy

    Early Life and Training

    Guido Reni, also known as Le Guide, was born in Bologna, Italy, in 1575. He was the only child of Daniele Reni, a musician, and Ginevra Pozzi, also from a musical family. This upbringing instilled in him an appreciation for harmony and form that would later influence his artistic style. At the young age of nine, Guido began his apprenticeship under Denis Calvaert, a Flemish painter working in Bologna. He studied alongside fellow aspiring artists Albani and Domenichino, forming a strong foundation in classical principles.

    Artistic Career and Development

    Reni’s artistic career spanned several Italian cities, including Rome, Naples, and his native Bologna. His early work showed the influence of Calvaert and the Carracci brothers, emphasizing anatomical accuracy and dramatic composition. However, Reni quickly developed a distinctive style characterized by its elegant classicism, refined technique, and emotional intensity. He became a dominant figure in the Bolognese School, known for its emphasis on academic training and idealized forms.

    Key Influences

    Denis Calvaert: Reni’s initial teacher provided him with a strong foundation in Flemish painting techniques.

    The Carracci Family (Annibale, Agostino, Ludovico): Their emphasis on classical art and anatomical study profoundly impacted his artistic development.

    Raphael: Reni greatly admired Raphael’s gracefulness and harmonious compositions, which are evident in many of his works.

    Major Works and Artistic Style

    Reni's oeuvre encompasses a wide range of subjects, including religious scenes, mythological narratives, and allegorical representations. Some of his most celebrated works include:

    Apollo on the Sun Chariot (Albertina, Vienna): A dynamic drawing showcasing Reni’s mastery of Baroque style.

    Saint James the Greater: Demonstrates his skill in capturing religious fervor and human emotion.

    Atalanta and Hippomenes (Palace of Capodimonte, Naples): An example of his mythological paintings, characterized by graceful figures and dramatic storytelling.

    Saint Jerome: A testament to Reni’s ability to balance composition with emotional depth.

    Tarantella (Palace of Capodimonte, Naples): Illustrates his influence on Italian folk dance culture.

    Reni's style is often described as eclectic classicism. He blended the precision of classical art with the dynamism and emotion of the Baroque period. His figures are typically idealized, possessing a serene beauty and graceful movement.

    Historical Significance and Legacy

    Guido Reni played a crucial role in shaping the development of High Baroque style in Italy. He influenced generations of artists with his refined technique, elegant compositions, and emotional depth. His work can be found in prominent museums worldwide, including the Palace of Capodimonte in Naples. Reni’s legacy extends beyond painting; he was also a poet and a respected intellectual figure in his time.

    His art continues to inspire artists and art enthusiasts today, solidifying his place as one of the most important painters of the 17th century. His influence can be seen in subsequent Baroque artists who sought to emulate his gracefulness and emotional power.

    Death

    Guido Reni died in Bologna in 1642, leaving behind a rich artistic legacy that continues to captivate audiences centuries later.

    Where to read more

    Find this online

    QR code linking to the download page for Saint John

    wahooart.com/en/art/download/reni-guido-le-guide-saint-john-8XY635-en/

    Cite this artwork

    MLA
    guide), reni guido (le. Saint John. 1621, https://wahooart.com/en/art/reni-guido-le-guide-saint-john-8XY635-en/
    APA
    guide), reni guido (le (1621). Saint John [Painting]. https://wahooart.com/en/art/reni-guido-le-guide-saint-john-8XY635-en/
    Chicago
    reni guido (le guide). Saint John. 1621. https://wahooart.com/en/art/reni-guido-le-guide-saint-john-8XY635-en/
    Harvard
    guide), reni guido (le (1621) Saint John. Available at: https://wahooart.com/en/art/reni-guido-le-guide-saint-john-8XY635-en/

    Look closely

    Saint John — reni guido (le guide)

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: religious, saints. Do you agree? What would you add, or take away?
    4. Look back at The Rape of Helena (1626), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.