Paper

Student Artwork Guide

Robert Oliphant

Name Class Date

Raphaelle Peale, Robert Oliphant (1799). Public domain.

The facts

Artist
Raphaelle Peale wahooart.com/en/artists/raphaelle-peale/
Artist’s dates
1774 – 1825
Painted
1799
Original size
8 x 6 cm
Movement
Neoclassicism A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.

In context

Robert Oliphant — Raphaelle Peale

How big is it?

The original measures 8 × 6 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1770
  2. 1780
  3. 1790
  4. 1800
  5. 1810
  6. 1820

Row above: the year. Row below: the artist's age in that year.

Painted when the artist was 25. The artist lived to 51. 3 of the 55 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Raphaelle Peale (1774–1825) ▲ this work, 1799

First works: up to 1805 Main working years: 1805–1819 Late works: from 1819

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell.

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/raphaelle-peale-robert-oliphant-AS7UNK-en/

Colours

Measured from the image

    Main colour

    Black #070709

    Catalogued palette

    • #070709
    • #CFC9C4
    • #393435
    • #7E6D64
    Main colour name
    Black
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Raphaelle Peale over the last twelve months — 7 countries in all.

    The ten leading countries

    1. 1 China 59.1%
    2. 2 Germany 13.6%
    3. 3 United States of America 9.1%
    4. 4 Argentina 4.5%
    5. 5 Canada 4.5%
    6. 6 Hong Kong 4.5%
    7. 7 Japan 4.5%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 17 most looked-at works by Raphaelle Peale

    1. 1 Still Life with Peach, 1816 17.4%
    2. 2 Portrait of a Gentleman, 1805 13.0%
    3. 3 Margaret George McGlathery (died about 1830) 8.7%
    4. 4 Orange and Book, 1817 4.3%
    5. 5 Melons and Morning Glories, 1813 4.3%
    6. 6 Melons and Morning Glories, 1813 4.3%
    7. 7 Still Life with Wine Glass, 1818 4.3%
    8. 8 George Fisher, 1795 4.3%
    9. 9 Still Life with Celery and Wind, 1816 4.3%
    10. 10 Robert Oliphant, 1799 this painting 4.3%
    11. 11 A Dessert, 1814 4.3%
    12. 12 Still Life with Grapes and Dish, 1814 4.3%
    13. 13 Still Life with Cake, 1822 4.3%
    14. 14 Cheese and Three Crakers, 1813 4.3%
    15. 15 Still Life with Apples, Sherry and Tea Cakke, 1822 4.3%
    16. 16 Strawberries and Cream, 1816 4.3%
    17. 17 Portrait of a Gentleman, 1800 4.3%

    Together these works take 99.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 58 works by this artist, of which 17 were looked at at least once. This painting ranks 10 of them, with 4.3% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Raphaelle Peale

    Born in Annapolis, United States of America

    The Pioneer of the American Still Life

    In the burgeoning landscape of early nineteenth-century American art, where portraiture reigned supreme as the primary vehicle for status and legacy, Raphaelle Peale dared to turn his gaze toward the quiet, often overlooked beauty of the inanimate. Born in Annapolis in 1774, Peale was not merely a painter but a pioneer who carved out a specialized niche that had previously been neglected in the young nation's artistic repertoire. As the son of the legendary Charles Willson Peale, his very existence was intertwined with the pulse of American scientific and artistic discovery. Growing up within the orbit of one of America’s most influential artistic dynasties, Raphaelle was immersed in an environment where meticulous observation was considered both a fine art and a scientific necessity.

    His early training was deeply rooted in this dual tradition of naturalism and craftsmanship. Under the watchful eye of his father, Peale learned to see the world through a lens of profound detail, a skill that would later become the hallmark of his mature style. While his siblings often pursued paths in medicine or natural history, Raphaelle channeled this inherited passion for documentation into the medium of oil on canvas. He did not merely seek to represent objects; he sought to elevate them. By focusing on the textures of fruit, the sheen of porcelain, and the subtle decay of organic matter, he brought a sense of permanence to the ephemeral, transforming simple kitchen items into subjects of high art.

    Mastery of Texture and Trompe l'oeil

    The true brilliance of Peale’s work lies in his technical command over light and surface. He became a master of trompe l'oeil—a technique designed to "deceive the eye"—creating illusions so convincing that viewers were often tempted to reach out and touch the depicted objects. His compositions, such as those featuring peaches, raisins, or fish, are studies in tactile reality. One can almost sense the velvety skin of a ripening peach or the cool, smooth surface of a ceramic jug through his masterful application of glaze and shadow.

    Peale’s stylistic development was significantly shaped by an awareness of European traditions, particularly the influence of Spanish masters who had long perfected the art of the still life. By blending this Old World sophistication with a uniquely American sensibility, he created works that felt both globally informed and locally grounded. His paintings often feature:

    Meticulous Detail: An unwavering commitment to capturing the minute imperfections of nature, from tiny blemishes on an apple to the delicate veins in a leaf.

    Dramatic Lighting: The use of chiaroscuro to pull subjects forward from dark, atmospheric backgrounds, lending each object a sculptural presence.

    Compositional Balance: A careful arrangement of elements that guides the viewer's eye through a silent, contemplative narrative of abundance and mortality.

    A Lasting Legacy in American Art

    Though his career was relatively brief, ending with his death in 1825, Raphaelle Peale’s impact on the trajectory of American art cannot be overstated. He broke the monopoly of portraiture, proving that the domestic and the naturalistic were worthy of the highest level of artistic devotion. In doing so, he laid the groundwork for generations of American still-life painters who would follow in his footsteps, exploring themes of abundance, decay, and the beauty of the everyday.

    Today, Peale is remembered not just as a member of a famous family, but as a singular talent who possessed the courage to find greatness in the small. His works remain vital testaments to a period of American history when the nation was still defining its visual identity. Through his brushes, the simple contents of a basket or the humble arrangement of a tabletop became enduring symbols of a burgeoning culture's ability to observe, appreciate, and immortalize the world around it.

    Where to read more

    Find this online

    QR code linking to the download page for Robert Oliphant

    wahooart.com/en/art/download/raphaelle-peale-robert-oliphant-AS7UNK-en/

    Cite this artwork

    MLA
    Peale, Raphaelle. Robert Oliphant. 1799, https://wahooart.com/en/art/raphaelle-peale-robert-oliphant-AS7UNK-en/
    APA
    Peale, Raphaelle (1799). Robert Oliphant [Painting]. https://wahooart.com/en/art/raphaelle-peale-robert-oliphant-AS7UNK-en/
    Chicago
    Raphaelle Peale. Robert Oliphant. 1799. https://wahooart.com/en/art/raphaelle-peale-robert-oliphant-AS7UNK-en/
    Harvard
    Peale, Raphaelle (1799) Robert Oliphant. Available at: https://wahooart.com/en/art/raphaelle-peale-robert-oliphant-AS7UNK-en/

    Look closely

    Robert Oliphant — Raphaelle Peale

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: 18th century portrait, historical figure, neoclassical style. Do you agree? What would you add, or take away?
    4. Look back at Still Life, Strawberries and Nuts, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Neoclassicism: A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How do contrast and harmony combine in "Robert Oliphant"?

    In "Robert Oliphant", a bold contrast is paired with a softly mixed palette harmony.

    From which country does the Neoclassicism work "Robert Oliphant" come?

    "Robert Oliphant" was created by Raphaelle Peale, born in United States of America, within the Neoclassicism movement. The artist's origin links the work to Neoclassicism as practiced by artists from United States of America.

    How old was Raphaelle Peale when creating "Robert Oliphant" in 1799?

    When "Robert Oliphant" was created in 1799, Raphaelle Peale - born in 1774 - was 25 years old.

    Where can I see a preview of "Robert Oliphant"?

    To preview a reproduction of "Robert Oliphant" by Raphaelle Peale, open the artwork's Preview page.

    When was "Robert Oliphant" made?

    The creation of "Robert Oliphant" by Raphaelle Peale is dated 1799.

    Which artist is "Robert Oliphant" attributed to?

    "Robert Oliphant" is attributed to Raphaelle Peale.

    Is "Robert Oliphant" available as a fine art print?

    "Robert Oliphant" is available as a fine art print on cotton canvas or archival canvas paper. Orders are placed on this page, in the size of your choice.