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Student Artwork Guide

Trout Stream

Name Class Date

philip connard, Trout Stream (1942). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
philip connard wahooart.com/en/artists/philip-connard/
Artist’s dates
1875 – 1958
Painted
1942
Original size
41 x 56 cm

In context

Trout Stream — philip connard

How big is it?

The original measures 41 × 56 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950

Shaded: the lifetime of philip connard (1875–1958) ▲ this work, 1942

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/philip-connard-trout-stream-AQUJ9X-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #acb0ad

    Catalogued palette

    • #ACB0AD
    • #919592
    • #5D5048
    • #7E6E62
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Trout Stream — philip connard

    The Trout Stream painting by Philip Connard is a stunning representation of natural beauty, showcasing the artist's skill in capturing the tranquility of the outdoors. Created in 1942, this oil on canvas artwork measures 41 x 56 cm and is currently located at the Royal Academy of Arts in the United Kingdom.

    A Peaceful Landscape

    The painting depicts a serene scene of a river flowing through a valley, surrounded by lush greenery and trees. The waterway is the central focus, with the surrounding landscape creating a sense of depth and dimension. The cloudy sky above adds to the overall atmosphere, making the scene feel even more peaceful. Key Features of the painting include:

    The use of oil on canvas, which allows for rich and vibrant colors

    The depiction of natural light and its effects on the landscape

    The sense of tranquility and harmony between the natural elements

    The artist's use of color and composition creates a sense of balance and stability, drawing the viewer into the serene world of the painting.

    Comparison to Other Works

    The Trout Stream painting can be compared to other works by artists such as Jan Van De Cappelle and Camille Pissarro, who also created beautiful landscape paintings. For example, Jan Van De Cappelle's Winter Landscape and Camille Pissarro's Bridge at Montfoucault showcase similar techniques and attention to detail.

    The Trout Stream painting is a beautiful example of Philip Connard's skill as an artist, and its serene beauty makes it a must-see for anyone interested in landscape paintings. More information about the artist and his works can be found on AllPaintingsStore.com.

    Artist and museum

    Artist

    philip connard

    A Life Painted in Light: The Story of Philip Connard

    Philip Connard (1875-1958) emerged from humble beginnings to become a celebrated British painter, his canvases imbued with a romantic sensibility and a remarkable versatility that spanned decorative landscapes, poignant war art, and grand mural commissions. Born in Southport, Lancashire, Connard’s early life offered little indication of the artistic path he would forge. He initially entered the building trade as a house painter, a practical occupation that nonetheless fostered an appreciation for form, color, and meticulous detail—qualities that would later define his work. However, a burgeoning passion for art led him to evening classes, culminating in a scholarship to the Royal College of Art in London, where he specialized in textile design. A small prize of £100 allowed a brief sojourn to Paris, though financial constraints curtailed his time there, it nonetheless provided an initial taste of the European artistic milieu.

    Upon returning to London, Connard established himself as an illustrator before securing a teaching position at Lambeth School of Art. This period proved pivotal, not only for his professional development but also for nurturing a new generation of artists, including Edmund Blampied. It was during these years that Connard’s distinctive style began to coalesce—romantic landscapes populated with graceful figures, often pierettes or birds, rendered in oils with an airy lightness and individual conception. He submitted works to the New English Art Club, gaining recognition for his evocative compositions.

    From Battlefield Sketches to Royal Commissions

    The outbreak of World War I dramatically altered Connard’s trajectory. Despite being nearly forty years old, he volunteered for service, joining the Royal Field Artillery as a private and rising to the rank of Captain before being invalided out due to severe shell shock. This experience profoundly impacted his artistic vision. Appointed an official war artist to the Royal Navy, Connard documented scenes of naval conflict with a newfound intensity and emotional depth. His sketches and paintings captured the drama of battles, most notably the surrender of the German ship SMS Goeben and the daring Zeebrugge raid—works that now reside in the Imperial War Museum, London, serving as powerful visual records of a tumultuous era. This period marked a shift from idyllic landscapes to scenes imbued with patriotism and sacrifice.

    Connard’s wartime service propelled him into a realm of prestigious commissions. He secured contracts for murals at Windsor Castle, large panels for a ballroom in New Delhi, and perhaps his most significant undertaking: a substantial panel depicting England for the opulent RMS Queen Mary liner. These projects showcased his mastery of decorative painting and his ability to translate grand narratives onto monumental surfaces. His work during this time was characterized by a refined elegance and a meticulous attention to detail, reflecting both classical influences and a distinctly British aesthetic sensibility.

    Recognition and Legacy

    The accolades followed in quick succession. Connard was elected an associate of the Royal Academy in 1918 and became a full Academician in 1925. He further served as Keeper of the Royal Academy school from 1945 to 1949, guiding aspiring artists and shaping the future direction of British art. In 1950, he was appointed a Commander of the Royal Victorian Order, acknowledging his significant contributions to the artistic landscape. Throughout his career, Connard’s work found its way into esteemed collections including the Tate Gallery in London, the Musée d’Orsay in Paris, and the National Museum of Wales.

    Influences: While not explicitly aligned with a single movement, Connard's work demonstrates an affinity for Impressionism, particularly in his use of light and color. He also drew inspiration from classical traditions and the decorative arts.

    Key Characteristics: Romantic landscapes, graceful figures, meticulous detail, atmospheric perspective, patriotic themes (particularly during wartime), and a refined elegance.

    Major Achievements: Official War Artist to the Royal Navy, murals at Windsor Castle, panel for RMS Queen Mary, election to the Royal Academy, Keeper of the Royal Academy school.

    Philip Connard’s story is one of resilience, artistic evolution, and unwavering dedication. He rose from modest origins to achieve prominence through talent, hard work, and a willingness to embrace new challenges. His paintings continue to captivate audiences with their beauty, emotional resonance, and enduring testament to the power of art to reflect both the triumphs and tragedies of human experience. He remains a significant figure in British Impressionism, celebrated for his evocative landscapes and his poignant contributions to wartime artistry.

    Where to read more

    Find this online

    QR code linking to the download page for Trout Stream

    wahooart.com/en/art/download/philip-connard-trout-stream-AQUJ9X-en/

    Cite this artwork

    MLA
    connard, philip. Trout Stream. 1942, https://wahooart.com/en/art/philip-connard-trout-stream-AQUJ9X-en/
    APA
    connard, philip (1942). Trout Stream [Painting]. https://wahooart.com/en/art/philip-connard-trout-stream-AQUJ9X-en/
    Chicago
    philip connard. Trout Stream. 1942. https://wahooart.com/en/art/philip-connard-trout-stream-AQUJ9X-en/
    Harvard
    connard, philip (1942) Trout Stream. Available at: https://wahooart.com/en/art/philip-connard-trout-stream-AQUJ9X-en/

    Look closely

    Trout Stream — philip connard

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Albert Emil Davies (1875–1950) (1940), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. philip connard was about 67 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.