Paper

Student Artwork Guide

Sibilla

Name Class Date

Pericle Fazzini, Sibilla (1947), Museo del Novecento. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Pericle Fazzini wahooart.com/en/artists/pericle-fazzini/
Artist’s dates
1913 – 1987
Painted
1947
Original size
98 x 67 cm
Held at
Museo del Novecento wahooart.com/en/museums/museo-del-novecento-milan/

In context

Sibilla — Pericle Fazzini

How big is it?

The original measures 98 × 67 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980

Shaded: the lifetime of Pericle Fazzini (1913–1987) ▲ this work, 1947

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/pericle-fazzini-sibilla-D49VJJ-en/

Colours

Measured from the image

    Main colour

    Gray #8e8a89

    Catalogued palette

    • #8E8A89
    • #777472
    • #3A3530
    • #AEAAA8
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Pericle Fazzini

    Born in Grottammare, Italy

    Pericle Fazzini: Life and Legacy

    Early Life and Education

    Born on May 4, 1913, in Grottammare, Italy, to Vittorio Fazzini and Maria Alessandrini.

    Initially worked with his brothers in the family carpentry workshop, gaining early skills in carving wood.

    In 1930, moved to Rome with the support of poet Mario Rivosecchi, to study at the Scuola libera del nudo (Free School of Nude) at the Accademia di Belle Arti.

    Won a competition in Catania in 1931 for a monument to Cardinal Dusmet, though it was never realized.

    Secured a two-year bursary in 1932 with his low-relief sculpture Uscita dall'arca (Leaving the Ark).

    Artistic Development and Influences

    Early works were influenced by Baroque traditions, emphasizing movement and plasticity.

    Participated in the II Rome Quadriennale in 1935, winning a prize for his bas-reliefs Dance and Storm.

    Joined the artistic movement Corrente around 1938, connecting with other progressive artists.

    Developed a style characterized by dynamic figures, often exploring themes of humanity and spirituality.

    Influenced by his early training in carpentry, which informed his understanding of form and material.

    Major Works and Achievements

    Created numerous sculptures and paintings throughout his career, exhibiting at prestigious venues like the Venice Biennale.

    Won the Turin Prize in 1947 with the artwork Anita Standing.

    Received the Saint Vincent Prize in 1949 for Sibyl.

    His most celebrated work is La Resurrezione (The Resurrection), a monumental bronze sculpture installed in the Aula Paolo VI at the Vatican City, completed in 1977.

    Other significant works include: Monument to Padre Pio, Tabernacolo in Villa Nazareth, and Monumento alla Resistenza in Ancona.

    Historical Significance and Legacy

    Fazzini’s work represents a significant contribution to 20th-century Italian sculpture.

    His sculptures are held in prominent collections worldwide, including the Peggy Guggenheim Collection in Venice and the Tate Gallery in London.

    La Resurrezione remains one of the most iconic religious artworks of the modern era.

    He taught at several prestigious art academies, shaping generations of artists.

    Fazzini’s ability to blend traditional techniques with modernist sensibilities established him as a leading figure in Italian art.

    Death and Remembrance

    Pericle Fazzini passed away on December 4, 1987, in Rome.

    His legacy continues to inspire artists and captivate audiences with its powerful imagery and spiritual depth.

    Museum

    Museo del Novecento

    On show in Milan, Italy

    A Chronicle of Italian Modernity: Unveiling the Museo del Novecento

    Nestled within the heart of Milan, a stone’s throw from the majestic Duomo and the vibrant pulse of Piazza del Duomo, resides the Museo del Novecento – a captivating sanctuary dedicated to the tumultuous and transformative era of 20th-century Italian art. More than simply a repository of paintings and sculptures, it's an immersive journey through time, housed within the historically resonant Palazzo dell’Arengario, a building that whispers tales of Milan’s past as a seat of local government during the Fascist period before undergoing a breathtaking rebirth as a beacon of cultural expression. The very architecture—its imposing façade, soaring arches, and grand scale—contributes to an atmosphere of profound contemplation, inviting visitors to step back into a pivotal moment in Italian history and artistic evolution.

    The Museo del Novecento distinguishes itself through its unwavering focus on the vibrant, often revolutionary, art produced within Italy during this period. Unlike broader international collections that may offer a diluted overview, here you encounter a concentrated view of Italian modernity – a deliberate curation that allows for a deeper understanding of the movement’s roots and impact. The museum's heart beats strongest within its devotion to Futurism, a seismic shift in artistic thought and practice that irrevocably altered the course of 20th-century art. Here, one encounters dynamic works by masters such as Giacomo Balla, whose canvases pulse with energy and motion; Umberto Boccioni, capturing the speed and dynamism of the modern world through fragmented forms and powerful gestures; Carlo Carrà, exploring the fractured beauty of post-war Italy with emotionally charged landscapes and portraits; and Gino Severini, blending Cubist principles with Italian sensibilities to create shimmering, almost ethereal compositions. The legacy of these pioneers—and many others like Fortunato Depero, Luigi Russolo, Mario Sironi, and Ardengo Soffici—is powerfully felt throughout the galleries, a testament to their radical experimentation and unwavering belief in the power of art to reflect and shape the world around them.

    However, the Museo del Novecento’s scope extends far beyond Futurism. It thoughtfully charts the development of other pivotal movements – from the introspective landscapes of Giorgio de Chirico, whose paintings evoke a haunting sense of nostalgia and mystery; Lucio Fontana, challenging our perception of form and dimension with his iconic slashed canvases that opened up new possibilities for abstraction; to the bold explorations of Arte Povera, which embraced humble materials and everyday objects as artistic mediums. The collection also embraces Abstractionism, reflecting Italy’s growing engagement with international avant-garde trends, and a rich vein of regional art – Novecento Italiano – showcasing the diverse artistic traditions across the Italian peninsula. A particularly poignant element is the museum's dedication to documenting social realities through art, exemplified by Giuseppe Pellizza da Volpedo’s monumental masterpiece, Il Quarto Stato (The Fourth Estate), a powerful depiction of the working class that once commanded an entire room and served as a potent reminder of the era’s social tensions. Though now housed elsewhere, its memory remains deeply embedded within the museum's walls.

    A Legacy Renewed: From Fascist Roots to Contemporary Voices

    The Palazzo dell’Arengario itself carries significant historical weight. Originally serving as a seat of local government during the Fascist era, it underwent a remarkable transformation in the 1950s, becoming a symbol of Milan's post-war rebirth and its embrace of cultural innovation. The building’s architectural design—a harmonious blend of classical grandeur and modern functionality—provides a striking backdrop for the museum’s collection, creating an atmosphere that is both reverent and stimulating.

    In 2015, a generous donation from Bianca and Mario Bertolini dramatically broadened the museum's horizons, introducing works by international luminaries such as Daniel Buren, Joseph Kosuth, Roy Lichtenstein, Robert Rauschenberg, Frank Stella, and Andy Warhol. This infusion of global perspectives enriches the dialogue within the collection, creating compelling juxtapositions between Italian artistic traditions and broader contemporary trends – demonstrating a commitment to fostering a dynamic and evolving understanding of modern art.

    A Space for Reflection and Engagement

    The Museo del Novecento is not merely a place to observe art; it’s a space designed to foster reflection and engagement. The museum's thoughtful curation encourages visitors to consider the historical context surrounding each work, understanding how social, political, and cultural forces shaped artistic expression. Beyond the galleries themselves, the Palazzo dell’Arengario offers amenities that enhance the visitor experience – a well-stocked bookshop for further exploration and a restaurant-bar boasting panoramic views of Piazza del Duomo, providing a stunning backdrop for contemplation after immersing oneself in the world of Italian art.

    Visiting the Museo del Novecento

    The museum is open Tuesday through Sunday from 11:00 am to 8:00 pm (Thursday closed). Tickets can be purchased online at

    museodelnovecento.org

    or directly at the museum ticket office. Guided tours and educational programs are available for individuals and groups. Don’t miss the opportunity to explore the Palazzo dell'Arengario, a stunning architectural landmark that adds another layer of richness to your visit.

    Where to read more

    Find this online

    QR code linking to the download page for Sibilla

    wahooart.com/en/art/download/pericle-fazzini-sibilla-D49VJJ-en/

    Cite this artwork

    MLA
    Fazzini, Pericle. Sibilla. 1947, Museo del Novecento. https://wahooart.com/en/art/pericle-fazzini-sibilla-D49VJJ-en/
    APA
    Fazzini, Pericle (1947). Sibilla [Painting]. Museo del Novecento. https://wahooart.com/en/art/pericle-fazzini-sibilla-D49VJJ-en/
    Chicago
    Pericle Fazzini. Sibilla. 1947. Museo del Novecento. https://wahooart.com/en/art/pericle-fazzini-sibilla-D49VJJ-en/
    Harvard
    Fazzini, Pericle (1947) Sibilla. Museo del Novecento. Available at: https://wahooart.com/en/art/pericle-fazzini-sibilla-D49VJJ-en/

    Look closely

    Sibilla — Pericle Fazzini

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at La sibilla, cast (1961), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Pericle Fazzini was about 34 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.