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Student Artwork Guide

Pattern

Name Class Date

Paul Jackson Pollock, Pattern (1945). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Paul Jackson Pollock wahooart.com/en/artists/paul-jackson-pollock/
Artist’s dates
1912 – 1956
Painted
1945
Original size
57 x 39 cm
Movement
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Artistic style
Dynamic Composition
Influences
Regionalist Movement
Notable elements or techniques
Drip Painting Technique
Subject or theme
Textile

In context

Pattern — Paul Jackson Pollock

How big is it?

The original measures 57 × 39 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 44 at death.

Painted when the artist was 33. The artist lived to 44. 22 of the 50 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Paul Jackson Pollock (1912–1956) ▲ this work, 1945 every dated painting, decade by decade

First works: up to 1941 Main working years: 1941–1948 Late works: from 1948

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/paul-jackson-pollock-pattern-7YKFZS-en/

Colours

Measured from the image

    Main colour

    Espresso #534c5a

    Catalogued palette

    • #534C5A
    • #B6988B
    • #DAD1C9
    • #856E74

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Paul Jackson Pollock over the last twelve months — 69 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 19.1%
    2. 2 France 8.2%
    3. 3 United States of America 7.4%
    4. 4 Germany 7.1%
    5. 5 Japan 5.8%
    6. 6 Spain 5.6%
    7. 7 Italy 5.3%
    8. 8 Brazil 3.2%
    9. 9 Singapore 2.7%
    10. 10 Mexico 2.6%
    11. · 59 other countries 33.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Paul Jackson Pollock

    1. 1 Number 1, 1949, 1950 35.8%
    2. 2 Autumn Rhythm. Number 30, 1950 7.2%
    3. 3 One. Number 31, 1950 5.8%
    4. 4 Convergence 5.4%
    5. 5 Number 5, 1948 2.8%
    6. 6 White Light, 1954 2.4%
    7. 7 Number 5, 1948 1.9%
    8. 8 Number 10, 1949 1.9%
    9. 9 Number 1A 1.8%
    10. 10 Number 3, 1948 1.5%
    11. 11 Number 1, 1948 1.4%
    12. 12 Number 3, 1949 1.3%
    13. 13 Number 6, 1949 1.2%
    14. 14 Number 8 1.1%
    15. 15 Number 2, 1951 0.9%
    16. 16 Saint 0.9%
    17. 17 Out of the Web. Number 7 0.8%
    18. 18 Cathedral 0.8%
    19. 19 Blue poles (Number 11), 1952 0.7%
    20. 92 Pattern, 1945 this painting 0.1%

    Together these works take 75.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 176 works by this artist, of which 122 were looked at at least once. This painting ranks 92 of them, with 0.1% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Pattern — Paul Jackson Pollock

    A Dance of Color and Texture: Exploring Jackson Pollock’s ‘Pattern’

    Jackson Pollock's “Pattern,” painted in 1945, stands as a pivotal moment in the trajectory of Abstract Expressionism—a movement that fundamentally challenged conventional artistic norms and prioritized spontaneous gesture over meticulous representation. This striking canvas embodies the ethos of its time, reflecting the anxieties and aspirations of postwar America while simultaneously pushing the boundaries of visual language.

    Subject Matter: The artwork presents a captivating interplay between two figures positioned centrally within a swirling expanse of color. Their interaction—whether engaged in dialogue or simply sharing space—suggests a narrative element absent from traditional painting, inviting viewers to contemplate human connection amidst an abstract landscape.

    Style and Technique: Pollock’s masterful application of gouache combined with other materials exemplifies the drip technique that defined his signature style. Layers of pigment are poured onto canvas, allowing gravity and chance to dictate their movement—a process deliberately designed to liberate artistic expression from conscious control. This method prioritizes texture and dynamism, mirroring the turbulent emotional currents of the era.

    Historical Context: Created in the immediate aftermath of World War II, “Pattern” resonates with the broader cultural landscape of its time. The postwar period witnessed a surge of experimentation in art and literature, fueled by disillusionment with established ideologies and a yearning for new forms of aesthetic experience. Pollock’s work aligns perfectly with this spirit of innovation, rejecting academic conventions in favor of unfiltered emotion.

    Color Palette: Vibrant hues—primarily reds, yellows, blues, and greens—converge to create an arresting visual spectacle. The artist's deliberate use of color isn't merely decorative; it serves as a conduit for conveying mood and intensity. These bold shades evoke feelings of energy, passion, and perhaps even unease – mirroring the complexities of human psychology.

    Symbolism: While “Pattern” eschews explicit iconography, its swirling shapes and dynamic composition can be interpreted as representations of chaos and order simultaneously. The figures themselves may symbolize duality—the interplay between individual consciousness and collective experience—a theme prevalent in existentialist thought during the period.

    The close-up examination of “Pattern” reveals an astonishing level of detail, demonstrating Pollock’s meticulous attention to craftmanship despite embracing a seemingly random process. It's a piece that continues to captivate audiences today, prompting reflection on themes of spontaneity, emotion, and the transformative power of artistic innovation.

    Artist and museum

    Artist

    Paul Jackson Pollock

    Born in Cody, United States of America

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    This innovative approach positioned Pollock as a central figure in the burgeoning Abstract Expressionist movement, which emerged in post-World War II New York City. Abstract Expressionism prioritized spontaneous gesture, large scale, and non-representational imagery, reflecting a broader cultural shift away from traditional artistic conventions. His marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    His style transcends mere aesthetics; it's an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism.

    Though initially met with mixed reviews—some critics dismissed his work as chaotic or lacking skill—Pollock’s reputation grew steadily after his untimely death in 1956 at the age of 44. Today, he is universally recognized as one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression. His innovative techniques and expressive style continue to inspire and provoke, ensuring his enduring legacy for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Pattern

    wahooart.com/en/art/download/paul-jackson-pollock-pattern-7YKFZS-en/

    Cite this artwork

    MLA
    Pollock, Paul Jackson. Pattern. 1945, https://wahooart.com/en/art/paul-jackson-pollock-pattern-7YKFZS-en/
    APA
    Pollock, Paul Jackson (1945). Pattern [Painting]. https://wahooart.com/en/art/paul-jackson-pollock-pattern-7YKFZS-en/
    Chicago
    Paul Jackson Pollock. Pattern. 1945. https://wahooart.com/en/art/paul-jackson-pollock-pattern-7YKFZS-en/
    Harvard
    Pollock, Paul Jackson (1945) Pattern. Available at: https://wahooart.com/en/art/paul-jackson-pollock-pattern-7YKFZS-en/

    Look closely

    Pattern — Paul Jackson Pollock

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: drip painting, geometric pattern, color field. Do you agree? What would you add, or take away?
    4. Look back at Number 1, 1949 (1950), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where in Paul Jackson Pollock's career does "Pattern" fall, given its date?

    "Pattern", created in 1945, belongs to the Mature Period of Paul Jackson Pollock's career.

    At what size is "Pattern" recommended to be printed?

    The recommended print size for "Pattern" by Paul Jackson Pollock is large.

    What shape and dimensions is "Pattern" by Paul Jackson Pollock?

    "Pattern" by Paul Jackson Pollock is a portrait composition measuring 57 x 39 cm in the original.