Paper

Student Artwork Guide

Skull

Name Class Date

Paul Cézanne, Skull (1900). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Paul Cézanne wahooart.com/en/artists/paul-cezanne/
Artist’s dates
1839 – 1906
Painted
1900
Medium
Acrylic
Movement
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.
Period
19th Century
Artistic style
Simple, depth
Influences
Cézanne, Gauguin
Notable elements
Mortality, detail
Subject or theme
Death, transience

In context

Skull — Paul Cézanne

When was this painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 67 at death.

Painted when the artist was 61. The artist lived to 67. 568 of the 679 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Paul Cézanne (1839–1906) ▲ this work, 1900 every dated painting, decade by decade

First works: up to 1875 Main working years: 1875–1894 Late works: from 1894

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/paul-cezanne-skull-8EWP32-en/

Colours

Measured from the image

    Main colour

    Putty #e4d6b6

    Catalogued palette

    • #E4D6B6
    • #7E5D48
    • #C8B08D
    • #3B2721

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Paul Cézanne over the last twelve months — 72 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.5%185,700 visits
    2. 2 United States of America 9.8%36,200 visits
    3. 3 Hong Kong 8.6%31,600 visits
    4. 4 Singapore 7.9%28,900 visits
    5. 5 France 5.3%19,600 visits
    6. 6 Italy 2.7%9,800 visits
    7. 7 Spain 2.6%9,400 visits
    8. 8 Germany 1.4%5,200 visits
    9. 9 Romania 1.3%4,900 visits
    10. 10 Brazil 1.3%4,800 visits
    11. · 62 other countries 8.6%31,900 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Paul Cézanne

    1. 1 The Card Players, 1893 2.7%12,700 visits
    2. 2 Large Bathers (Philadelphia), 1905 2.0%9,400 visits
    3. 3 The Card Players, 1892 1.7%8,200 visits
    4. 4 Basket of Apples, 1895 1.6%7,500 visits
    5. 5 Mont Sainte-Victoire (Courtauld), 1887 1.5%6,800 visits
    6. 6 The bay from l'estaque, 1886 1.3%6,000 visits
    7. 7 Cardplayers, 1893 1.2%5,500 visits
    8. 8 Curtain, Jug and Fruit, 1894 0.8%3,900 visits
    9. 9 The Lac d'Annecy, 1896 0.8%3,800 visits
    10. 10 Landscape with Viaduct - Mont Sainte-Victoire, 1885 0.7%3,300 visits
    11. 11 Mont Sainte-Victoire (Barnes), 1892 0.7%3,200 visits
    12. 12 The Kitchen Table, 1888 0.7%3,200 visits
    13. 13 Chateau Noir, 1904 0.6%3,000 visits
    14. 14 View of L'Estaque and Chateaux d'If, 1885 0.6%3,000 visits
    15. 15 Still life with apples,c.1890, eremitaget 0.6%2,900 visits
    16. 16 Mountains in Provence, 1890 0.6%2,800 visits
    17. 17 The House of Pere Lacroix in Auvers, 1873 0.6%2,700 visits
    18. 18 The Eternal Woman, 1877 0.5%2,500 visits
    19. 19 Mont Sainte-Victoire Seen from the Bibemus Quarry, 1897 0.5%2,300 visits
    20. 669 Skull, 1900 this painting 0.0%100 visits

    Together these works take 19.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 998 works by this artist, of which 769 were looked at at least once. This painting ranks 669 of them, with 0.0% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Skull — Paul Cézanne

    Paul Cézanne’s Skull: A Study in Mortality and Form

    Within the realm of art, few images possess the unsettling yet profoundly captivating power of Paul Cézanne's Skull (1900). More than a simple depiction of bone, this chalk drawing—now residing at the Staatsgalerie Stuttgart—is a masterclass in Post-Impressionist technique and a poignant meditation on life’s ephemeral nature. It’s a work that invites prolonged contemplation, revealing layers of symbolism and artistic innovation with each viewing.

    Cézanne's fascination with skulls wasn’t merely morbid; it stemmed from a deep exploration of form and structure. He sought to capture the essence of an object—in this case, the skull—not through realistic representation but by distilling it down to its fundamental geometric shapes: planes, cylinders, and cones. This approach, revolutionary for his time, paved the way for Cubism and profoundly influenced generations of artists. The skull itself becomes a study in volume and perspective, rendered with an almost sculptural quality that transcends mere portraiture.

    The Context of Post-Impressionism

    To fully appreciate Skull, it’s crucial to understand the artistic climate from which it emerged. Following the Impressionists' focus on capturing fleeting moments of light and color, a new generation of artists—including Cézanne, Gauguin, Van Gogh, and Seurat—began to push beyond surface appearances. They weren’t interested in simply seeing but in understanding how things were constructed. Post-Impressionism wasn't a unified style, but rather a diverse group of artists experimenting with different approaches to express emotion, ideas, and the underlying structure of reality.

    Cézanne’s work stands apart within this movement. While he shared the desire for greater formal control than his Impressionist predecessors, he rejected their emphasis on optical realism. Instead, he employed a more subjective approach, using color and line to convey his own perception of the subject—a process that would later become central to Cubism.

    A Study in Technique: Chalk and Form

    Cézanne’s choice of chalk as his medium is integral to the painting's impact. Chalk allows for a remarkable immediacy and expressiveness, enabling him to build up layers of tone and texture with rapid, confident strokes. The bold lines delineate the skull’s contours, while subtle shading creates a sense of depth and volume—almost as if the skull were emerging from the flat surface of the paper. Notice how he uses broken planes of color to suggest form rather than relying on traditional shading techniques.

    The cloth-covered table beneath the skull adds another layer of textural interest, grounding the image in a familiar domestic setting. The vase and candle holder in the background provide subtle visual anchors, preventing the composition from feeling overly stark or isolated. Cézanne masterfully balances simplicity with complexity, creating an image that is both visually arresting and intellectually stimulating.

    Symbolism and Mortality

    Of course, the skull itself carries a potent symbolic weight—a universal reminder of mortality and the transience of life. However, Cézanne doesn’t dwell on this theme in a sentimental or morbid way. Instead, he presents the skull as an object of study, a subject worthy of careful observation and artistic representation. The painting isn't about death itself but about the process of seeing and understanding—a process that inevitably leads to confronting our own mortality.

    The stark simplicity of the composition—the skull against the neutral background—heightens this sense of contemplation. It forces the viewer to engage directly with the image, prompting questions about life, death, and the nature of art itself. Skull is a powerful reminder that even in its apparent austerity, it’s a deeply layered and emotionally resonant work.

    For those seeking a high-quality reproduction of this iconic artwork, AllPaintingsStore offers meticulously hand-painted reproductions that capture the essence of Cézanne's vision. Explore our collection today to bring this timeless masterpiece into your home or studio.

    Artist and museum

    Artist

    Paul Cézanne

    Born in Aix-en-Provence, France

    The Architect of Form

    Paul Cézanne was born in Aix-en-Provence, France, into a family with deep roots in the local banking industry. His father, Louis-Auguste Cézanne, helped found the Banque Cézanne et Cabassol, providing a level of financial stability that many of his contemporaries lacked. This security allowed Paul to move away from the legal studies his father had planned for him. Though he initially studied law at the University of Aix-en-Provence, he abandoned those studies in 1860 to focus entirely on painting. His early years were spent in the company of friends like Émile Zola, and together they shared a childhood of swimming and fishing along the banks of the Arc River.

    The early works of Cézanne often carried the weight of Romanticism, utilizing dark palettes and heavy, expressive brushwork. He was influenced by the dramatic tonal contrasts found in the tradition of Eugène Delacroix. However, his approach began to shift as he moved toward Paris. He sought a way to move beyond the fleeting light captured by the Impressionists. Instead of merely recording a passing moment, he wanted to find the permanent structure within nature. He looked at a mountain or a piece of fruit and saw the underlying geometry—the cones, spheres, and cylinders that form the bones of the world.

    A New Way of Seeing

    Cézanne developed a technique characterized by small, repetitive, and constructive brushstrokes. He layered these patches of color to build up volume and texture, creating a sense of solidity. This method allowed him to explore spatial relationships without relying on traditional single-point perspective. In many of his compositions, objects appear independent within the space, often presented from multiple viewpoints at once. This rejection of classical perspective rules helped create a new pictorial language.

    His subject matter was deeply tied to his surroundings in Provence. The Mont Sainte-Victoire became a recurring presence in his work, appearing in approximately eighty different paintings and watercolors over many years. He also found profound meaning in the simplest objects. His still lifes, featuring items like apples, jars, and cups, were not mere decorations but intense studies of light, shadow, and mass. Through these works, he demonstrated how color modulation could define shape without the need for traditional shading.

    The Bathers (Les Grandes Baigneuses)

    Mont Sainte-Victoire series

    Still Life with Apples and a Pot of Primroses

    Portrait of Émile Zola

    The Card Players

    A Lasting Influence

    By the time of his death in 1906, Cézanne had fundamentally altered the direction of modern painting. His emphasis on geometric form and multiple perspectives provided a foundation for the Cubist movement. Artists such as Pablo Picasso and Georges Braque drew heavily from his analytical approach to nature. His use of bold, non-naturalistic color also left an impression on the Fauvists, including Henri Matisse. He moved art away from the imitation of reality toward a construction of visual experience based on perception and structure.

    Where to read more

    Find this online

    QR code linking to the download page for Skull

    wahooart.com/en/art/download/paul-cezanne-skull-8EWP32-en/

    Cite this artwork

    MLA
    Cézanne, Paul. Skull. 1900, https://wahooart.com/en/art/paul-cezanne-skull-8EWP32-en/
    APA
    Cézanne, Paul (1900). Skull [Painting]. https://wahooart.com/en/art/paul-cezanne-skull-8EWP32-en/
    Chicago
    Paul Cézanne. Skull. 1900. https://wahooart.com/en/art/paul-cezanne-skull-8EWP32-en/
    Harvard
    Cézanne, Paul (1900) Skull. Available at: https://wahooart.com/en/art/paul-cezanne-skull-8EWP32-en/

    Look closely

    Skull — Paul Cézanne

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: skull, mortality, death. Do you agree? What would you add, or take away?
    4. Look back at The Card Players (1893), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Skull — Paul Cézanne

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Paul Cézanne primarily associated with?

      • A Impressionism
      • B Post-Impressionism
      • C Cubism
    2. 2. The skull in this painting is most likely a symbol of:

      • A Wealth and prosperity
      • B Mortality and the passage of time
      • C Religious devotion
    3. 3. What medium did Paul Cézanne primarily use to create 'Skull'?

      • A Oil paint
      • B Watercolor
      • C Chalk
    4. 4. Where is ‘Skull’ currently housed?

      • A The Louvre Museum, Paris
      • B The Staatsgalerie Stuttgart, Germany
      • C The Metropolitan Museum of Art, New York
    5. 5. In the context of Cézanne’s oeuvre, ‘Skull’ is part of a series exploring which themes?

      • A Landscapes and seascapes
      • B Still lifes related to fruit and flowers
      • C Life, death, and time

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2A · 3C · 4A · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Where in the home does a reproduction of "Skull" fit well?

    A reproduction of "Skull" fits well in a living room.

    What colors dominate "Skull" by Paul Cézanne?

    "Skull" by Paul Cézanne uses a neutrals palette, with putty (#e4d6b6) as the dominant color.

    How do I discover artworks close to "Skull" by Paul Cézanne?

    The Similars page of "Skull" by Paul Cézanne presents related artworks.