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Student Artwork Guide

Emily Brontë

Name Class Date

Patrick Branwell Brontë, Emily Brontë (1833). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Patrick Branwell Brontë wahooart.com/en/artists/patrick-branwell-bronte/
Artist’s dates
1817 – 1848
Painted
1833
Original size
55 x 35 cm

In context

Emily Brontë — Patrick Branwell Brontë

How big is it?

The original measures 55 × 35 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1810
  2. 1820
  3. 1830
  4. 1840

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 31 at death.

Painted when the artist was 16. The artist lived to 31. 0 of the 28 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Patrick Branwell Brontë (1817–1848) ▲ this work, 1833 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/patrick-branwell-bronte-emily-bronte-AQS7ZQ-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #1a1e20

    Catalogued palette

    • #1A1E20
    • #D2B996
    • #3F3B3C
    • #8B7969

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Patrick Branwell Brontë over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 91.7%1,100 visits
    2. 2 United States of America 8.3%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 9 most looked-at works by Patrick Branwell Brontë

    1. 1 Landscape with Cottage, River and Bridge 15.4%200 visits
    2. 2 Mrs Isaac Kirby, 1839 15.4%200 visits
    3. 3 William Thomas (1814–1886), 1839 15.4%200 visits
    4. 4 The Lincolnshire Link Boy, 1838 15.4%200 visits
    5. 5 Landscape with Figures, 1839 7.7%100 visits
    6. 6 Margaret Hartley, 1839 7.7%100 visits
    7. 7 Robert Taylor of Stanbury (1815–1890), 1839 7.7%100 visits
    8. 8 Landscape with Cottage, River and Bridge 7.7%100 visits
    9. 9 Emily Brontë, 1833 this painting 7.7%100 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 30 works by this artist, of which 9 were looked at at least once. This painting ranks 9 of them, with 7.7% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Patrick Branwell Brontë

    A Life Etched in Melancholy and Mist

    Born into the atmospheric landscape of Yorkshire, Patrick Branwell Brontë lived a life defined by both profound connection and tragic isolation. As the only brother to the legendary Charlotte, Emily, and Anne, his existence was inextricably woven into the fabric of one of England's most celebrated literary lineages. His early years in Thornton were marked by a deep sensitivity to the natural world, yet this beauty was often clouded by the heavy shroud of grief following the untimely deaths of his elder siblings. Under the rigorous but imaginative tutified instruction of his father, the Reverend Patrick Brontë, Branwell developed an intellect shaped by classical literature and a soul attuned to the darker, more psychological depths of human experience. This formative period, steeped in both scholarly discipline and personal loss, created a temperament that was as fragile as it was intense.

    Between the Canvas and the Page

    His creative output was a restless exploration of both visual and literary realms, a dual pursuit that sought to capture the ephemeral beauty of his surroundings. As a painter, he possessed a remarkable ability to capture the quiet dignity of his subjects and the serene, often nocturnal, beauty of the English countryside. In works such as Margaret Hartley, one observes a neoclassical precision that masks a subtle, underlying melancholy, while his landscapes, like Landscape with Cottage, River and Bridge, evoke a sense of peaceful solitude under the moonlight. Yet, it was perhaps in the realm of collaborative storytelling where his imagination truly soared. Alongside Charlotte, he helped construct the sprawling, intricate mythologies of the Glass Town Confederacy and the Angria saga—worlds of political intrigue and heroic conflict that served as a crucible for the Brontë creative spirit. His stylistic sensibilities, deeply influenced by the atmospheric shadows and psychological depth found in the writings of Edgar Allan Poe, sought to bridge the gap between reality and the fantastic.

    His artistic identity can be understood through several distinct facets:

    The meticulous precision of his neoclassical portraiture.

    The evocative, atmospheric quality of his landscape paintings.

    The expansive, collaborative world-building of the Glass Town chronicles.

    An Unfinished Legacy

    The tragedy of Branwell’s life lies in its premature conclusion. Dying at the young age of thirty-one, he left behind a legacy that remains caught in the long shadow of his sisters' monumental achievements. While history often remembers him as the brother who struggled against the weight of familial expectation and personal hardship, a closer examination reveals an artist of significant depth and vision. He was not merely a supporting character in the Brontë saga, but a vital, if turbulent, architect of their shared imaginative universe—a man whose brushstrokes and written words contributed to a legacy of profound emotional resonance that continues to haunt and inspire the art world today.

    Where to read more

    Find this online

    QR code linking to the download page for Emily Brontë

    wahooart.com/en/art/download/patrick-branwell-bronte-emily-bronte-AQS7ZQ-en/

    Cite this artwork

    MLA
    Brontë, Patrick Branwell. Emily Brontë. 1833, https://wahooart.com/en/art/patrick-branwell-bronte-emily-bronte-AQS7ZQ-en/
    APA
    Brontë, Patrick Branwell (1833). Emily Brontë [Painting]. https://wahooart.com/en/art/patrick-branwell-bronte-emily-bronte-AQS7ZQ-en/
    Chicago
    Patrick Branwell Brontë. Emily Brontë. 1833. https://wahooart.com/en/art/patrick-branwell-bronte-emily-bronte-AQS7ZQ-en/
    Harvard
    Brontë, Patrick Branwell (1833) Emily Brontë. Available at: https://wahooart.com/en/art/patrick-branwell-bronte-emily-bronte-AQS7ZQ-en/

    Look closely

    Emily Brontë — Patrick Branwell Brontë

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Landscape with Cottage, River and Bridge, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Patrick Branwell Brontë was about 16 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What orientation does "Emily Brontë" by Patrick Branwell Brontë have?

    The format of "Emily Brontë" is portrait. This is useful when planning where a reproduction will be placed.

    Can I see "Emily Brontë" by Patrick Branwell Brontë on my own wall before buying?

    "Emily Brontë" by Patrick Branwell Brontë can be previewed on your own wall with the artwork's AR Preview page, using augmented reality on a compatible device.

    Who created "Emily Brontë"?

    "Emily Brontë" was created by Patrick Branwell Brontë. The information on this page describes Patrick Branwell Brontë's original work.