Paper

Student Artwork Guide

Crying woman

Name Class Date

Pablo Picasso, Crying woman (1937). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Pablo Picasso wahooart.com/en/artists/pablo-picasso/
Artist’s dates
1881 – 1973
Painted
1937
Medium
Oil
Original size
29 x 23 cm
Movement
Cubism Objects broken apart and shown from several viewpoints at once, all flattened onto one surface.
Period
Modern
Artistic style
Cubist, Emotional
Influences
European history
Notable elements
Large eye, teeth, blue background
Subject or theme
Suffering, Despair

In context

Crying woman — Pablo Picasso

How big is it?

The original measures 29 × 23 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 92 at death.

Painted when the artist was 56. The artist lived to 92. 746 of the 1098 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Pablo Picasso (1881–1973) ▲ this work, 1937 every dated painting, decade by decade

First works: up to 1906 Main working years: 1906–1939 Late works: from 1939

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/pablo-picasso-crying-woman-8XYPBY-en/

Colours

Measured from the image

    Main colour

    Espresso #384860

    Catalogued palette

    • #384860
    • #939795
    • #F5D150
    • #EAE7DB

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Pablo Picasso over the last twelve months — 106 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 38.6%
    2. 2 United States of America 6.7%
    3. 3 France 4.2%
    4. 4 Italy 4.2%
    5. 5 Germany 3.9%
    6. 6 Spain 3.6%
    7. 7 Brazil 2.4%
    8. 8 Japan 2.3%
    9. 9 India 2.1%
    10. 10 Singapore 1.8%
    11. · 96 other countries 30.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Pablo Picasso

    1. 1 Guernica, 1937 11.3%
    2. 2 Three Musicians, 1921 9.8%
    3. 3 The Young Ladies of Avignon, 1907 3.5%
    4. 4 Portrait of Ambroise Vollard, 1910 2.4%
    5. 5 A boy with pipe, 1905 1.6%
    6. 6 Two women running on the beach (The race), 1922 1.1%
    7. 7 Self-Portrait, 1906 0.7%
    8. 8 Women of Algiers (Version O), 1955 0.7%
    9. 9 Saltimbanques (The Family of Saltimbanques), 1905 0.5%
    10. 10 Sabartes, 1901 0.5%
    11. 11 La Vie (Life), 1903 0.5%
    12. 12 Guitar player, 1910 0.5%
    13. 13 Mediterranean Landscape, 1952 0.5%
    14. 14 Child with dove, 1901 0.4%
    15. 15 Acrobat and young harlequin, 1905 0.4%
    16. 16 Friendship, 1908 0.4%
    17. 17 Glass and Bottle of Suze, 1912 0.4%
    18. 18 Bull (plate X), 1946 0.4%
    19. 19 Portrait of Dora Maar, 1937 0.4%
    20. Crying woman, 1937 this painting 0.0%

    Together these works take 36.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 2304 works by this artist, of which 1424 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Crying woman — Pablo Picasso

    The Haunting Beauty of “Crying Woman”: A Portrait of Trauma and Surrealist Vision

    Pablo Picasso’s 1937 painting, “Crying Woman,” is not merely a depiction of sorrow; it's a visceral embodiment of the anxieties and uncertainties gripping Europe on the precipice of World War II. This arresting work, measuring just 29 x 23 cm, transcends its modest size to deliver an intensely emotional experience, drawing viewers into a world of fragmented forms, unsettling colors, and profound psychological depth. It’s a testament to Picasso's mastery of surrealism – a movement he embraced during this turbulent period, seeking to unlock the subconscious and translate the raw emotions of the age onto canvas.

    At first glance, the painting presents a starkly simplified image: a woman consumed by grief. Her mouth is thrown open in an anguished wail, revealing teeth and tongue – a primal expression of pain that bypasses rational thought. The background, rendered in a deep, almost oppressive blue, serves to amplify this sense of isolation and despair. However, closer inspection reveals a complex interplay of visual elements. Picasso deliberately distorted the woman’s features, creating an unsettling asymmetry. One enormous eye dominates her face, radiating an unnerving intensity, while two smaller eyes are positioned higher up on the right side – a subtle detail that suggests a fractured perception of reality, mirroring the psychological turmoil she experiences. The use of multiple eyes is particularly potent, hinting at the overwhelming nature of grief and the struggle to maintain coherence in the face of unbearable loss.

    A Masterpiece Forged in Crisis

    The creation of “Crying Woman” coincided with a period of immense upheaval in Europe. Picasso was deeply affected by the escalating tensions leading up to World War II, as well as the horrors unfolding during the Spanish Civil War. The bombing of Guernica – a Basque town subjected to a devastating aerial attack – served as a particularly potent catalyst for his artistic response. This event ignited within him a fierce condemnation of violence and a desire to capture the collective suffering of humanity. “Crying Woman” can be viewed, in part, as a direct reaction to this tragedy, embodying the widespread anguish felt across the continent.

    Technically, Picasso employs a masterful blend of techniques characteristic of his surrealist style. The painting is executed in oil on canvas, utilizing bold brushstrokes and a limited color palette – primarily blues, browns, and ochres – to create a sense of immediacy and raw emotion. He skillfully manipulates perspective and proportion, distorting the woman’s features to heighten the impact of her distress. The drypoint etching technique, later adapted into prints, allowed for sharp lines and intricate details, further emphasizing the fragmented nature of the scene. The layering of textures – from the smooth skin of the face to the rougher surfaces of the background – adds a tactile dimension to the work, inviting viewers to engage with it on multiple levels.

    Symbolism and Emotional Resonance

    Beyond its immediate depiction of grief, “Crying Woman” is rich in symbolic meaning. The woman’s open mouth and exposed teeth are not simply expressions of pain; they represent a primal scream – a desperate attempt to release the overwhelming emotions that threaten to consume her. The single, dominant eye can be interpreted as a symbol of awareness, highlighting the individual's struggle to comprehend and cope with their suffering. The blue background evokes feelings of melancholy, isolation, and despair, while the fragmented forms suggest a shattered sense of self.

    Furthermore, Picasso’s choice of subject matter – a nameless woman overwhelmed by grief – elevates the painting beyond a specific personal tragedy. It becomes an archetype of human suffering, resonating with viewers across cultures and generations. “Crying Woman” is not just a portrait; it's a universal symbol of loss, trauma, and the enduring capacity for emotional pain. It’s a poignant reminder of the fragility of life and the importance of empathy in a world often marked by conflict and despair.

    Bringing Picasso’s Vision Home

    AllPaintingsStore offers meticulously crafted, hand-painted reproductions of “Crying Woman,” allowing you to bring this iconic masterpiece into your own space. Our skilled artists faithfully recreate Picasso's unique style and emotional intensity, ensuring that the painting retains its power and beauty. Available in a range of sizes – including the original 29 x 23 cm version – our reproductions provide an authentic representation of this seminal work of art. Whether you are an art collector, interior designer, or simply someone seeking to connect with the profound emotional depth of Picasso’s vision, AllPaintingsStore's “Crying Woman” reproduction is a timeless addition to any collection.

    To explore other stunning reproductions by Pablo Picasso and delve deeper into his artistic legacy, visit Pablo Picasso at AllPaintingsStore.com.

    Artist and museum

    Artist

    Pablo Picasso

    Born in Malaga, Spain

    The boy from Málaga

    A child's first words in Málaga were “piz, piz,” a small attempt at saying pencil. This early pull toward the lead and paper was nurtured by his father, José Ruiz y Blasco, who taught him the basics of figure drawing and oil painting. The boy learned to copy the masters and draw from plaster casts under a disciplined eye. As he grew, the family moved through A Coruña and Barcelona. These years were marked by the quiet weight of loss, particularly the death of his sister, Conchita, from diphtheria when she was only seven. Such shadows would later find their way into the heavy, blue-green tones of his early work.

    By thirteen, he was already taking entrance exams for advanced classes in Barcelona, finishing in a week what took others a month. His hands moved with a precision that even his father noticed, once seeing him paint over an unfinished sketch of a pigeon with such accuracy that the instructor realized the student had surpassed him. He eventually moved to Paris, a city where he would spend much of his adult life, constantly shifting his focus from one way of seeing to another.

    Shifting palettes and fractured forms

    The early twentieth century saw his work move through distinct phases of color and mood. There was the Blue Period, where the canvases were filled with beggars, the blind, and the lonely, rendered in somber shades of blue. This gave way to the Rose Period, a time when pinks, oranges, and reds appeared, often featuring the figures of circus performers like harlequins and acrobats. These years showed a man reacting to his own life and the world around him through the temperature of his palette.

    In 1907, the way he handled space changed fundamentally with Les Demoiselles d'Avignon. Influenced by African masks and Iberian sculpture, he began to break objects into geometric shapes. Alongside Georges Braque, he developed Cubism. This involved two main stages:

    Analytic Cubism: A method of fragmenting objects into muted, geometric pieces as if dissecting the form itself.

    Synthetic Cubism: An approach that brought in collage elements like newspaper clippings and fabric scraps to add texture and new layers.

    A life of constant change

    His work never settled into a single way of being. He explored Neoclassicism with large, monumental figures and later engaged with the imagery of Surrealism, using distorted perspectives to tap into the subconscious. The violence of the Spanish Civil War left its mark on his canvas in 1937 through Guernica. This large oil painting used a stark palette of black, white, and grey to show the suffering of a bombed town, featuring a gored horse, a bull, and screaming women. It remains a heavy, monochromatic response to the chaos of war.

    In his later years, he continued to experiment with ceramics, sculpture, and printmaking. He even created large-scale public works, such as the 1967 steel sculpture in Chicago, which was inspired by the head of his Afghan Hound, Kabul. He died in Mougins, France, leaving behind a massive collection of work that spans over seventy-six years of experimentation.

    Where to read more

    Find this online

    QR code linking to the download page for Crying woman

    wahooart.com/en/art/download/pablo-picasso-crying-woman-8XYPBY-en/

    Cite this artwork

    MLA
    Picasso, Pablo. Crying woman. 1937, https://wahooart.com/en/art/pablo-picasso-crying-woman-8XYPBY-en/
    APA
    Picasso, Pablo (1937). Crying woman [Painting]. https://wahooart.com/en/art/pablo-picasso-crying-woman-8XYPBY-en/
    Chicago
    Pablo Picasso. Crying woman. 1937. https://wahooart.com/en/art/pablo-picasso-crying-woman-8XYPBY-en/
    Harvard
    Picasso, Pablo (1937) Crying woman. Available at: https://wahooart.com/en/art/pablo-picasso-crying-woman-8XYPBY-en/

    Look closely

    Crying woman — Pablo Picasso

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: crying, woman, surrealism. Do you agree? What would you add, or take away?
    4. Look back at Guernica (1937), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Cubism: Objects broken apart and shown from several viewpoints at once, all flattened onto one surface. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Crying woman — Pablo Picasso

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary emotion conveyed by the woman in Picasso’s ‘Crying Woman’?

      • A Joy and contentment
      • B Despair and grief
      • C Neutrality and detachment
    2. 2. The background of ‘Crying Woman’ is predominantly characterized by:

      • A A vibrant, chaotic cityscape
      • B A deep blue hue
      • C A warm, golden light
    3. 3. Which artistic movement does ‘Crying Woman’ primarily exemplify?

      • A Realism
      • B Surrealism
      • C Impressionism
    4. 4. The painting was created during a period of significant historical upheaval. What event directly influenced its creation?

      • A The French Revolution
      • B World War I
      • C The bombing of Guernica
    5. 5. How many eyes are visible on the woman’s face in ‘Crying Woman’?

      • A One large eye
      • B Two smaller eyes
      • C Three eyes

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4C · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What style does "Crying woman" belong to?

    "Crying woman" is a work of Cubism. The movement indicates the artistic tradition the work is part of.

    What is the overall mood of "Crying woman" by Pablo Picasso?

    "Crying woman" has a dramatic atmosphere.

    Who created "Crying woman" and in what year?

    The author of "Crying woman" is Pablo Picasso, and the work is dated 1937.