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Student Artwork Guide

Composition with Three Trees, 2

Name Class Date

ola kolehmainen, Composition with Three Trees, 2, Borusan Contemporary. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
ola kolehmainen wahooart.com/en/artists/ola-kolehmainen/
Artist’s dates
1964 – ?
Held at
Borusan Contemporary wahooart.com/en/museums/borusan-contemporary-istanbul/

In context

Composition with Three Trees, 2 — ola kolehmainen

When might this have been painted?

  1. 1960

Shaded: the lifetime of ola kolehmainen (1964–?)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/ola-kolehmainen-composition-with-three-trees-2-D4NFJ5-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #a57c92

    Catalogued palette

    • #A57C92
    • #342F3F
    • #824C5C
    • #CFB9CD
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    ola kolehmainen

    Born in Helsinki, Finland

    Randall Vernon Davey: A Life Painted in the Shadows of Early Modernism

    Randall Vernon Davey, born in East Orange, New Jersey, in 1887, emerged from a modest upbringing to become a significant, though often overlooked, figure in early 20th-century American art. His journey was one of quiet determination and artistic evolution, shaped by mentorships with influential figures like Robert Henri and Charles W. Hawthorne, and ultimately defined by his distinctive depictions of the American West – particularly horse racing, polo, and the landscapes that framed these vibrant scenes. Davey’s story is a testament to the power of unconventional paths and the enduring appeal of capturing fleeting moments in time.

    Davey's artistic inclinations began unexpectedly during his studies at Cornell University, where he initially enrolled in architecture but quickly found himself drawn to the burgeoning world of art. This shift was fueled by Henri’s encouragement and a desire to break free from the constraints of his family’s expectations. Following graduation, Davey relocated to New York City, immersing himself in the city's vibrant artistic community. He honed his skills under Henri at the Ashcan School, absorbing its emphasis on realism and social commentary, while also benefiting from Hawthorne’s instruction at the Taos Society, which introduced him to a more expansive palette of color and landscape painting techniques. These formative experiences laid the groundwork for his unique style – one characterized by a meticulous attention to detail, a subtle use of light and shadow, and an understated elegance.

    The 1910s marked a period of significant growth for Davey’s career. He exhibited alongside prominent artists like George Bellows and Stuart Davis, gaining recognition within the burgeoning American art scene. The Armory Show in 1913 proved to be a pivotal moment, exposing his work to a wider audience and solidifying his place among the leading figures of modernism. Following this success, Davey embarked on extended journeys with Henri, exploring Europe, Maine, Spain, and San Francisco – experiences that profoundly influenced his artistic vision and provided him with a wealth of subject matter. His travels weren’t merely for pleasure; they were integral to his development as an artist, allowing him to absorb diverse cultural influences and refine his observational skills.

    A turning point in Davey's life occurred when he relocated to Santa Fe, New Mexico, in 1938, seeking a respite from the pressures of New York City and a deeper connection with the landscape. He established a studio on the outskirts of town and dedicated himself to teaching art at various institutions, including the Broadmoor Art Academy, the Chicago Institute of Art, and the University of New Mexico. Despite his success as an educator, Davey continued to paint prolifically, producing a remarkable body of work that captured the essence of the American West with remarkable sensitivity and skill. His subjects ranged from dynamic polo matches to intimate portraits of individuals within these scenes, all rendered with a quiet dignity and understated beauty.

    Tragically, Davey’s life was cut short in 1964 when he died in a car accident on his way to California. Despite this untimely demise, his legacy endures as a significant contributor to the development of American art in the early 20th century. His paintings offer a poignant glimpse into a bygone era, capturing not only the visual beauty of the American West but also the spirit and character of its inhabitants. Davey’s work is now recognized for its quiet power, its subtle emotional depth, and its enduring appeal – a testament to the lasting impact of an artist who quietly shaped the course of modern art.

    The Influence of Henri and the Rise of Regionalism

    Davey's artistic trajectory was profoundly shaped by his mentorship under Robert Henri, a key figure in the Ashcan School movement. Henri’s emphasis on direct observation, social realism, and capturing the essence of everyday life instilled in Davey a commitment to portraying the world with honesty and authenticity. Henri encouraged his students to paint en plein air, fostering an intimate connection with their subjects and developing a keen eye for detail. This approach contrasted sharply with the academic traditions of the time, which often prioritized idealized representations over realistic depictions.

    Furthermore, Davey’s time with Charles W. Hawthorne at the Taos Society introduced him to new techniques and perspectives on landscape painting. Hawthorne's focus on color theory and atmospheric effects broadened Davey’s artistic palette and allowed him to create more nuanced and evocative renderings of the Southwestern terrain. The influence of these two mentors is evident in Davey’s work – a blend of Henri’s social realism and Hawthorne’s expressive landscapes.

    Following his move to Santa Fe, Davey became increasingly associated with the burgeoning regionalist movement, which sought to celebrate the unique character and culture of American regions. While he never fully embraced the overtly nationalist aspects of some regionalist artists, Davey's paintings of the American West – particularly horse racing and polo – captured a specific sense of place and identity that resonated with audiences seeking an alternative to European artistic traditions. His depictions of these activities were not merely illustrations; they were imbued with a subtle commentary on the social dynamics and cultural values of the region.

    Key Characteristics of Davey’s Artistic Style

    Davey's distinctive style is characterized by several key elements: meticulous detail, a restrained color palette, and an understated elegance. He was a master of capturing light and shadow, creating a sense of depth and atmosphere in his paintings. His compositions are often balanced and harmonious, reflecting a deep appreciation for formal structure. Unlike some of his contemporaries who embraced bold brushstrokes and vibrant colors, Davey favored a more subtle approach, relying on delicate gradations of tone to convey mood and emotion.

    His use of texture was particularly noteworthy. He employed a variety of techniques – from dry brushing to layering – to create surfaces that felt both tactile and visually engaging. This attention to detail extended to his depictions of figures, who were rendered with remarkable accuracy and psychological insight. Davey’s portraits are not simply likenesses; they capture the essence of his subjects' personalities and experiences.

    Subject Matter: Primarily horse racing, polo, landscapes of the American Southwest, and occasional nudes.

    Technique: Precise observation, meticulous detail, subtle use of light and shadow.

    Color Palette: Restrained and earthy tones, often emphasizing browns, grays, and ochres.

    Composition: Balanced and harmonious, reflecting a sense of order and control.

    Davey’s Legacy and Historical Significance

    Despite his relatively modest recognition during his lifetime, Randall Vernon Davey's work has gained increasing appreciation in recent decades. His paintings are now housed in several prominent collections, including the Smithsonian American Art Museum and the Gilcrease Institute. His contributions to the development of American art are increasingly recognized as a vital part of the early 20th-century landscape.

    Davey’s story is particularly poignant because it represents a counter-narrative to the dominant narratives of American art history, which often focused on the work of male artists from privileged backgrounds. Davey's journey – from a modest upbringing in New Jersey to a respected artist in Santa Fe – embodies the spirit of self-determination and artistic ambition. His paintings offer a valuable window into a bygone era, capturing not only the visual beauty of the American West but also the social and cultural dynamics of a rapidly changing nation. Davey’s legacy serves as a reminder that art can be found in unexpected places and that even quiet, unassuming artists can leave a lasting impact on the world.

    Museum

    Borusan Contemporary

    On show in Istanbul, Turkey

    A Hauntingly Beautiful Fusion: Discovering Borusan Contemporary

    Nestled within the enigmatic Perili Köşk – literally “Haunted House” – in Istanbul’s historic Rumelihisarı district, Borusan Contemporary isn't merely a museum; it’s an immersive journey through time and artistic expression. This unique space, straddling the continents of Europe and Asia, offers a captivating dialogue between Turkey’s rich past and its vibrant contemporary art scene. The building itself – a meticulously preserved blend of Ottoman and European architectural styles – whispers tales of opulent residences and local lore, immediately establishing an atmosphere of intriguing mystery that sets the stage for the dynamic works housed within. Borusan Contemporary stands as a testament to Turkey's commitment to fostering cultural dialogue on both a national and international scale, showcasing a collection that boldly embraces innovation while honoring tradition.

    The Perili Köşk’s history is inextricably linked to the museum’s very existence. Originally constructed as a private residence overlooking the breathtaking Bosphorus Strait, this architectural gem carried an aura of intrigue from its inception. Its layered past – evolving from a symbol of lavish living to a landmark imbued with local legends and tales of spectral sightings – provides a profoundly resonant backdrop for the art on display. The juxtaposition of the mansion’s ornate façade with the often-challenging and avant-garde works within is deliberate, a key element in Borusan Contemporary's ethos. It invites visitors to contemplate the enduring interplay between past and present, tradition and innovation, creating an experience far richer than simply viewing art.

    A Dynamic Collection: Exploring Contemporary Visions

    Borusan Contemporary distinguishes itself from traditional museum models through its perpetually evolving program of exhibitions. Rather than adhering to a static collection, the museum thrives on showcasing diverse mediums – from thought-provoking sculptures and immersive installations to vibrant paintings and cutting-edge digital art forms. Visitors can anticipate encountering works by both established Turkish artists and rising international stars, each offering unique perspectives within the contemporary landscape. A particular strength lies in its embrace of new media: video art that challenges perceptions, neon installations that transform space, and interactive pieces that invite active engagement. The collection’s evolution reflects a forward-looking vision, continually incorporating experimental and digital artworks – a deliberate choice mirroring the museum's commitment to pushing artistic boundaries.

    The foundation of Borusan Contemporary’s collection began with a focus on Turkish Modern and Contemporary Art, but it has dramatically expanded over the decades. In the 2000s, the museum embraced international artists like Donald Judd and Sol LeWitt, demonstrating a willingness to engage with global artistic trends. This expansion culminated in a deliberate commitment to experimental and digital artworks, solidifying Borusan Contemporary’s position as a leading voice in showcasing innovative approaches to art-making. The collection now boasts over 730 works, representing a diverse range of styles and mediums, all united by their exploration of contemporary themes and ideas.

    The Legacy of Support: The Borusan Kocabıyık Foundation

    The existence of Borusan Contemporary is deeply rooted in the unwavering commitment of the Borusan Kocabıyık Foundation. Supported by the substantial resources of Borusan Holding A.Ş., a diversified industrial group, the museum operates as more than just an exhibition space; it functions as a vital educational hub dedicated to engaging visitors with modern art concepts and practices. This dedication extends beyond simply displaying artwork – Borusan Contemporary actively commissions new works, provides crucial support for emerging artists, and fosters cultural exchange through international collaborations. The foundation’s investment ensures that the museum remains a dynamic force in promoting contemporary art within Turkey and connecting it to the global artistic community.

    More Than Just a Museum: An Istanbul Destination

    What truly sets Borusan Contemporary apart is its seamless blend of cutting-edge artistry with the captivating charm of its historical setting. It’s a place where you can lose yourself in immersive installations, contemplate challenging ideas, and connect with art on a deeply emotional level – all while surrounded by the echoes of centuries past. Whether you are an avid collector seeking inspiration, an interior designer searching for innovative aesthetics, or simply an art enthusiast eager to explore Istanbul's cultural landscape, Borusan Contemporary offers an unforgettable experience that will linger long after you leave its hauntingly beautiful halls. The museum’s location within the Perili Köşk adds a layer of mystique and intrigue, transforming a visit into something truly special – a journey through both artistic innovation and historical resonance.

    Where to read more

    Find this online

    QR code linking to the download page for Composition with Three Trees, 2

    wahooart.com/en/art/download/ola-kolehmainen-composition-with-three-trees-2-D4NFJ5-en/

    Cite this artwork

    MLA
    kolehmainen, ola. Composition with Three Trees, 2. n.d., Borusan Contemporary. https://wahooart.com/en/art/ola-kolehmainen-composition-with-three-trees-2-D4NFJ5-en/
    APA
    kolehmainen, ola (n.d.). Composition with Three Trees, 2 [Painting]. Borusan Contemporary. https://wahooart.com/en/art/ola-kolehmainen-composition-with-three-trees-2-D4NFJ5-en/
    Chicago
    ola kolehmainen. Composition with Three Trees, 2. n.d. Borusan Contemporary. https://wahooart.com/en/art/ola-kolehmainen-composition-with-three-trees-2-D4NFJ5-en/
    Harvard
    kolehmainen, ola (n.d.) Composition with Three Trees, 2. Borusan Contemporary. Available at: https://wahooart.com/en/art/ola-kolehmainen-composition-with-three-trees-2-D4NFJ5-en/

    Look closely

    Composition with Three Trees, 2 — ola kolehmainen

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Hagia Sophia year 537 XIV (2014), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.