Paper

Student Artwork Guide

Old Beggar

Name Class Date

Nicolas Toussaint Charlet, Old Beggar (1823). Public domain.

The facts

Artist
Nicolas Toussaint Charlet wahooart.com/en/artists/nicolas-toussaint-charlet/
Artist’s dates
1792 – 1845
Painted
1823
Original size
36 x 27 cm
Movement
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.

In context

Old Beggar — Nicolas Toussaint Charlet

How big is it?

The original measures 36 × 27 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1790
  2. 1800
  3. 1810
  4. 1820
  5. 1830
  6. 1840

Shaded: the lifetime of Nicolas Toussaint Charlet (1792–1845) ▲ this work, 1823

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/nicolas-toussaint-charlet-old-beggar-D3HLT7-en/

Colours

Measured from the image

    Main colour

    Putty #f3ecc6

    Catalogued palette

    • #F3ECC6
    • #9E9A86
    • #53524A
    • #DED5B2
    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Nicolas Toussaint Charlet

    Born in Paris, France

    Nicolas Toussaint Charlet: A Voice of the Veteran and a Master of Lithography

    Born in Paris in 1792, Nicolas Toussaint Charlet’s life was inextricably linked to the tumultuous events of post-revolutionary France. His father, a dragoon serving in the Republican army, tragically died in service, leaving his widow, Madame Charlet, and young Nicolas facing profound poverty. Remarkably, this hardship fueled her determination; she secured her son an education at the Lycée Napoléon, a testament to her unwavering spirit and fervent Bonapartist beliefs – a debt of affection that shaped Charlet’s lifelong loyalty.

    Charlet's early career began in a surprisingly mundane role within the Paris city administration, registering recruits. However, his innate artistic talent quickly superseded this administrative duty. He found refuge and mentorship in the atelier of Baron Gros, a distinguished painter known for his historical works. It was here that Charlet’s skills blossomed, particularly in lithography – a medium he would master with astonishing speed and ultimately define as his signature style. The demand for military subjects following the Napoleonic Wars provided fertile ground for his burgeoning talent, leading to an astounding output of approximately 2000 prints, watercolours, sepia drawings, and a handful of etchings.

    The Rise of a Military Icon: Grenadier de Waterloo

    Charlet’s fame exploded with the publication of “Grenadier de la Garde” in 1817 – an image that would become instantly recognizable. This lithograph, depicting a grenadier standing stoically before the barricades of Clichy during the Hundred Days Campaign, carried the powerful motto "La Garde meurt et ne se rend pas" (The Guard Dies and Does Not Surrender). Though often attributed to Cambronne, the phrase originated with Charlet’s design. The image resonated deeply within a nation grappling with the aftermath of defeat, embodying resilience, duty, and national pride – themes that would continue to dominate his work.

    The “Grenadier de Waterloo” wasn't merely a depiction of military prowess; it was a carefully constructed symbol. Charlet’s meticulous attention to detail—the soldier’s posture, the uniform, even the subtle expression on his face—created an image that transcended mere illustration and became a potent emblem of French patriotism. It demonstrated his ability to capture not just the physical appearance of soldiers but also their spirit and resolve.

    Beyond the Battlefield: Scenes of Civilian Life

    While military subjects remained central to Charlet’s oeuvre, he wasn't solely focused on war. In the 1830s, he embarked on a significant project – “La Vie civile, politique, et militaire du Caporal Valentin,” a series of 50 lithographs depicting the daily life of a young soldier named Valentin. This ambitious work offered a surprisingly nuanced portrayal of civilian and military society, showcasing scenes of everyday routines alongside moments of camaraderie and hardship. These prints demonstrated Charlet’s growing interest in capturing the broader spectrum of French life, moving beyond the heroic narratives of war to explore more intimate and relatable subjects.

    His later works continued this trend, including evocative depictions of peasant life, children at play, and scenes of urban activity. These pieces reveal a shift in his artistic focus – a desire to capture the essence of French society as a whole, rather than simply glorifying military victories. The “Episode in the Campaign of Russia,” “Passage of the Rhine by Moreau,” and “Wounded Soldiers Halting in a Ravine” exemplify this evolution, showcasing a refined style and a heightened sense of realism.

    A Legacy Forged in Lithography

    Nicolas Toussaint Charlet’s impact on French art is undeniable. He elevated lithography to an artistic medium, demonstrating its capacity for capturing both historical detail and emotional depth. His ability to imbue his prints with patriotic fervor and a keen understanding of human psychology cemented his place as one of the most popular and influential artists of his time. His work served as a powerful reminder of France’s past glories while simultaneously reflecting the social and political realities of 19th-century life. Though he died in 1845, Charlet's legacy continues to resonate through his enduring images – a testament to the power of art to capture history, evoke emotion, and shape national identity.

    Where to read more

    Find this online

    QR code linking to the download page for Old Beggar

    wahooart.com/en/art/download/nicolas-toussaint-charlet-old-beggar-D3HLT7-en/

    Cite this artwork

    MLA
    Charlet, Nicolas Toussaint. Old Beggar. 1823, https://wahooart.com/en/art/nicolas-toussaint-charlet-old-beggar-D3HLT7-en/
    APA
    Charlet, Nicolas Toussaint (1823). Old Beggar [Painting]. https://wahooart.com/en/art/nicolas-toussaint-charlet-old-beggar-D3HLT7-en/
    Chicago
    Nicolas Toussaint Charlet. Old Beggar. 1823. https://wahooart.com/en/art/nicolas-toussaint-charlet-old-beggar-D3HLT7-en/
    Harvard
    Charlet, Nicolas Toussaint (1823) Old Beggar. Available at: https://wahooart.com/en/art/nicolas-toussaint-charlet-old-beggar-D3HLT7-en/

    Look closely

    Old Beggar — Nicolas Toussaint Charlet

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at LE CONVENTIONNEL MERLIN DE THIONVILLE A L'ARMEE DU RHIN, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Romanticism: Art that puts feeling, wildness and the power of nature above calm order and rules. Where can you see that in this work?
    5. Nicolas Toussaint Charlet was about 31 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.