Paper

Student Artwork Guide

Beast\n\nBeast

Name Class Date

Maurycy Gomulicki, Beast\n\nBeast (2013), Bunkier Sztuki Gallery of Contemporary Art. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Maurycy Gomulicki wahooart.com/en/artists/maurycy-gomulicki/
Artist’s dates
1969 – ?
Painted
2013
Held at
Bunkier Sztuki Gallery of Contemporary Art wahooart.com/en/museums/bunkier-sztuki-gallery-of-contemporary-art-krakow/

In context

Beast\n\nBeast — Maurycy Gomulicki

When was this painted?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Shaded: the lifetime of Maurycy Gomulicki (1969–?) ▲ this work, 2013

Colours

Measured from the image

    Main colour

    Phthalo Green #2a2d25

    Catalogued palette

    • #2A2D25
    • #8C932C
    • #CFDD3F
    • #CBC7A4
    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Beast\n\nBeast — Maurycy Gomulicki

    The Beast is a modern interpretation of the complex and equivocal symbolic representation of a snake and a dragon. The artist consciously transgresses the boundaries between high and low culture. He creates a work that is minimalistic, yet affects the senses thanks to its rounded shape and vivid colours. The sculpture is a reinterpretation of the legend of the Wawel dragon and a response to the commercialisation of the historic centre of Krakow. The polysemy of form, which oscillates between the image of a cuddly toy and a monster is also an allusion to Jeff Koons

    Artist and museum

    Artist

    Maurycy Gomulicki

    Born in Warsaw, Poland

    Maurycy Gomulicki: A Kaleidoscope of Pleasure and Surrealism

    Maurycy Gomulicki, born in Warsaw, Poland, on March 27, 1969, is an artist whose oeuvre defies easy categorization. He embodies a singular vision—a “hedonistic” exploration of culture intertwined with provocative juxtapositions of high art and kitsch, blending neon sculpture, photography, installation art, and film into a mesmerizing tapestry of sensory experience. His artistic journey began at the Warsaw Academy of Fine Arts, where he honed his skills in graphic design and painting under the tutelage of Professor Rafał Strent and Professor Jerzy Tchórzewski, respectively. Subsequent studies at Barcelona University, Nuova Accademia di Belle Arti Milan, and Centro Multimedia del Centro Nacional de las Artes Mexico broadened his artistic horizons and instilled a fascination for diverse cultural traditions.

    Early Influences: Gomulicki’s formative years were marked by exposure to Polish avant-garde movements—particularly Fluxus—which fostered an appreciation for conceptual art and performance, shaping his approach to challenging conventional notions of aesthetics.

    Academic Pursuits: His formal education provided a solid grounding in artistic principles but also ignited a desire to push boundaries and experiment with unconventional mediums.

    Diverse Artistic Practices: Beyond painting and graphic design, Gomulicki actively engages in photography, object creation, installation art, video production, and animation—demonstrating an adaptability that characterizes his distinctive style.

    The Neon Aesthetic and Pop Culture References

    Gomulicki’s artistic signature is instantly recognizable by its vibrant color palette and pervasive incorporation of pop culture iconography. He deliberately disrupts established hierarchies between “high” and “low” culture, elevating elements of popular entertainment—such as neon signs and erotic imagery—to the level of serious artistic contemplation. This playful rebellion against academic conventions reflects a broader philosophical stance: a celebration of sensory pleasure and an interrogation of societal norms. As he himself describes it, his work seeks to provoke thought and emotion through unexpected combinations of visual stimuli.

    Neon Sculpture: Gomulicki’s sculptural installations utilize neon lights—a medium he champions—to create luminous forms that pulsate with energy and color. These sculptures are often imbued with symbolic meaning, referencing mythological figures and exploring themes of desire and transformation.

    Pop Culture Appropriation: Recurring motifs from film noir, advertising campaigns, and music videos appear throughout his oeuvre, serving as visual anchors for his explorations of identity and cultural memory.

    Public Art Commissions and Collaborative Projects

    Gomulicki’s artistic ambition extends beyond the confines of galleries; he actively seeks opportunities to engage with public spaces—transforming urban environments into immersive experiences that stimulate dialogue and provoke contemplation. His monumental neon sculptures, notably “Beast,” stand as testament to his commitment to challenging conventional notions of art and its role in shaping perceptions of reality. Collaborations with fellow artists and architects underscore his belief in the power of collective creativity—a conviction evident in projects like “InSite” and “Pink Not Dead!”

    Specter Project: His participation in Specter, a collaborative project exploring urban decay and regeneration in Brussels’ Place du Congres, exemplifies his willingness to engage with pressing social issues through artistic intervention.

    Galerie Leto Partnership: Gomulicki's association with Galerie Leto demonstrates his dedication to fostering connections between artists and collectors—supporting the dissemination of innovative visual art.

    A Continuing Dialogue Between Pleasure and Surrealism

    Maurycy Gomulicki’s artistic practice remains rooted in a fundamental preoccupation: the exploration of pleasure as both an aesthetic ideal and a philosophical imperative. He consistently seeks to unsettle viewers' expectations—to confront them with images that defy logic and embrace the irrational—drawing inspiration from Surrealist techniques and challenging established cultural narratives. His work is characterized by a distinctive blend of eroticism, fantasy, and humor—a stylistic hallmark that distinguishes him as one of Poland’s most daring and inventive contemporary artists. He continues to push boundaries, experimenting with new mediums and engaging in ongoing collaborations—solidifying his legacy as a visionary artist who refuses to compromise on his uncompromising pursuit of beauty and intellectual stimulation.

    Museum

    Bunkier Sztuki Gallery of Contemporary Art

    On show in Kraków, Poland

    A Bastion of Contemporary Vision: Exploring Bunkier Sztuki

    Nestled within the imposing concrete embrace of Kraków’s Old Town, Bunkier Sztuki Gallery of Contemporary Art is more than just a museum; it's an experience. This unique institution, born from the remnants of a forgotten past – once a strip club and granary before its transformation – stands as a powerful testament to Poland’s evolving artistic landscape. Established in 1950 as a branch of the Central Bureau of Artistic Exhibitions, Bunkier Sztuki gained independence in 1962 and finally found its permanent home within this strikingly brutalist structure in 1965. The building itself, designed by Krystyna Tołłoczko-Różyska with sculptural facade elements by Stefan Borzęcki and Antoni Hajdecki, is a deliberate statement – a raw, uncompromising aesthetic that mirrors the often challenging art it houses. Its layered history, from its industrial origins to its role as a clandestine space for artistic expression during the communist era, adds an unexpected depth to the visitor’s journey.

    The gallery's core philosophy revolves around showcasing contemporary art without the constraints of a traditional permanent collection. Instead, Bunkier Sztuki thrives on a dynamic program of temporary exhibitions, inviting artists from Poland and across the globe to engage with pressing social, political, and philosophical themes. Expect immersive multimedia installations that assault the senses, sculptures and paintings that defy conventional forms, and thematic shows tackling issues ranging from identity and technology to environmental concerns and the complexities of modern life. What truly distinguishes Bunkier Sztuki is its commitment to interdisciplinary exploration – a willingness to blur the lines between art forms and media, creating experiences that are both intellectually stimulating and emotionally resonant.

    The Spirit of Innovation: Exhibitions and Artistic Focus

    Each exhibition at Bunkier Sztuki feels like an invitation to participate in a dialogue. The gallery’s curatorial team actively seeks out artists who push boundaries and challenge established norms, fostering a space where experimentation is not only encouraged but celebrated. Recent exhibitions have featured works by internationally acclaimed figures such as Bartosz Kokosiński, known for his evocative mixed-media installations that explore the physicality of art; Piotr Lutyński, whose sculptures often incorporate live music and animals to create unexpected juxtapositions; and Mikolaj Malek, a master of creating intricate models and installations that blend literary references with surreal imagery.

    Beyond the individual artworks, Bunkier Sztuki prioritizes creating holistic experiences. The gallery frequently hosts artist talks, workshops, and guided tours designed to deepen understanding and appreciation for contemporary artistic practice. These events are not merely supplementary; they’re integral to the museum's mission of fostering a vibrant cultural ecosystem within Kraków. The gallery also actively supports emerging artists through residency programs and commissions, ensuring that Bunkier Sztuki remains at the forefront of Poland’s burgeoning art scene.

    A Legacy Forged in Dialogue

    Bunkier Sztuki's history is inextricably linked to the turbulent political and social shifts within Poland. During the communist era, it served as a vital platform for artistic expression – albeit one operating under careful scrutiny – providing a space for artists to challenge prevailing ideologies and explore alternative perspectives. Following the fall of communism, the gallery embraced its newfound freedom with renewed vigor, becoming an even more prominent force in the Polish art world and forging connections with international institutions. The recent extensive renovation completed in 2024 has not only modernized the building’s facilities but also reaffirmed its commitment to preserving its unique character.

    The revitalization project meticulously maintained the brutalist architecture, recognizing it as an integral part of the gallery's identity. However, it also incorporated state-of-the-art technology and accessibility features, ensuring that Bunkier Sztuki remains a welcoming and engaging space for visitors of all backgrounds. This blend of historical preservation and contemporary innovation underscores the gallery’s dedication to both honoring its past and shaping its future.

    Beyond the Art: A Cultural Ecosystem

    Bunkier Sztuki is more than just a gallery; it's a thriving cultural hub that extends far beyond its exhibition spaces. The Austeria Paper & Art bookshop, curated by the gallery’s team, offers a carefully selected collection of art books, catalogs, and publications – a treasure trove for enthusiasts seeking deeper knowledge about contemporary artistic practice. The Creation Station provides a dedicated space for children and families to explore their own creativity, fostering an appreciation for art from a young age.

    These elements transform Bunkier Sztuki into a dynamic community center, attracting visitors of all ages and interests. The gallery’s commitment to accessibility is evident in its inclusive programming and efforts to engage with local communities. Whether you are a seasoned collector, an interior designer seeking inspiration, or simply a curious traveler, a visit to Bunkier Sztuki promises a compelling journey into the heart of contemporary art and a deeper understanding of Poland's vibrant artistic landscape.

    Where to read more

    Find this online

    QR code linking to the download page for Beast\n\nBeast

    wahooart.com/en/art/download/maurycy-gomulicki-beast-n-nbeast-DAQJNW-en/

    Cite this artwork

    MLA
    Gomulicki, Maurycy. Beast\n\nBeast. 2013, Bunkier Sztuki Gallery of Contemporary Art. https://wahooart.com/en/art/maurycy-gomulicki-beast-n-nbeast-DAQJNW-en/
    APA
    Gomulicki, Maurycy (2013). Beast\n\nBeast [Painting]. Bunkier Sztuki Gallery of Contemporary Art. https://wahooart.com/en/art/maurycy-gomulicki-beast-n-nbeast-DAQJNW-en/
    Chicago
    Maurycy Gomulicki. Beast\n\nBeast. 2013. Bunkier Sztuki Gallery of Contemporary Art. https://wahooart.com/en/art/maurycy-gomulicki-beast-n-nbeast-DAQJNW-en/
    Harvard
    Gomulicki, Maurycy (2013) Beast\n\nBeast. Bunkier Sztuki Gallery of Contemporary Art. Available at: https://wahooart.com/en/art/maurycy-gomulicki-beast-n-nbeast-DAQJNW-en/

    Look closely

    Beast\n\nBeast — Maurycy Gomulicki

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Maurycy Gomulicki was about 44 when this was made. What in it looks like the work of an artist at that stage?
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.