Paper

Student Artwork Guide

No.19

Name Class Date

Mark Rothko, No.19. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Mark Rothko wahooart.com/en/artists/mark-rothko/
Artist’s dates
1903 – 1970
Medium
Oil On Canvas
Movement
Color Field Painting Huge areas of flat, soft colour meant to be felt rather than read as a picture of anything.
Period
Modern
Artistic style
Abstract Expressionism
Influences
Abstraction
Notable elements
Red squares, orange background
Subject or theme
Existentialism

In context

No.19 — Mark Rothko

When might this have been painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Shaded: the lifetime of Mark Rothko (1903–1970)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • White Center, 1950 wahooart.com/en/art/mark-rothko-white-center-8BWUHU-en/
  • No.1 wahooart.com/en/art/mark-rothko-no-1-8XYHLG-en/
  • Untitled, 1968 wahooart.com/en/art/mark-rothko-untitled-D2DR7X-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/mark-rothko-no-19-8XYHLJ-en/

Colours

Measured from the image

    Main colour

    Gray #8b6b64

    Catalogued palette

    • #8B6B64
    • #E04D1D
    • #E8B9A1
    • #E77F3A
    Palette
    Sunset The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Vivid Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    No.19 — Mark Rothko

    A Symphony of Color and Emotion: Exploring Mark Rothko’s No. 37/No. 19

    To stand before Mark Rothko's No. 37/No. 19 is to enter a profound, silent dialogue with the infinite. Painted in 1958, this monumental work stands as a cornerstone of Abstract Expressionism, a movement that irrevocably altered the landscape of American art. More than just pigment on canvas, this piece embodies a deep exploration of the human experience, inviting viewers into a meditative contemplation of color and form. Its enduring appeal lies in its ability to bypass intellectual analysis and speak directly to the subconscious mind, offering a sanctuary of pure emotion in an increasingly chaotic world.

    The genesis of this work lies in Rothko’s distinctive approach, often described as “condensation.” Rejecting representational imagery altogether, Rothko employs large rectangular blocks of color layered upon one another to create an illusion of depth and luminosity that defies conventional perspective. In this particular instance, the artist utilizes a sophisticated palette of slate blue and brown overlaid with rich, plum hues. Through a meticulous technique of applying thin washes of pigment followed by thicker coats, he achieves subtle gradations of tone, resulting in a velvety surface texture that seems to breathe. Every brushstroke is controlled, prioritizing tonal harmony over precise delineation to create a sense of weightless suspension.

    Historical Resonance and the Search for Meaning

    The late 1950s were a period of intense artistic experimentation, fueled by the global anxieties following World War II and a burgeoning interest in psychoanalysis. Artists like Rothko sought to grapple with existential questions—the nature of consciousness, the fear of mortality, and the search for spiritual solace—through non-figurative forms. Influenced by Zen Buddhism and Eastern philosophy, Rothko aimed to evoke feelings rather than convey narratives. He believed that color could communicate the most fundamental human emotions—grief, ecstasy, and doom—in a way that words simply could not.

    This painting serves as a portal to these inner landscapes. For the collector or the interior designer, No. 37/No. 19 offers more than mere decoration; it provides an atmospheric anchor. The way the colors bleed into one another creates a rhythmic, breathing quality that can transform a space into a place of quiet reflection. Whether placed in a contemporary gallery setting or a sophisticated private residence, the work commands attention through its hushed intensity and gravitational pull.

    A Timeless Investment for the Discerning Eye

    For those seeking to bring the profound impact of Abstract Expressionism into their personal environments, a high-quality reproduction of this masterpiece offers an unparalleled opportunity. The visual depth achieved in Rothko's work is a testament to his mastery of the Color Field style. Owning a piece that captures this specific interplay of plum, slate, and brown allows for a continuous engagement with the sublime.

    When considering such a significant work for a collection or an interior design project, one must appreciate the following elements:

    Emotional Depth: The ability of the color fields to evoke a sense of tranquility and introspection.

    Visual Texture: The illusion of luminosity and layered depth that adds a three-dimensional quality to any wall.

    Versatile Sophistication: A palette that complements modern, minimalist, or classical aesthetics with ease.

    Historical Significance: A direct connection to the pivotal era of mid-century American modernism.

    In an age of fleeting digital imagery, the tactile and emotive power of a Rothko-inspired work remains a constant, providing a sense of permanence and spiritual weight to any curated space.

    Artist and museum

    Artist

    Mark Rothko

    Born in Daugavpils, Latvia

    Early Life and the Seeds of Artistic Vision

    Mark Rothko, born Markus Yakovlevich Rothkowitz in Dvinsk, Latvia, in 1903, carried within him from the outset a sense of displacement that would profoundly shape his artistic journey. His early years were marked by the anxieties of a Jewish family living within the Pale of Settlement, shadowed by pogroms and political unrest. This atmosphere instilled a deep sensitivity to human suffering, a theme that would resonate throughout his oeuvre. The 1913 immigration to Portland, Oregon, represented not just a geographical shift but a cultural upheaval for the young Rothko. While his father, a pharmacist and intellectual with socialist leanings, fostered a home filled with debate and learning, the loss of Jacob Rothkowitz shortly after their arrival cast a long shadow. This early experience of loss, coupled with the challenges of assimilation, fueled a lifelong exploration of existential themes – mortality, trauma, and the search for meaning in a chaotic world. Though he excelled academically at Yale University, Rothko found himself drawn more to the vibrant energy of New York City, abandoning formal studies to pursue his passion for art at the Art Students League. These formative years laid the groundwork for an artistic vision that would ultimately challenge conventional notions of painting and redefine the emotional power of color.

    From Figurative Beginnings to Abstract Expressionism

    Rothko’s initial artistic explorations were firmly rooted in realism, depicting urban scenes and portraits with a keen eye for detail. However, these early works already hinted at the psychological depth that would become his hallmark. As the 1940s unfolded, and the world grappled with the horrors of World War II, Rothko’s art underwent a dramatic transformation. Influenced by Surrealism and mythology, he began to move away from representational imagery, seeking instead to express universal human emotions through symbolic forms. This period saw the emergence of multi-form paintings – canvases populated by ambiguous, biomorphic shapes that seemed to hover between figuration and abstraction. These works were not merely experiments in form; they were deeply felt responses to the anxieties and uncertainties of a world at war. By the late 1940s, Rothko had arrived at his signature style: large-scale canvases featuring rectangular blocks of color that appeared to float and resonate with one another. He stripped away all vestiges of recognizable imagery, focusing instead on the pure emotional impact of color and form. This marked a pivotal moment in the development of Abstract Expressionism, and established Rothko as a leading figure in this groundbreaking movement.

    The Color Field and the Pursuit of Transcendence

    Rothko’s mature work is defined by what came to be known as “Color Field” painting – vast expanses of luminous color that envelop the viewer in an immersive experience. These paintings are not about what they depict, but rather how they make you feel. Rothko believed that art should engage the viewer viscerally, bypassing intellectual analysis and speaking directly to the emotions. He meticulously layered thin washes of paint, creating subtle variations in tone and texture that seemed to emanate from within the canvas. The edges of his rectangular forms are often blurred, allowing them to blend and interact with one another, creating a sense of depth and movement. Rothko deliberately avoided titles beyond numbers – “No. 1,” “No. 6” – encouraging viewers to confront the paintings without preconceived notions and allow their own emotional responses to guide their experience. He sought to create a space for contemplation, a sanctuary where viewers could connect with something larger than themselves. His ambition was nothing less than to evoke profound spiritual experiences through the language of color.

    Major Achievements and Lasting Legacy

    Among Rothko’s most significant achievements are “No. 10 (1950),” a pivotal work that exemplifies his evolving style, and the Seagram Murals (1958). Commissioned for the Four Seasons Restaurant in New York City, these murals were ultimately rejected by Rothko, who felt they would be compromised by their intended environment. He instead donated them to the Tate Gallery in London, where they continue to inspire awe and contemplation. Perhaps his most ambitious project was the Rothko Chapel (1971) in Houston, Texas – a non-denominational sanctuary housing fourteen of his paintings. Designed as a space for quiet reflection, the chapel is considered a sacred place by many, embodying Rothko’s belief in the spiritual power of art. Rothko's influence on subsequent generations of artists has been immense. He paved the way for Minimalist art and continues to inspire contemporary painters who explore the emotional possibilities of abstraction. Despite struggling with depression throughout his life, culminating in his tragic suicide in 1970, Mark Rothko remains one of the most important and influential artists of the 20th century – a master of color whose work continues to resonate with audiences around the world.

    The Enduring Power of Emotional Resonance

    Rothko’s paintings are celebrated for their ability to convey universal human emotions—tragedy, ecstasy, despair, and hope.

    His exploration of color as a vehicle for emotional expression revolutionized abstract painting.

    The Rothko Chapel stands as a testament to his belief in the spiritual power of art.

    He remains a pivotal figure in Abstract Expressionism and a major influence on contemporary artists.

    Rothko’s legacy extends beyond the realm of art history. His work invites us to confront our own mortality, to grapple with the complexities of human existence, and to seek meaning in a world often devoid of it. He reminds us that art is not merely about aesthetics; it is about connection—connection to ourselves, to others, and to something larger than ourselves. The enduring power of his paintings lies in their ability to evoke these profound emotions, offering solace, inspiration, and a glimpse into the depths of the human soul.

    Where to read more

    Find this online

    QR code linking to the download page for No.19

    wahooart.com/en/art/download/mark-rothko-no-19-8XYHLJ-en/

    Cite this artwork

    MLA
    Rothko, Mark. No.19. n.d., https://wahooart.com/en/art/mark-rothko-no-19-8XYHLJ-en/
    APA
    Rothko, Mark (n.d.). No.19 [Painting]. https://wahooart.com/en/art/mark-rothko-no-19-8XYHLJ-en/
    Chicago
    Mark Rothko. No.19. n.d. https://wahooart.com/en/art/mark-rothko-no-19-8XYHLJ-en/
    Harvard
    Rothko, Mark (n.d.) No.19. Available at: https://wahooart.com/en/art/mark-rothko-no-19-8XYHLJ-en/

    Look closely

    No.19 — Mark Rothko

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstraction, color harmony, geometric shapes. Do you agree? What would you add, or take away?
    4. Look back at White Center (1950), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Color Field Painting: Huge areas of flat, soft colour meant to be felt rather than read as a picture of anything. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    No.19 — Mark Rothko

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the predominant color in Mark Rothko's painting “No. 37/No. 19”?

      • A Red
      • B Yellow
      • C Orange
    2. 2. The painting utilizes a technique known as Color Field Painting, which emphasizes:

      • A Detailed realism
      • B Precise geometric shapes
      • C Large areas of color without discernible forms
    3. 3. Who is the artist credited with creating “No. 37/No. 19”?

      • A Vincent van Gogh
      • B Pablo Picasso
      • C Mark Rothko
    4. 4. Approximately when was this painting created?

      • A 1880s
      • B 1920s
      • C 1958
    5. 5. What is the overall mood conveyed by Rothko's use of color and composition?

      • A Joyful celebration
      • B Energetic dynamism
      • C Quiet contemplation

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4C · 5C