Paper

Student Artwork Guide

Horses

Name Class Date

marcelo grassmann de oliveira, Horses (1954), Museu de Valores do Banco Central do Brasil. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
marcelo grassmann de oliveira wahooart.com/en/artists/marcelo-grassmann-de-oliveira/
Artist’s dates
1925 – 2013
Painted
1954
Medium
Drawing
Original size
33 x 24 cm
Movement
Surrealism Dream logic painted with waking precision: impossible things shown as if they were ordinary.
Period
Modern
Held at
Museu de Valores do Banco Central do Brasil wahooart.com/en/museums/museu-de-valores-do-banco-central-do-brasil-brasilia/

In context

Horses — marcelo grassmann de oliveira

How big is it?

The original measures 33 × 24 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Shaded: the lifetime of marcelo grassmann de oliveira (1925–2013) ▲ this work, 1954

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/marcelo-grassmann-de-oliveira-horses-D4K8AY-en/

Colours

Measured from the image

    Main colour

    Khaki #d2bf88

    Catalogued palette

    • #D2BF88
    • #C6B17C
    • #78603E
    • #B49B65
    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    Khaki
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    marcelo grassmann de oliveira

    Born in Sao Joao do Rio Preto, Brazil

    Marcelo Grassmann de Oliveira: A Life in Engraving and Drawing

    Born: September 23, 1925, São João do Rio Preto, Brazil

    Died: June 21, 2013

    Nationality: Brazilian

    Known For: Engravings, Drawings, Metal Engraving, Wood Engraving

    Early Life and Artistic Development

    Initially pursued sculpture before discovering his passion for engraving in the 1940s.

    Transitioned from wood engraving to metal engraving in the 1950s, marking a significant shift in his artistic practice.

    Influenced by Austrian artist Alfred Kubin and prominent Brazilian engravers Oswaldo Goeldi and Livio Abramo. These influences shaped his early style and thematic concerns.

    Developed a distinctive visual language characterized by dreamlike imagery and recurring motifs such as knights, maidens, death, horses, and crabs – often imbued with symbolic meaning.

    Artistic Style and Major Themes

    Dreamlike Imagery: Grassmann's work is renowned for its surreal and evocative atmosphere, transporting viewers to fantastical realms.

    Recurring Motifs: The consistent presence of knights, maidens, death, horses, and crabs suggests a fascination with themes of mortality, chivalry, mythology, and the subconscious.

    Technical Mastery: His engravings demonstrate exceptional technical skill, showcasing intricate detail and precise linework.

    Symbolism: The figures and scenes in his work are often laden with symbolic meaning, inviting multiple interpretations.

    Exploration of the Human Condition: Through his fantastical imagery, Grassmann explored universal themes of life, death, love, loss, and the search for meaning.

    Recognition and Achievements

    International Awards: Received numerous prestigious awards throughout his career, including first prizes at the I Salon of Modern Art of Rio de Janeiro (1953), the III Biennale of São Paulo (1955), and the XXXI Biennale of Venice (1958) for sacred art.

    Exhibitions: Participated in significant international exhibitions, including the III Biennale for Graphic Arts in Florence (1972).

    Museum Collections: His works are held in prominent museum collections worldwide, including the Museum of Modern Art (MoMA) in New York, the Bibliothèque Nationale in Paris, the Museum of Fine Arts in Dallas, and the Pinacoteca do Estado in São Paulo.

    Legacy and Historical Significance

    Unique Contribution to Brazilian Art: Grassmann made a significant contribution to Brazilian art through his innovative approach to engraving and draughtsmanship.

    Influence on Subsequent Artists: His unique style and technical skill have inspired generations of artists in Brazil and beyond.

    Preservation of Cultural Heritage: His works serve as valuable documents of Brazilian culture and artistic expression, offering insights into the country's history and identity.

    Enduring Appeal: Grassmann’s art continues to resonate with audiences today due to its timeless themes, captivating imagery, and exceptional craftsmanship.

    Museum

    Museu de Valores do Banco Central do Brasil

    On show in Brasília, Brazil

    A Symphony of Currency and Canvas

    In the heart of Brasília, a city sculpted from modernist dreams and geometric precision, lies a sanctuary where the cold logic of economics meets the vibrant pulse of human creativity. The

    Museu de Valores do Banco Central do Brasil

    is far more than a repository for fiscal relics; it is a profound narrative of a nation’s soul, told through the evolution of its medium of exchange and the artistic expressions that mirror its progress. To wander through its halls is to embark on a journey where the weight of gold bars and the delicate intricacy of banknotes serve as anchors to a history shaped by both prosperity and transformation. For the art lover and the collector alike, the museum offers a rare glimpse into how value is not merely calculated, but visually composed.

    The collection itself is a breathtaking tapestry of numismatic mastery and aesthetic innovation. Visitors are greeted by an expansive assemblage of Brazilian banknotes and coins that span centuries, each piece acting as a miniature canvas reflecting pivotal moments in the country's storied past. These tangible fragments of history are juxtaposed with international specimens, creating a global dialogue on how different cultures have visualized wealth and stability. The museum’s dedication to precious metals adds a layer of tactile splendor; the sight of shimmering gold bars and raw nuggets illuminates the enduring allure of materials that have long symbolized power and permanence. This interplay between the utilitarian nature of money and the intrinsic beauty of its components creates an immersive experience that transcends traditional museum boundaries.

    Geometric Echoes and Modernist Legacies

    Beyond the metallic luster, the museum celebrates the profound intersection of finance and fine art. The halls are adorned with decorative elements from Banco Central buildings and commemorative medals that transform historical milestones into sculptural triumphs. A particularly captivating highlight for scholars of modernism is the presence of works by

    Waldemar Cordeiro

    . As a titan of the Concrete Art movement, Cordeiro’s geometric compositions resonate deeply within the museum's architectural context, bridging the gap between the rigid structures of economic policy and the fluid, avant-garde explorations of form and technology. His early forays into computer art serve as a poignant reminder of how the museum looks forward, much like the very city of Brasília itself.

    The setting of the museum is an integral part of its artistic identity. Nested within the monumental urban plan conceived by the legendary

    Oscar Niemeyer

    , the architecture embodies a commitment to harmony and proportion. The clean lines and sweeping curves of the surrounding landscape reinforce the museum's mission: to present a balanced perspective where economic history and artistic contemplation exist in perfect equilibrium. Established in 1966 to celebrate Brazil’s bicentennial independence, the institution has evolved into a pioneer of accessibility, utilizing virtual tours to bring its treasures to a global audience. For interior designers seeking inspiration in structure and for historians tracing the lineage of Brazilian identity, the Museu de Valores stands as an unparalleled monument to the enduring relationship between value, art, and the human spirit.

    Where to read more

    Find this online

    QR code linking to the download page for Horses

    wahooart.com/en/art/download/marcelo-grassmann-de-oliveira-horses-D4K8AY-en/

    Cite this artwork

    MLA
    oliveira, marcelo grassmann de. Horses. 1954, Museu de Valores do Banco Central do Brasil. https://wahooart.com/en/art/marcelo-grassmann-de-oliveira-horses-D4K8AY-en/
    APA
    oliveira, marcelo grassmann de (1954). Horses [Painting]. Museu de Valores do Banco Central do Brasil. https://wahooart.com/en/art/marcelo-grassmann-de-oliveira-horses-D4K8AY-en/
    Chicago
    marcelo grassmann de oliveira. Horses. 1954. Museu de Valores do Banco Central do Brasil. https://wahooart.com/en/art/marcelo-grassmann-de-oliveira-horses-D4K8AY-en/
    Harvard
    oliveira, marcelo grassmann de (1954) Horses. Museu de Valores do Banco Central do Brasil. Available at: https://wahooart.com/en/art/marcelo-grassmann-de-oliveira-horses-D4K8AY-en/

    Look closely

    Horses — marcelo grassmann de oliveira

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: horses, animals, figures. Do you agree? What would you add, or take away?
    4. Look back at Blue warrior and spear, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Surrealism: Dream logic painted with waking precision: impossible things shown as if they were ordinary. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.