Paper

Student Artwork Guide

Old Vitebsk

Name Class Date

Marc Chagall, Old Vitebsk (1914). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Marc Chagall wahooart.com/en/artists/marc-chagall/
Artist’s dates
1887 – 1985
Painted
1914
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Artistic style
Symbolic Surrealism
Influences
Russian Orthodox Art
Notable elements or techniques
Bold lines, flattened perspective
Subject or theme
Jewish Folklore

In context

Old Vitebsk — Marc Chagall

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970
  11. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 98 at death.

Painted when the artist was 27. The artist lived to 98. 55 of the 878 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Marc Chagall (1887–1985) ▲ this work, 1914 every dated painting, decade by decade

First works: up to 1930 Main working years: 1930–1965 Late works: from 1965

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/marc-chagall-old-vitebsk-8XYH3E-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #2d2717

    Catalogued palette

    • #2D2717
    • #E0E4D3
    • #665630
    • #AFA98A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Marc Chagall over the last twelve months — 73 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 34.9%54,900 visits
    2. 2 Germany 5.4%8,500 visits
    3. 3 United States of America 5.2%8,100 visits
    4. 4 France 4.6%7,300 visits
    5. 5 Italy 3.4%5,400 visits
    6. 6 Netherlands 3.4%5,400 visits
    7. 7 Spain 3.1%4,800 visits
    8. 8 Poland 2.6%4,100 visits
    9. 9 South Korea 2.3%3,600 visits
    10. 10 Brazil 2.2%3,500 visits
    11. · 63 other countries 32.9%51,500 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Marc Chagall

    1. 1 I and the Village, 1911 10.5%28,000 visits
    2. 2 The Birthday, 1915 8.8%23,500 visits
    3. 3 Over the town, 1918 4.8%12,800 visits
    4. 4 The Green Violinist, 1924 3.2%8,500 visits
    5. 5 Adam and Eve expelled from Paradise, 1961 1.2%3,300 visits
    6. 6 The Concert, 1957 1.2%3,300 visits
    7. 7 The Fall of Icarus, 1975 1.1%3,000 visits
    8. 8 Midsummer Night's Dream, 1939 1.1%2,800 visits
    9. 9 Liberation, 1952 0.9%2,500 visits
    10. 10 Song of Songs III (8), 1960 0.9%2,400 visits
    11. 11 Paris through the Window, 1913 0.9%2,300 visits
    12. 12 Dans mon pays 0.9%2,300 visits
    13. 13 The return of the prodigal son, 1975 0.7%1,900 visits
    14. 14 The Praying Jew (Rabbi of Vitebsk), 1914 0.7%1,900 visits
    15. 15 Abraham and three Angels, 1966 0.7%1,800 visits
    16. 16 The Lovers, 1929 0.7%1,800 visits
    17. 17 Moses with the Burning Bush, 1966 0.6%1,700 visits
    18. 18 The Wedding Candles, 1945 0.6%1,600 visits
    19. 19 The Falling Angel, 1947 0.6%1,500 visits
    20. 505 Old Vitebsk, 1914 this painting 0.0%100 visits

    Together these works take 40.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 906 works by this artist, of which 585 were looked at at least once. This painting ranks 505 of them, with 0.0% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Old Vitebsk — Marc Chagall

    A Symphony in Monochrome: Exploring Marc Chagall’s “Old Man and Old Woman”

    The painting "Old Man and Old Woman," created by Marc Chagall in 1915, stands as an arresting testament to the artist's mastery of Expressionism and his profound engagement with themes of memory, faith, and human connection. Produced during a period marked by significant upheaval – the outbreak of World War I profoundly impacted Europe’s artistic landscape – Chagall’s print transcends mere documentation of circumstance; it embodies a deeply internalized emotional response to the anxieties of the era. The stark black and white palette immediately establishes an atmosphere of intense drama, prioritizing tonal variation over meticulous detail—a deliberate choice that underscores the primacy of feeling within the artwork's core.

    Style & Technique: Chagall’s approach aligns perfectly with Expressionist principles, rejecting academic realism in favor of subjective representation. He employs a loose, gestural brushstroke – visible throughout the composition – conveying movement and dynamism. The flattened perspective contributes to an illusionistic depth that prioritizes emotional impact over accurate spatial depiction.

    Composition: The central figures—an elderly man and woman—are positioned in an upward trajectory, seemingly defying gravity. This unconventional posture symbolizes aspiration, resilience, and the enduring spirit of humanity amidst adversity. Their intertwined hands represent unity, compassion, and the steadfastness of familial bonds.

    Symbolism: Layers of Meaning Beyond Appearances

    Beyond its immediate visual impact, “Old Man and Old Woman” is replete with symbolic references rooted in Chagall’s Jewish heritage. The woman's shawl—a recurring motif in his oeuvre—evokes images of traditional Jewish textiles and symbolizes protection, femininity, and spiritual solace. The man’s gaze directs upward, mirroring the woman’s posture and reinforcing the overarching theme of transcendence. Furthermore, the surrounding landscape—rendered in muted tones—suggests a dreamlike realm where earthly concerns recede into insignificance.

    Historical Context: Expressionism Amidst War

    The painting emerged from the crucible of World War I, reflecting the pervasive sense of disillusionment and trauma that gripped European society. Chagall’s Expressionist style served as a conduit for conveying these emotions—fear, anxiety, and uncertainty—with unflinching honesty. Unlike Impressionists who sought to capture fleeting moments of beauty, Expressionists aimed to expose the inner turmoil of the human psyche.

    Emotional Resonance: A Portrait of Resilience

    “Old Man and Old Woman” continues to resonate powerfully with viewers today due to its enduring exploration of fundamental human experiences. The painting’s melancholic yet hopeful tone captures the bittersweet beauty of memory—the recognition that even amidst suffering, love, faith, and aspiration endure. Chagall's masterful manipulation of tonal color and expressive brushwork ensures that this artwork remains a timeless masterpiece, inviting contemplation on themes of vulnerability, strength, and the enduring power of human connection.

    Artist and museum

    Artist

    Marc Chagall

    Born in Liovana, Belarus

    A Life Painted in Dreams: The World of Marc Chagall

    Marc Chagall, born Moishe Shagal in 1887 in the small Belarussian town of Liozna near Vitebsk, wasn’t merely a painter; he was a poet of color, a weaver of dreams, and a chronicler of memory. His life, spanning nearly a century, mirrored the tumultuous currents of the 20th century, yet his art remained steadfastly rooted in a deeply personal vision—one infused with the folklore of his Hasidic Jewish upbringing and an unwavering belief in the power of imagination. Vitebsk itself was more than just a birthplace; it became the emotional core of his artistic universe, a recurring motif populated by flying figures, whimsical animals, and the vibrant hues of remembered landscapes. The town’s unique blend of cultures—Russian Orthodox churches alongside bustling Jewish marketplaces—forged an aesthetic sensibility that would defy easy categorization throughout his long career. Though he sought formal training first with a local sign painter and later in St. Petersburg under Léon Bakst, and then in Paris at the Académie de la Grande Chaumière, Chagall never fully embraced any single artistic movement. He absorbed elements of Cubism, Symbolism, and Fauvism, but always filtered them through his own intensely personal lens, creating a style that was uniquely, unmistakably Chagall.

    Forging a Unique Visual Language

    Chagall’s early works already hinted at the distinctive language he would develop. Paintings like I and the Village (1911) are not simply depictions of place; they are explorations of identity, memory, and the relationship between the individual and community. The village isn't rendered realistically but as a fragmented collection of recollections, imbued with symbolic meaning. This ability to transmute personal experience into universal themes became a hallmark of his art. His palette was bold and expressive, often employing vibrant, non-naturalistic colors to convey emotion rather than literal representation. Figures float and dance across the canvas, defying gravity and logic, creating a dreamlike atmosphere that invites viewers into his inner world. This stylistic approach wasn’t accidental; it stemmed from a desire to move beyond mere imitation of reality and capture the essence of feeling, the weight of memory, and the power of folklore. The Russian Revolution brought Chagall back to Vitebsk, where he became involved in cultural initiatives, establishing an art school that briefly flourished before succumbing to the restrictions imposed by the new regime. This period was marked by both creative energy and political disillusionment, a tension that would continue to shape his artistic trajectory.

    A Life Between Worlds: Paris, New York, and Beyond

    Eventually, Chagall left Russia for good, settling in France in 1923. This marked the beginning of a period of international recognition and prolific creativity. Works like Over Vitebsk (1920-1922) demonstrate his continued engagement with his childhood memories, while paintings inspired by biblical stories—such as Jacob’s Dream—reveal a growing interest in religious themes. The outbreak of World War II forced him to flee occupied France for the United States, where he spent seven years in New York City. This period was marked by profound emotional upheaval and artistic experimentation. He found solace in his art, creating powerful works that reflected the anxieties and uncertainties of the time. White Crucifixion (1938), a haunting depiction of suffering and persecution, stands as a testament to this era. After the war, Chagall returned to France, where he continued to paint and create until his death in 1985 at the age of 97.

    Legacy and Enduring Influence

    In his later years, Marc Chagall received numerous prestigious commissions, including the ceiling of the Paris Opera (1964), a breathtaking explosion of color and form that celebrated musical masterpieces, and stunning stained glass windows for the Hadassah Hebrew University Medical Center synagogue in Jerusalem. These large-scale projects allowed him to translate his artistic vision into architectural spaces, creating immersive environments that continue to inspire awe and wonder. Chagall’s influence on subsequent generations of artists is undeniable. His lyrical quality, emotional depth, and imaginative power resonated with Surrealists and other movements that embraced fantasy and symbolism. He bridged the gap between European modernism and Jewish cultural identity, becoming known as “the quintessential Jewish artist of the twentieth century.” His ability to synthesize personal experience, folklore, and universal themes continues to resonate with audiences worldwide. His work reminds us of the power of art to transcend boundaries, to connect us to our shared humanity, and to illuminate the beauty and mystery of life.

    A Lasting Impression

    Marc Chagall’s legacy extends beyond his paintings and stained glass; it resides in the enduring power of his vision—a vision that celebrates love, memory, and the boundless possibilities of the human imagination. He left behind a body of work that is both deeply personal and universally accessible, inviting viewers to lose themselves in a world painted with dreams and illuminated by hope. The Musée Marc Chagall in Nice stands as a testament to his enduring influence, housing an extensive collection of his works and offering visitors a glimpse into the heart and soul of this extraordinary artist. His art continues to inspire, challenge, and move us, ensuring that his vibrant and imaginative spirit will live on for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Old Vitebsk

    wahooart.com/en/art/download/marc-chagall-old-vitebsk-8XYH3E-en/

    Cite this artwork

    MLA
    Chagall, Marc. Old Vitebsk. 1914, https://wahooart.com/en/art/marc-chagall-old-vitebsk-8XYH3E-en/
    APA
    Chagall, Marc (1914). Old Vitebsk [Painting]. https://wahooart.com/en/art/marc-chagall-old-vitebsk-8XYH3E-en/
    Chicago
    Marc Chagall. Old Vitebsk. 1914. https://wahooart.com/en/art/marc-chagall-old-vitebsk-8XYH3E-en/
    Harvard
    Chagall, Marc (1914) Old Vitebsk. Available at: https://wahooart.com/en/art/marc-chagall-old-vitebsk-8XYH3E-en/

    Look closely

    Old Vitebsk — Marc Chagall

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: dreams, folklore, jewish culture. Do you agree? What would you add, or take away?
    4. Look back at I and the Village (1911), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is the creation date of "Old Vitebsk" by Marc Chagall?

    "Old Vitebsk" dates from 1914. The date places the work within Marc Chagall's career and its era.

    How can I view "Old Vitebsk" by Marc Chagall as a slideshow?

    The diaporama of "Old Vitebsk" can be watched on the artwork's Diaporama page.

    From which country does the Expressionism work "Old Vitebsk" come?

    "Old Vitebsk" was created by Marc Chagall, born in Belarus, within the Expressionism movement. The artist's origin links the work to Expressionism as practiced by artists from Belarus.