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Student Artwork Guide

A green tree

Name Class Date

Marc Chagall, A green tree (1984). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Marc Chagall wahooart.com/en/artists/marc-chagall/
Artist’s dates
1887 – 1985
Painted
1984
Medium
Oil On Canvas
Original size
83 x 60 cm
Period
Modern
Artistic style
Primitivism
Influences
Folklore
Notable elements or techniques
Flying figures, whimsical animals
Subject or theme
Landscape

In context

A green tree — Marc Chagall

How big is it?

The original measures 83 × 60 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970
  11. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 98 at death.

Painted when the artist was 97. The artist lived to 98. 858 of the 878 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Marc Chagall (1887–1985) ▲ this work, 1984 every dated painting, decade by decade

First works: up to 1930 Main working years: 1930–1965 Late works: from 1965

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/marc-chagall-a-green-tree-8XYH2T-en/

Colours

Measured from the image

    Main colour

    Espresso #3a3b35

    Catalogued palette

    • #3A3B35
    • #EBEBE7
    • #7B7B71
    • #BBBCAE

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Marc Chagall over the last twelve months — 74 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 33.2%54,900 visits
    2. 2 Germany 5.5%9,100 visits
    3. 3 United States of America 5.0%8,300 visits
    4. 4 France 4.5%7,500 visits
    5. 5 Italy 3.6%6,000 visits
    6. 6 Netherlands 3.3%5,500 visits
    7. 7 Spain 3.1%5,100 visits
    8. 8 Poland 2.5%4,200 visits
    9. 9 Brazil 2.4%4,000 visits
    10. 10 South Korea 2.4%3,900 visits
    11. · 64 other countries 34.5%56,700 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Marc Chagall

    1. 1 I and the Village, 1911 10.7%29,300 visits
    2. 2 The Birthday, 1915 8.8%24,100 visits
    3. 3 Over the town, 1918 4.9%13,500 visits
    4. 4 The Green Violinist, 1924 3.1%8,600 visits
    5. 5 Adam and Eve expelled from Paradise, 1961 1.2%3,400 visits
    6. 6 The Concert, 1957 1.2%3,300 visits
    7. 7 The Fall of Icarus, 1975 1.1%3,000 visits
    8. 8 Midsummer Night's Dream, 1939 1.0%2,800 visits
    9. 9 Liberation, 1952 0.9%2,600 visits
    10. 10 Paris through the Window, 1913 0.9%2,500 visits
    11. 11 Song of Songs III (8), 1960 0.9%2,400 visits
    12. 12 Dans mon pays 0.8%2,300 visits
    13. 13 The return of the prodigal son, 1975 0.8%2,100 visits
    14. 14 The Promenade, 1918 0.7%2,000 visits
    15. 15 The Praying Jew (Rabbi of Vitebsk), 1914 0.7%1,900 visits
    16. 16 The Falling Angel, 1947 0.7%1,800 visits
    17. 17 Abraham and three Angels, 1966 0.7%1,800 visits
    18. 18 The Lovers, 1929 0.7%1,800 visits
    19. 19 Moses with the Burning Bush, 1966 0.6%1,700 visits
    20. 494 A green tree, 1984 this painting 0.0%100 visits

    Together these works take 40.4% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 906 works by this artist, of which 588 were looked at at least once. This painting ranks 494 of them, with 0.0% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    A green tree — Marc Chagall

    A Symphony of Dreams: The Ethereal World of Marc Chagall

    In the twilight of his illustrious career, in 1984, Marc Chagall gifted the art world with “A Green Tree,” a masterpiece that serves as a profound testament to his enduring fascination with folklore and the delicate essence of memory. To gaze upon this canvas is to step into a dreamscape where the boundaries between reality and imagination dissolve. Executed in the Naïve Art style, the painting rejects the rigid constraints of academic convention in favor of a childlike spontaneity that feels both innocent and deeply wise. Chagally’s world is one of vibrant color palettes and fantastical imagery, inviting viewers to lose themselves in a narrative that transcends the physical plane.

    The composition is anchored by a magnificent, verdant tree that dominates the scene, yet it is far more than a mere botanical study. Through his signature impasto technique, Chagall applies paint thickly onto the canvas, creating a textured surface that breathes with life. This tactile depth lends an impressionistic sense of atmosphere to the landscape, where the lush greens and luminous yellows evoke the rejuvenating spirit of springtime. As the branches reach upward toward the heavens, they become symbols of spiritual yearning and resilience, mirroring the artist's own lifelong pursuit of transcendence.

    Symbolism and the Tapestry of Memory

    Every element within “A Green Tree” is a thread in a larger, more complex tapestry of Jewish folklore and Kabbalistic symbolism. Chagall, born Moishe Shagal in the small Belarusian town of Liozna, infused his work with the cultural echoes of his childhood home, Vitebsk. In this painting, we see the subtle interweaving of these memories through recurring motifs: stylized birds soaring across the sky and a sense of peaceful coexistence between humans and nature. The presence of figures—often abstracted and expressive rather than realistically rendered—serves to communicate raw emotion and intuition, reflecting Chagall’s belief that art should move the soul rather than simply replicate the eye.

    The scene is populated by a tranquil harmony; men rest peacefully upon the earth alongside horses, creating a sense of primordial peace. This equilibrium between the human spirit, the animal kingdom, and the natural world is central to the painting's emotional impact. The green hue of the tree itself acts as a powerful signifier of life, fertility, and renewal, grounding the more whimsical elements of the composition in a profound biological and spiritual truth.

    An Inspiration for the Modern Collector

    For the discerning art lover, collector, or interior designer, a reproduction of “A Green Tree” offers much more than mere decoration; it provides a window into a poetic universe. The painting’s ability to evoke feelings of optimism and tranquility makes it an extraordinary centerpiece for any curated space. Whether placed in a sunlit studio or a sophisticated living area, the work brings with it a sense of historical weight and emotional depth.

    Owning a high-quality reproduction of this Chagall masterpiece allows one to inhabit the same dreamlike atmosphere that has captivated audiences for decades. It is an invitation to contemplate the beauty of growth, the importance of heritage, and the eternal power of the imagination. In an era of rapid change, the steady, vibrant presence of “A Green Tree” serves as a reminder of the enduring strength found in our most cherished memories and the boundless possibilities of the human spirit.

    Artist and museum

    Artist

    Marc Chagall

    Born in Liovana, Belarus

    A Life Painted in Dreams: The World of Marc Chagall

    Marc Chagall, born Moishe Shagal in 1887 in the small Belarussian town of Liozna near Vitebsk, wasn’t merely a painter; he was a poet of color, a weaver of dreams, and a chronicler of memory. His life, spanning nearly a century, mirrored the tumultuous currents of the 20th century, yet his art remained steadfastly rooted in a deeply personal vision—one infused with the folklore of his Hasidic Jewish upbringing and an unwavering belief in the power of imagination. Vitebsk itself was more than just a birthplace; it became the emotional core of his artistic universe, a recurring motif populated by flying figures, whimsical animals, and the vibrant hues of remembered landscapes. The town’s unique blend of cultures—Russian Orthodox churches alongside bustling Jewish marketplaces—forged an aesthetic sensibility that would defy easy categorization throughout his long career. Though he sought formal training first with a local sign painter and later in St. Petersburg under Léon Bakst, and then in Paris at the Académie de la Grande Chaumière, Chagall never fully embraced any single artistic movement. He absorbed elements of Cubism, Symbolism, and Fauvism, but always filtered them through his own intensely personal lens, creating a style that was uniquely, unmistakably Chagall.

    Forging a Unique Visual Language

    Chagall’s early works already hinted at the distinctive language he would develop. Paintings like I and the Village (1911) are not simply depictions of place; they are explorations of identity, memory, and the relationship between the individual and community. The village isn't rendered realistically but as a fragmented collection of recollections, imbued with symbolic meaning. This ability to transmute personal experience into universal themes became a hallmark of his art. His palette was bold and expressive, often employing vibrant, non-naturalistic colors to convey emotion rather than literal representation. Figures float and dance across the canvas, defying gravity and logic, creating a dreamlike atmosphere that invites viewers into his inner world. This stylistic approach wasn’t accidental; it stemmed from a desire to move beyond mere imitation of reality and capture the essence of feeling, the weight of memory, and the power of folklore. The Russian Revolution brought Chagall back to Vitebsk, where he became involved in cultural initiatives, establishing an art school that briefly flourished before succumbing to the restrictions imposed by the new regime. This period was marked by both creative energy and political disillusionment, a tension that would continue to shape his artistic trajectory.

    A Life Between Worlds: Paris, New York, and Beyond

    Eventually, Chagall left Russia for good, settling in France in 1923. This marked the beginning of a period of international recognition and prolific creativity. Works like Over Vitebsk (1920-1922) demonstrate his continued engagement with his childhood memories, while paintings inspired by biblical stories—such as Jacob’s Dream—reveal a growing interest in religious themes. The outbreak of World War II forced him to flee occupied France for the United States, where he spent seven years in New York City. This period was marked by profound emotional upheaval and artistic experimentation. He found solace in his art, creating powerful works that reflected the anxieties and uncertainties of the time. White Crucifixion (1938), a haunting depiction of suffering and persecution, stands as a testament to this era. After the war, Chagall returned to France, where he continued to paint and create until his death in 1985 at the age of 97.

    Legacy and Enduring Influence

    In his later years, Marc Chagall received numerous prestigious commissions, including the ceiling of the Paris Opera (1964), a breathtaking explosion of color and form that celebrated musical masterpieces, and stunning stained glass windows for the Hadassah Hebrew University Medical Center synagogue in Jerusalem. These large-scale projects allowed him to translate his artistic vision into architectural spaces, creating immersive environments that continue to inspire awe and wonder. Chagall’s influence on subsequent generations of artists is undeniable. His lyrical quality, emotional depth, and imaginative power resonated with Surrealists and other movements that embraced fantasy and symbolism. He bridged the gap between European modernism and Jewish cultural identity, becoming known as “the quintessential Jewish artist of the twentieth century.” His ability to synthesize personal experience, folklore, and universal themes continues to resonate with audiences worldwide. His work reminds us of the power of art to transcend boundaries, to connect us to our shared humanity, and to illuminate the beauty and mystery of life.

    A Lasting Impression

    Marc Chagall’s legacy extends beyond his paintings and stained glass; it resides in the enduring power of his vision—a vision that celebrates love, memory, and the boundless possibilities of the human imagination. He left behind a body of work that is both deeply personal and universally accessible, inviting viewers to lose themselves in a world painted with dreams and illuminated by hope. The Musée Marc Chagall in Nice stands as a testament to his enduring influence, housing an extensive collection of his works and offering visitors a glimpse into the heart and soul of this extraordinary artist. His art continues to inspire, challenge, and move us, ensuring that his vibrant and imaginative spirit will live on for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for A green tree

    wahooart.com/en/art/download/marc-chagall-a-green-tree-8XYH2T-en/

    Cite this artwork

    MLA
    Chagall, Marc. A green tree. 1984, https://wahooart.com/en/art/marc-chagall-a-green-tree-8XYH2T-en/
    APA
    Chagall, Marc (1984). A green tree [Painting]. https://wahooart.com/en/art/marc-chagall-a-green-tree-8XYH2T-en/
    Chicago
    Marc Chagall. A green tree. 1984. https://wahooart.com/en/art/marc-chagall-a-green-tree-8XYH2T-en/
    Harvard
    Chagall, Marc (1984) A green tree. Available at: https://wahooart.com/en/art/marc-chagall-a-green-tree-8XYH2T-en/

    Look closely

    A green tree — Marc Chagall

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: landscape, trees, horses. Do you agree? What would you add, or take away?
    4. Look back at I and the Village (1911), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Marc Chagall was about 97 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    A green tree — Marc Chagall

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic style is “A green tree” primarily associated with?

      • A Cubism
      • B Surrealism
      • C Naïve Art
    2. 2. Where was Marc Chagall born?

      • A Paris
      • B Berlin
      • C Liovna
    3. 3. What cultural influences shaped Chagall’s artistic vision?

      • A Renaissance Humanism
      • B Classical Sculpture
      • C Hasidic Jewish Tradition
    4. 4. The painting depicts a scene featuring what elements?

      • A Urban landscapes
      • B Abstract geometric shapes
      • C Flying figures and animals
    5. 5. What is the dominant color palette used in “A green tree”?

      • A Monochromatic blues
      • B Warm reds and oranges
      • C Cool greens and yellows

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4C · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Is "A green tree" by Marc Chagall in the public domain?

    Regarding copyright, "A green tree" is still protected by copyright.

    Does "A green tree" have an augmented reality preview?

    "A green tree" has an augmented reality preview: the artwork's AR Preview page shows it in your own space on a compatible device.

    Is there a slideshow for "A green tree" by Marc Chagall?

    "A green tree" by Marc Chagall can be viewed as a slideshow on the artwork's Diaporama page.