Paper

Student Artwork Guide

from the series Pretty Lasses

Name Class Date

małgorzata markiewicz, from the series Pretty Lasses (2008), Bunkier Sztuki Gallery of Contemporary Art. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
małgorzata markiewicz wahooart.com/en/artists/malgorzata-markiewicz/
Artist’s dates
1979 – ?
Painted
2008
Held at
Bunkier Sztuki Gallery of Contemporary Art wahooart.com/en/museums/bunkier-sztuki-gallery-of-contemporary-art-krakow/

In context

from the series Pretty Lasses — małgorzata markiewicz

When was this painted?

  1. 1970
  2. 1980
  3. 1990
  4. 2000

Shaded: the lifetime of małgorzata markiewicz (1979–?) ▲ this work, 2008

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/malgorzata-markiewicz-from-the-series-pretty-lasses-DAQHYS-en/

Colours

Measured from the image

    Main colour

    White #f7f7f7

    Catalogued palette

    • #F7F7F7
    • #25261A
    • #BEB1A5
    • #A34539
    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    White
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    from the series Pretty Lasses — małgorzata markiewicz

    We can find wit, folklore inspiration, girlish coquetry and gentle eroticism in Małgorzata Markiewicz

    Artist and museum

    Artist

    małgorzata markiewicz

    Born in Krakow, Poland

    Małgorzata Markiewicz: Weaving Narratives of Gender and Textile

    Born in Kraków, Poland, in 1979, Małgorzata Markiewicz’s artistic journey is deeply rooted in the traditions of Polish textile art while simultaneously challenging conventional notions of femininity and societal roles. Her work, encompassing sculpture, photography, and film, frequently utilizes fabric as its primary medium – not merely as a material, but as a potent symbol laden with cultural significance. From her early studies at the Faculty of Sculpture at the Academy of Fine Arts in Kraków, where she graduated with honors, Markiewicz’s practice has consistently interrogated the complex interplay between personal identity and broader social structures, particularly those surrounding gender dynamics within the domestic sphere.

    Early influences were undoubtedly shaped by Poland's rich history of textile production and the enduring role of women as skilled craftswomen. However, Markiewicz transcends mere replication of traditional techniques; she actively subverts them, imbuing her creations with layers of meaning that explore themes of eroticism, memory, and the burden of cultural expectations. Her work frequently references stereotypical female roles – knitting, family life, and the domestic realm – but does so not with sentimentality or nostalgia, rather with a critical eye, exposing the constraints and often-invisible labor associated with these traditions.

    Fabric as Language: Symbolism and Technique

    Markiewicz’s strategic use of fabric is central to her artistic vision. She doesn't simply drape or sew; she meticulously manipulates textures, patterns, and colors to create evocative narratives. Often drawing upon techniques like embroidery, quilting, and patchwork – traditionally associated with women’s work – she elevates them into sophisticated forms of visual communication. Her pieces frequently incorporate elements that subtly challenge conventional notions of beauty and sexuality. Works such as “Zabawki dla Dużych Chłopców” (Toys for Big Boys), created in 2000, are particularly striking examples of this approach, utilizing textiles to construct playful yet provocative representations of the female body – breasts, vaginas, and penises – offering a humorous commentary on male fantasy and societal expectations.

    The artist’s choice of materials is equally deliberate. She often juxtaposes luxurious fabrics with industrial elements like concrete and metal, creating a tension between the delicate and the robust, the ephemeral and the enduring. This contrast mirrors her exploration of the inherent contradictions within traditional gender roles – the softness and vulnerability associated with femininity alongside the strength and resilience required to navigate societal pressures.

    Exploring Domestic Spaces and Performance

    Markiewicz’s artistic practice extends beyond static objects, incorporating performance art as a crucial element. Her installation “Ciepło-Zimno” (Warm-Cold), created in 2004 for the Goethe Institute courtyard in Kraków, is a powerful example of this approach. The work confronted the stark contrast between the cold stone surfaces and the warmth implied by the draped fabrics, prompting viewers to consider the emotional landscape of domestic spaces – the comfort, the constraints, and the unspoken tensions that often reside within them.

    Her engagement with public space further solidified her commitment to challenging social norms. The “Kwiaty” (Flowers) series, created in 2004, utilized discarded clothing fragments arranged on the floor, evoking a sense of nascent growth and simultaneously referencing the consumption and disposability inherent in traditional notions of femininity. These pieces, presented alongside photographs, blurred the lines between art and everyday life, inviting viewers to contemplate the hidden narratives embedded within seemingly mundane objects.

    Recognition and Legacy

    Małgorzata Markiewicz’s work has been exhibited extensively both nationally and internationally, including at MOCAK in Kraków, Botkyrka Konsthall in Stockholm, and the Center for Contemporary Art Ujazdowski Castle in Warsaw. Her pieces have garnered critical acclaim for their innovative use of materials, their insightful exploration of gender dynamics, and their ability to provoke thoughtful reflection on societal norms. She continues to be a vital voice within contemporary Polish art, pushing boundaries and challenging viewers to reconsider the symbolic power of fabric and its enduring connection to human experience.

    Museum

    Bunkier Sztuki Gallery of Contemporary Art

    On show in Kraków, Poland

    A Bastion of Contemporary Vision: Exploring Bunkier Sztuki

    Nestled within the imposing concrete embrace of Kraków’s Old Town, Bunkier Sztuki Gallery of Contemporary Art is more than just a museum; it's an experience. This unique institution, born from the remnants of a forgotten past – once a strip club and granary before its transformation – stands as a powerful testament to Poland’s evolving artistic landscape. Established in 1950 as a branch of the Central Bureau of Artistic Exhibitions, Bunkier Sztuki gained independence in 1962 and finally found its permanent home within this strikingly brutalist structure in 1965. The building itself, designed by Krystyna Tołłoczko-Różyska with sculptural facade elements by Stefan Borzęcki and Antoni Hajdecki, is a deliberate statement – a raw, uncompromising aesthetic that mirrors the often challenging art it houses. Its layered history, from its industrial origins to its role as a clandestine space for artistic expression during the communist era, adds an unexpected depth to the visitor’s journey.

    The gallery's core philosophy revolves around showcasing contemporary art without the constraints of a traditional permanent collection. Instead, Bunkier Sztuki thrives on a dynamic program of temporary exhibitions, inviting artists from Poland and across the globe to engage with pressing social, political, and philosophical themes. Expect immersive multimedia installations that assault the senses, sculptures and paintings that defy conventional forms, and thematic shows tackling issues ranging from identity and technology to environmental concerns and the complexities of modern life. What truly distinguishes Bunkier Sztuki is its commitment to interdisciplinary exploration – a willingness to blur the lines between art forms and media, creating experiences that are both intellectually stimulating and emotionally resonant.

    The Spirit of Innovation: Exhibitions and Artistic Focus

    Each exhibition at Bunkier Sztuki feels like an invitation to participate in a dialogue. The gallery’s curatorial team actively seeks out artists who push boundaries and challenge established norms, fostering a space where experimentation is not only encouraged but celebrated. Recent exhibitions have featured works by internationally acclaimed figures such as Bartosz Kokosiński, known for his evocative mixed-media installations that explore the physicality of art; Piotr Lutyński, whose sculptures often incorporate live music and animals to create unexpected juxtapositions; and Mikolaj Malek, a master of creating intricate models and installations that blend literary references with surreal imagery.

    Beyond the individual artworks, Bunkier Sztuki prioritizes creating holistic experiences. The gallery frequently hosts artist talks, workshops, and guided tours designed to deepen understanding and appreciation for contemporary artistic practice. These events are not merely supplementary; they’re integral to the museum's mission of fostering a vibrant cultural ecosystem within Kraków. The gallery also actively supports emerging artists through residency programs and commissions, ensuring that Bunkier Sztuki remains at the forefront of Poland’s burgeoning art scene.

    A Legacy Forged in Dialogue

    Bunkier Sztuki's history is inextricably linked to the turbulent political and social shifts within Poland. During the communist era, it served as a vital platform for artistic expression – albeit one operating under careful scrutiny – providing a space for artists to challenge prevailing ideologies and explore alternative perspectives. Following the fall of communism, the gallery embraced its newfound freedom with renewed vigor, becoming an even more prominent force in the Polish art world and forging connections with international institutions. The recent extensive renovation completed in 2024 has not only modernized the building’s facilities but also reaffirmed its commitment to preserving its unique character.

    The revitalization project meticulously maintained the brutalist architecture, recognizing it as an integral part of the gallery's identity. However, it also incorporated state-of-the-art technology and accessibility features, ensuring that Bunkier Sztuki remains a welcoming and engaging space for visitors of all backgrounds. This blend of historical preservation and contemporary innovation underscores the gallery’s dedication to both honoring its past and shaping its future.

    Beyond the Art: A Cultural Ecosystem

    Bunkier Sztuki is more than just a gallery; it's a thriving cultural hub that extends far beyond its exhibition spaces. The Austeria Paper & Art bookshop, curated by the gallery’s team, offers a carefully selected collection of art books, catalogs, and publications – a treasure trove for enthusiasts seeking deeper knowledge about contemporary artistic practice. The Creation Station provides a dedicated space for children and families to explore their own creativity, fostering an appreciation for art from a young age.

    These elements transform Bunkier Sztuki into a dynamic community center, attracting visitors of all ages and interests. The gallery’s commitment to accessibility is evident in its inclusive programming and efforts to engage with local communities. Whether you are a seasoned collector, an interior designer seeking inspiration, or simply a curious traveler, a visit to Bunkier Sztuki promises a compelling journey into the heart of contemporary art and a deeper understanding of Poland's vibrant artistic landscape.

    Where to read more

    Find this online

    QR code linking to the download page for from the series Pretty Lasses

    wahooart.com/en/art/download/malgorzata-markiewicz-from-the-series-pretty-lasses-DAQHYS-en/

    Cite this artwork

    MLA
    markiewicz, małgorzata. from the series Pretty Lasses. 2008, Bunkier Sztuki Gallery of Contemporary Art. https://wahooart.com/en/art/malgorzata-markiewicz-from-the-series-pretty-lasses-DAQHYS-en/
    APA
    markiewicz, małgorzata (2008). from the series Pretty Lasses [Painting]. Bunkier Sztuki Gallery of Contemporary Art. https://wahooart.com/en/art/malgorzata-markiewicz-from-the-series-pretty-lasses-DAQHYS-en/
    Chicago
    małgorzata markiewicz. from the series Pretty Lasses. 2008. Bunkier Sztuki Gallery of Contemporary Art. https://wahooart.com/en/art/malgorzata-markiewicz-from-the-series-pretty-lasses-DAQHYS-en/
    Harvard
    markiewicz, małgorzata (2008) from the series Pretty Lasses. Bunkier Sztuki Gallery of Contemporary Art. Available at: https://wahooart.com/en/art/malgorzata-markiewicz-from-the-series-pretty-lasses-DAQHYS-en/

    Look closely

    from the series Pretty Lasses — małgorzata markiewicz

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Market Woman (2022), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. małgorzata markiewicz was about 29 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.