Paper

Student Artwork Guide

Man with Pamphlets

Name Class Date

Lisette Model, Man with Pamphlets (1938). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Lisette Model wahooart.com/en/artists/lisette-model/
Artist’s dates
1901 – 1983
Painted
1938
Original size
50 x 41 cm

In context

Man with Pamphlets — Lisette Model

How big is it?

The original measures 50 × 41 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Shaded: the lifetime of Lisette Model (1901–1983) ▲ this work, 1938

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/lisette-model-man-with-pamphlets-AQSE86-en/

Colours

Measured from the image

    Main colour

    Espresso #3d3d3b

    Catalogued palette

    • #3D3D3B
    • #BDBEBD
    • #1C1C19
    • #7D7D7C
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Lisette Model

    The Soul Behind the Lens: The Life of Lisette Model

    Lisette Model remains an enigmatic and profoundly influential figure in the pantheon of 20th-century photography, a master of capturing the raw, unvarnished essence of the human condition. Born Elise Amelie Felicie Stern in 1901 within the vibrant, musical atmosphere of Vienna, her early years were a complex tapestry of intellectual richness and deep personal shadow. Raised in a city shaped by the avant-garde movements of figures like Arnold Schönberg, Model’s formative consciousness was steeped in a culture of profound emotional depth. Yet, this period was also marked by the trauma of childhood abuse at the hands of her father, a harrowing reality that many scholars believe infused her later work with an unflinching, empathetic gaze toward the vulnerabilities and complexities of others.

    Her journey from a musically inclined student, fluent in Italian, German, and French, to a pioneer of street photography is a testament to her transformative spirit. In 1933, Model abandoned the structured world of music to pursue the visual language of the camera, a transition that would eventually lead her to the bustling streets of New York City. This migration was not merely geographical but artistic; she moved from the melodic compositions of her youth to a visual composition defined by what she famously called "shooting from the gut." Her approach eschewed technical perfection in favor of emotional resonance, seeking instead the spontaneous, the gritty, and the authentic moments that define urban existence.

    A Vision of Urban Humanity

    Model’s photographic style became synonymous with a particular brand of humanist street photography. During her prolific years in the 1940s, as a member of the influential New York cooperative Photo League, she developed an eye for the drama inherent in the mundane. Her work does not merely document; it interprets the pulse of the city. In masterpieces such as Running Legs, New York (1941), she captures the very velocity of urban life, using powerful diagonal lines and a grainy, tactile texture to freeze a moment of anonymous, purposeful movement amidst the chaos of a wartime metropolis.

    Her lens possessed a unique ability to navigate the intersections of vanity, insecurity, and resilience. Whether capturing the poignant connection in World War II Rally, Lower East Side or the quiet dignity found in the faces of strangers, Model sought the truth beneath the surface. Her technique often embraced the imperfections of the medium—the heavy shadows, the stark monochrome contrasts, and the spontaneous grain—to mirror the raw reality of her subjects. This commitment to an unvarnished truth allowed her to document the marginalized and the overlooked with a sense of profound respect and psychological depth.

    Legacy and the Art of Mentorship

    Beyond her own photographic output, Lisette Model’s historical significance is cemented by her role as a formidable educator. From 1951 until her death in 1983, she taught at the New School for Social Research in New York, where she became a guiding light for a new generation of visual storytellers. Her most famous pupil, Diane Arbus, inherited Model’s penchant for unflinching portraiture and her ability to find extraordinary narratives within the seemingly ordinary. Through this lineage, Model’s influence rippled through the decades, shaping the trajectory of documentary photography.

    Today, the enduring power of her work is reflected in its presence within the world's most prestigious institutions. Her photographs serve as vital historical documents and timeless works of art, residing in collections such as:

    The National Gallery of Canada

    The J. Paul Getty Museum

    The National Portrait Gallery

    Lisette Model’s life was a pursuit of the authentic. Through her lens, the fleeting shadows of New York streets were transformed into permanent meditations on what it means to be human, ensuring that her quiet observations continue to resonate with every generation that encounters them.

    Where to read more

    • The artist Lisette Model wahooart.com/en/artists/lisette-model/
    • Similar works More works to compare wahooart.com/en/art/similar/lisette-model-man-with-pamphlets-AQSE86-en/

    Find this online

    QR code linking to the download page for Man with Pamphlets

    wahooart.com/en/art/download/lisette-model-man-with-pamphlets-AQSE86-en/

    Cite this artwork

    MLA
    Model, Lisette. Man with Pamphlets. 1938, https://wahooart.com/en/art/lisette-model-man-with-pamphlets-AQSE86-en/
    APA
    Model, Lisette (1938). Man with Pamphlets [Painting]. https://wahooart.com/en/art/lisette-model-man-with-pamphlets-AQSE86-en/
    Chicago
    Lisette Model. Man with Pamphlets. 1938. https://wahooart.com/en/art/lisette-model-man-with-pamphlets-AQSE86-en/
    Harvard
    Model, Lisette (1938) Man with Pamphlets. Available at: https://wahooart.com/en/art/lisette-model-man-with-pamphlets-AQSE86-en/

    Look closely

    Man with Pamphlets — Lisette Model

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Running Legs, New York (1941), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Lisette Model was about 37 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.